On a special Friday Popscene that went far into the night, all the way into the headliner’s birthday, the crowd was treated to synth pop in different forms — the dark tinged variety, the choreographed kind, and finally the made-for-the-charts sugary pop of Victoria Hesketh, aka Little Boots. It was a fun night, although not without some rough bits. Continue reading “Show Review: Little Boots with AVAN LAVA and Feathers at Rickshaw Stop, 5/3/2013”
More spotlights from the 56th San Francisco International Film Festival (SFIFF), which ends this Thursday, May 9th. Tickets for screenings still available at: http://festival.sffs.org/
Fill the Void (Israel 2012, 90 min; Hebrew with English subtitles)
Yiftach Klein and Hadas Yaron in Fill the Void
In this Israeli Film Academy Best Picture winner, director Rama Burshstein takes us inside the Tel Aviv Hassidic community. Shira (Hadas Yaron) is a conflicted young woman under pressure to marry her recently deceased sister’s husband. Hadas Yaron, resembling Greta Gerwig both physically and stylistically, deftly conveys Shira’s uncertainty and vulnerability. At the Q&A I attended, Burshstein called the film a “journey of feeling,” an apt description of this beautiful meditation on commitment and love.
Bleached blew the doors off at the Blank Club, and luckily they weren’t DeLorean doors, because then people would have gotten decked for real, rather than that fake decking Floyd Mayweather gave Robert Guerrero earlier that evening. There’s more sports highlights herein. Buckle up.
The SFIFF continues to showcase fascinating films from around the world. It ends soon (May 9th) so visit http://festival.sffs.org/ to get tickets to this week’s final screenings.
Computer Chess
(USA 2013, 91 min)
Computer Chess
An existential satire of 1980’s computer technology and the burning topic (as it stood at the time) of human vs. computer, set against the backdrop of a small computer chess tournament. Devotion to an 80’s feel through cinematography, fashion, and hilarious social stigmas are definitely worth the viewing, though the film dives a bit unnecessarily into the psychedelic. It’s fun to see (and remember…if you’re old enough) how the computer geek culture has changed.
Everybody socialized with the reserved excitement of a freshman orientation. Fun was to be had, sure, but to what degree was the procession supposed to fall backwards in trust. Nobody had an answer in Rickshaw Stop, San Francisco’s nook of clamoring dynamite, for what to expect from Maps & Atlases and company. Neither the crowd’s collective facade nor the ampersand-heavy line-up insinuated flame for a powder keg; that was a misguided prejudgement. Continue reading “Show Review: Maps and Atlases, Young Man, Cannons and Clouds at Rickshaw Stop, 4/26/2013”
Yes, that’s a somewhat dejected looking Tony Stark. Why the long face when his new movie has a shot at earning one billion dollars at the worldwide box office? Well, there IS something Tony can be sad about — with The Avengers 2, Thor: The Dark World,Captain America: The Winter Soldier, and likely a few more Marvel films on the horizon, this may be the last Iron Maninstallment for quite some time, if not ever. When Iron Man 3 takes advantage of that fact and pulls out all the stops, not including an unnecessarily complex plot and superfluous CGI, it’s a whole ton of explosive fun.
Don’t drink bleach. Go see Bleached! You have three opportunities this week!
May is looking almost as crazy as April on the show front. And this time there isn’t a Coachella to blame it on. You just need to blame it on how awesome the bay area is! Now, got do some rocking. Or Else…
Incendiary guitar goddess Marnie Stern returned to San Francisco on Sunday night in support of her fourth and most accessible LP, the wondrously titled The Chronicles of Marnia. The show, which transpired at the Rickshaw Stop, drew a full house of giddily enthusiastic fans, or at least what passes for “giddily enthusiastic” on a Sunday night in San Francisco. By which I mean we all pretty much stood there stone-faced for three hours. But we were into it! Honest! I think Marnie might actually prefer our notoriously chill style of audience participation; when she noticed that the only overtly expressive dancers in the entire club had positioned themselves directly in front of her, she actually ordered them to go dance in front of her bassist, Nithin Kalvakota. “It’s distracting! And confusing! And it’s making me dizzy!” she protested in that vaguely “It’s Pat” voice of hers. And what the lady wants, the lady gets.
Our coverage of the 56th Annual San Francisco International Film Festival (SFIFF) continues with a spotlight on three more festival films. Check out the SFIFF website for more info and tickets: http://festival.sffs.org/
Thérèse (France 2012 105 min; French with English subtitles)
Audrey Tautou as Thérèse
Cast against type, Audrey Tautou suppresses her inner gamine to mope her way through Thérèse as the title character in French director Claude Miller’s final film. “Marriage will save me from the disorder in my head,” melancholy Thérèse says as she marries for status, not love, in 1920s rural France. Rebellious and unhappy, Thérèse makes decisions with serious consequences for her family. Francophiles will relish the lush cinematography, gorgeous period costumes, and Tautou’s muted performance.
Next showing:
Will open in limited release nationwide on August 23, 2013.
The 56th Annual San Francisco International Film Festival (SFIFF) is in full swing. From April 26th through May 9th, Bay Area cinephiles, filmmakers, and movie lovers of all ages can visit select theaters on either side of the bay to see exciting new films from all over the world.
Here at Spinning Platters, we’ll shine our spotlights on a few films we’ve had the pleasure of seeing and other festival events we’ve had the pleasure of attending. We encourage you to follow along and also visit the SFIFF website at http://festival.sffs.org/ to learn more about upcoming screenings!
Ernest & Celestine (France/Luxembourg/Belgium 2012, 80 min)
Ernest & Celestine
The unlikely friendship between a hungry street-busking bear and a spirited young mouse takes center stage in this delightful French animated film. Based on the series of children’s books (which I haven’t read but now intend to), Ernest & Celestine is a charming story about friendship told through excellent voice work, a great musical score, and beautifully painted images. I was smiling all the way through. This is a title you shouldn’t miss!
Next Showing:
Wed., May 1st at 7:00PM – Sundance Kabuki Cinemas