Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
starring: Melissa McCarthy, Jason Bateman, Amanda Peet, Jon Favreau, T.I., Genesis Rodriguez, John Cho, Robert Patrick, Eric Stonestreet
screenplay: Craig Mazin
directed by: Seth Gordon
MPAA: Rated R for sexual content and language
We’ve got a pretty excellent week of shows coming up. However, you really shouldn’t miss our first ever Spinning Platters film night at The New Parkway in Oakland this Friday and Saturday night at 11:55 PM. We will be screening the Stop Making Sense, which is simply the greatest rock n roll film ever. Head over to our Facebook page to win tickets! Or you can buy tickets here, because it may sell out.
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 2/7/13-2/13/13”
The formula of reverb-drenched-rock, guitar-drum-vocal, two-man band has proven itself, time and again, to be a successful combination. Acts like the Black Keys and the White Stripes proved that it could be done, and tore their way up the charts while they did so. It is, nevertheless, challenging, blending a careful balance of lo-fi and limited composition with gripping vocals, intricately crafted licks, and thundering percussion, maintaining a smart pop sensibility the entire time. To avoid being pigeonholed, however, as another blues-rock soldier on his quest to the top, it’s important to bend the rules of the genre, throw in some curveballs, and introduce some unique elements to one’s sound, such as the close, soulful cousins that are bluegrass and western folk music. San Francisco duo Two Gallants have done just that, constructing a sonic experience that bears this variety of genres, and yet still stands unique and full of raw passion, which they brought to the Fillmore on Saturday night for their end-of-the-tour hometown show.
This weekend kicks off the Spinning Platters Midnight Music Movies screening series at The New Parkway in Oakland. When we decided that we wanted to curate a series of midnight screenings of our favorite music movies, one jumped right to the top of everybody’s list: the classic Talking Heads concert film, Stop Making Sense. If the name alone is enough reason to come to the movie, then buy your tickets here. If you want to know why this is the greatest concert film ever made, I’ll be glad to tell you. Continue reading “Midnight Music Movies at The New Parkway: Stop Making Sense”
Confrontation comic Billy Eichner, the screamingest queen to ever brandish a microphone in a bewildered stranger’s face, curated a comedy showcase called Billy Eichner and Friends at Cobb’s on Saturday night as part of SF Sketchfest 2013. Eichner has been a rising star on the New York comedy scene for several years, building his uniquely abrasive brand through popular YouTube clips that gradually led to getting his own show, the Funny or Die production Billy on the Street, currently airing its second season on Fuse. The vast majority of the show’s content features Eichner and a cameraman running up to strangers on the streets of New York and screaming at them; sometimes it’s pop culture opinion/trivia, and occasionally it’s something absurdly basic that somehow proves challenging given the intense nature of the situation (he once famously stymied Rachel Dratch by asking her to name 20 white people; a clip he showed on Saturday showed a young woman failing to meet Eichner’s command to “name any woman”). He has become a talk show staple, and is turning into a regular on Bravo’s Watch What Happens Live, on which his gay-leaning cultural obsessions seem to find the most receptive audience. So given all this, what kind of performance did Eichner have in mind for Sketchfest?
Continue reading “SF Sketchfest Review: Billy Eichner and Friends at Cobb’s, 2/2/2013”
Pete Holmes’ podcast You Made it Weird is funny, deep and as the title suggests, weird. The greatest thing about it though is how the podcast can be so funny and so personal at the same time. Since all my favorite parts of the podcast are the little personal moments, I was a little apprehensive that the deep moments might be dropped for more humor with the live audience there. Continue reading “SF Sketchfest Review: You Made it Weird with Pete Holmes at Cobb’s Comedy Club, 2/2/13”
Garfunkel & Oates are Riki Lindhome and Kate Miccuci. On their own, they are both well respected actresses, musicians, and writers. Of course, when they work together, it’s pure magic. No matter who you are, somebody has posted one of their videos on your Facebook wall. They are bringing their live show to Rickshaw Stop on Saturday, February 10th to close out this year’s installment of Sketchfest. We had a few moments to talk to both Garfunkel and Oates. Since you weren’t there with me, I’ll let you read about it:
Continue reading “10 Quick Questions: an Interview with Garfunkel & Oates”
Directed By: David Grohl
Written By: Mark Monroe
Starring: Trent Reznor, Tom Petty, Mick Fleetwood, and a cast of musical legends
The movie ‘Sound City’ started as a movie about a location but evolved into the raw internal disclosure of the emotional soul of a musician and the music industry. It allows a peek into the behind the scenes non-glamorous side of an album recording, opening insight to the controversy of analog verses digital methods.
2013 is off to a pleasantly promising start when it comes to genre films. Just a few weeks after the soulfully spooky Mama, we are now treated to Jonathan Levine’s thoroughly delightful adaptation of Isaac Marion’s beloved novel Warm Bodies. A hilariously self-aware and surprisingly sweet reimagining of the overly familiar “love transforms a monster” trope, Warm Bodies tells the story of a zombie named R (Nicholas Hoult), who narrates much of the film from his very unique point-of-view. Although zombiedom has robbed R of his ability to express himself verbally, his thoughts are as articulately human as ever; the film mines quite a bit of humor from this cognitive disconnect.
R spends his days staggering around an abandoned airport with a familiar lineup of other zombies, grunting and pondering what these people were like in life. But R is roused from his undead existential crisis when he meets Julie (Teresa Palmer), the daughter of one of mankind’s last great protectors, Grigio (John Malkovich). Julie enters zombie territory on an armed mission along with her boyfriend Perry (Dave Franco) and best friend Nora (Analeigh Tipton); it’s love at first sight for R despite the fact that Julie is trying to kill him. When the mission goes haywire and Julie is left behind, R devises a plan to keep her safe from the other zombies in the hopes that she’ll fall in love with him in spite of their, uh, differences.
If you combined equal parts James Brown and Otis Redding, a splash of Hendrix and a dash of old time swagger, you might come close to figuring out just what Cody ChesnuTT is made of. In his own way, he’s found out how to blend hip-hop beats, soulful jazz stylings, silky smooth vocals and a sprinkling of Motown showmanship into a performance that feels almost… nostalgic. Cody’s pure love for the show and the art of the song truly comes from his heart, bursting at the seams with passion and care.
Continue reading “Show Review: Cody ChesnuTT with Siddhartha at The Independent, 1/29/2013”