I have a hard time believing that there is a soul alive that isn’t aware of Competitive Erotic Fan Fiction. If you don’t know about it, it’s an amazing show where comedians compete by telling titillating erotic tales based on pre-existing works. It is also the great equalizer, where big name comedians compete alongside up and comers, and anyone can win. Tonight’s performance was no exception, as we were treated with stories told by stars of stage and screen Harland Williams, Matt Braunger, Dave Hill, and Erin Foley alongside lesser known comics Jesse Elias, TJ Chambers, Andy Haynes, Barbara Holm, Matt Lieb, and JoAnne Schinderle.
I’m going to be completely honest. I was worried that the crowd at this Knife Party show would kill my opinion of the show itself. I was worried that I would run into a Coachella-Lite type of experience, and I’d be dealing with neon day-glo tank top wearing bros who only came to rage out. I have never been so happy to have my expectations proven wrong. Continue reading “Show Review: Knife Party at Mezzanine, 01/28/2015”
In 2012, post-grunge heroes Bush embarked on a national tour across the US, but not as the headlining band; instead, they played third fiddle to two other modern arena staples, Seether and Nickelback. For fans of the English rockers that took the 90s by storm, this was an utterly perplexing move; Bush’s tenure far outstripped either of the acts they were opening for, and as far as musical association, they were far more based in grunge and even experimental sound than the radio-friendly crunch-and-stomp of their tourmates. Apparently, however, this association didn’t vanish after that tour, as I found myself arguing this very same point with a friend days before this show. Despite his insistence that the pop caliber and gravel-tinged vocals put them at the same point of similarity as their Canadian cohorts from two years prior, I fiercely maintained that Bush’s dynamic songwriting, complex lyricism, and constant sway between snarlingly raw and shimmeringly electronic production have placed them in a position that few other acts manage to span in their career. Friday’s show proved that I was not the only one who was still passionate in these beliefs, as Bush kicked off their 2015 headlining tour at The Masonic in San Francisco before a massive crowd that joined in unison to sing and sway to tunes both new and old, every moment indulging in the music that poured over them.
A few leaks can’t sink this thrilling submarine flick.
Jude Law, looking happy, in Black Sea.
About halfway through Black Sea I realized that I wasn’t breathing. It was a scene in which a few members of the submarine crew exit into the blackness of the ocean floor, and the claustrophobic intensity got the best of me. I had to take a moment to inhale and exhale and remind myself that it’s just a film, and soon after I was sucked back into it. Kevin Macdonald’s Black Sea is not just a deep sea treasure hunt that entertains with its thrills. The film sinks in deeper intellectually by the way it weaves in post-war sentiments, economic tensions, and the battle between war-torn human nature versus basic human values. Black Sea is the best submarine film released in many years, and one of the tightest thrillers in recent memory.
Braving the chill, the dry air, and the self-importance of the L.A. film industry folks who don’t turn off their cell phones during screenings, Senior Film Reviewer Carrie Kahn brings you these first spotlights (more to follow) from the Sundance Film Festival in Park City, UT, which closes this Sunday, February 1st.
From the good, the mediocre, to the downright horrific, some of these films may receive distribution deals and be widely released in the coming year. Lucky for you, we here at Spinning Platters are ready and willing to let you know which films to see and which to miss. We’ll start with five feature films, and our handy Viewing Priority Level (VPL) Guide will steer you in the right direction. Continue reading “Film Feature: Sundance Film Festival Spotlights #1”
At one point in time, Natasha Lyonne was a cult icon that did quirky, low budget indie films. Then, something strange happened. A little TV show about life in a women’s prison became one of the most popular shows on TV, bringing Lyonne up from cult icon to bonafide star. Sketchfest, by some force of magic, was able to get this big star to come to SF and slum it with us for an evening, discussing a film that’s nearly 20 years old.
Sometimes these reviews just flow out of my fingers like some kind of magic, and sometimes writing them is like pulling teeth, a sentence here, a sentence there, delete, delete, delete, and try again. For some reason, the most painful ones to write are almost always the best shows to watch. That couldn’t be more true than for this one. An Afternoon with Animaniacs was so good I have been staring at sentences I hate for days, unable to move forward. How do you put an experience like this in words? How do you explain the transcendent feeling I felt watching these amazing performers not only show off their talent, but to doing it with such joy? I’ve never seen anything like it. Voice actors really are a special breed, something much purer and glowing than the comedian or actor I normally watch at Sketchfest. Maybe what I really want to say is sorry if you weren’t at Marines Memorial Theater Sunday afternoon. Continue reading “Sketchfest Review: An Afternoon with Animaniacs at Marines Memorial Theater, 1/25/15”
StarTalk Live: Eugene Mirman, H. Jon Benjamin, Bill Nye, Dr. Yvonne Pendleton, and Prof. Scott Hubbard (Photo by Jakub Mosur)
Bill Nye, still affectionately titled “The Science Guy” as per his original sketch comedy persona, is one of the most striking examples of a forward-thinking force in modern media. Through a combination of his legacy television influence, his continuing meld of icebreaking comedy and scientific education, and a remarkably popular social media presence, he continues to make knowledge and the desire to learn a positive, enjoyable, and overall uplifting experience. As a piece of glue that can hold the worlds of science and humor together, he’s perfected his craft, and it’s a true treat to watch him work, as well as to pose inquiries to him that get his mind in gear and firing back with equally insightful and thought-provoking questions as a response. Taking a leaf out of the book of colleague scientist Neil DeGrasse Tyson, Bill has returned to Sketchfest for the second year with a live ensemble for StarTalk Radio — along with StarTalk cohost Eugene Mirman — and, to balance out the vast knowledge base of aeronautics/astronautics professor Scott Hubbard and renowned NASA Ames astrophysicist Dr. Yvonne Pendleton, the pair enlisted H. Jon Benjamin for a side-splitting fusillade of comedic jabs and snarky remarks. The full ensemble made for a delightfully entertaining night at the Nourse Theater, and left the crowd sore from laughing and glowing with renewed faith in the world of science.
Sketchfest really killed it this year, as usual. A lot of shows sold out quickly. However, the quickest sell out was Jenny Slate & Friends at The Brava Theater. Jenny Slate’s star seems to be on the rise swiftly. She starred in Obvious Child, my favorite film of 2014. Her web series Marcel The Shell With Shoes On and Catherine are both works of epic genius. It seems that everything she touches turns to gold. However, I’ve never seen her do stand up. Even a cursory YouTube search proved difficult in terms of finding any clips of her doing live comedy. It seems tonight was a very special and somewhat rare experience.
