SFIFF58 Interview: ‘Aria for a Cow’ writer/director Dan Lund & Crew

Amos, (Me), Siddhartha, Elizabeth, and Dan of 'Aria for a Cow'
Amos, Me, Siddhartha, Stephanie, and Dan talking ‘Aria for a Cow’

The shorts programs at SFIFF58 have been increasing in popularity the last few years, and Shorts 5: Family Films is no exception. One film from the group, the colorful and magnificent musical Aria for a Cow, is appropriately quite the showstopper. I sat down with Disney animator and Aria for a Cow writer/director Dan Lund, art director and co-producer Amos Sussigan, background designer and painter Stephanie Dominguez, and production manager Siddhartha Maganti at the Hotel Majestic, a few blocks from where their short would premiere the next day and a few hours before their premiere party. The camaraderie within the group is infectious, and they had no trouble jumping right into the nitty gritty of their film: 

Where did the idea for Aria for a Cow originate?

Dan Lund: I’ve always had a pretty healthy ‘outside-of-Disney’ project type thing going. I was a PA in 1989 at Disney and was working with people who were working with Howard (Ashman). I had kept hearing about this passion project of his called ‘Fatty of the Opera’. Right before we started working on Frozen I had this period where I didn’t have an outside project to work on and it kinda freaked me out. I was in New York and I had mentioned to a friend, ‘I wonder what ever happened to Howard’s “Fatty of the Opera” project’ and my friend knew Sarah (Howard’s sister) peripherally and he said, ‘You should email her.’ So I did and she graciously agreed to give me all the information I needed on this passion project if I listened to her favorite song that no one has ever heard by him, called Aria for a Cow.” I really just did it to get the other thing I wanted, but the other thing I wanted turned out to be a little odder than I thought. And I just fell in love with the cow song. She let me turn it into an animated thing. Originally she was thinking of it being a children’s book but I don’t know that world at all. The song was just lyrics on a page. I wrote the wraparound. I didn’t just want to make a music video. I wanted the song to have a home that was as story-driven as the song.

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Show Review: Two Nights with Faith No More at The Warfield, 4/19/15-4/20/15

Mike Patton of Faith No More
Mike Patton of Faith No More

In 2010, Faith No More returned to their hometown of San Francisco to play three ferocious, wildly-anticipated concerts that marked their first appearance in the Bay Area since their disbandment in the late 90s. The general reaction, from the most hardcore fans to the relatively casual listeners, was extremely positive, albeit with the lingering curiosity of “…but what’s next?” After a handful of tours, a smattering of festival appearances, and two years of almost total silence — during which the prolific band members worked on some of their other projects, as well — something more official surfaced in the latter half of 2014, in the form of two new songs: the slow-stalking “Motherfucker” and the chugging, anthemic “Superhero”, both of which showed up in their live sets that year. Now, with their seventh album Sol Invictus soon to arrive in record stores, and a mountain of tour dates taking up their schedule this year (paired with everyone from ANTEMASQUE to Refused), it seemed like the perfect time for Faith No More to return to the Warfield — this time with two shows, instead of three — and their transformation in the last five years is not only palpable, but an utter delight to witness.

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SFIFF58 Spotlights #3: Shorts — Youth Works / Family Films / Animation

'A Single Life' short from the Animated Shorts Program.
‘A Single Life’ short from the Animated Shorts Program.

SFIFF58 is underway, and we’re here to bring you all the goodies! Here’s a quick look at a few selections from three of the MANY amazing shorts programs, all of which are worth checking out at this year’s San Francisco International Film Festival (April 23-May 7):

Shorts 6: Youth Works
April 25, 11:00am – Tickets & Info
Created by amazing young talent, this collection of narrative, documentary, and animated films is astounding and just a taste of the strong pool of future filmmakers we can expect to see more of down the line.

Kers
(Alexia Salingaros, USA 2014, 5 min)

KERS
KERS

Steadily shot and succinctly edited, Kers is a quick portrait of a female graffiti artist. Challenging the notions of gender roles and respected art forms, the subject reveals the struggles and lifestyle her passion has created for herself.

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10 Quick Questions with Polaris

 

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Polaris was a fake band that comprised of real musicians in the 90’s kids show, The Adventures Of Pete & Pete. Now, 19 years after the show’s cancellation, we have the first vinyl pressing of the shows’ soundtrack, and they are also doing their first full scale US tour! They will be coming to The Chapel on April 24th. Tickets are available here!

We had a chance to ask 10 questions to Muggy Polaris (Mark Mulcahy), Harris Polaris (Scott Boutier), and Jersey Polaris (Dave McCaffrey). Here’s what these guys had to say!

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SFIFF58 Preview and Spotlights #2: The Postman’s White Nights/The Kindergarten Teacher/Fidelio: Alice’s Odyssey/The Wonders

58SFIFF

Spinning Platters continues its coverage of the upcoming 58th San Francisco International Film Festival (SFIFF) with a spotlight on four more films. The Festival opens next Thursday, April 23rd, and runs until May 7th.  Tickets and more information can be found here.

Today’s post looks at one film from the Masters section and three from the Global Visions section. Keep checking back for more coverage throughout the Fest!

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SFIFF58 Preview & Spotlights #1: Vincent / 7 Chinese Brothers / H. / Sunday Ball / A Few Cubic Meters of Love

SFIFF logo
The 58th San Francisco International Film Festival

 

Welcome film lovers and moviegoers to the Spinning Platters coverage of the 58th San Francisco International Film Festival (SFIFF). Bookmark this site because we’ll be bringing you tons of SFIFF coverage: previews, film spotlights, interviews, and special events coverage. Per usual, our spotlights will cover the films that you’re already excited to see, as well as many titles that you haven’t heard of. SFIFF program notes and tickets are available here.

We’ll be continuing our coverage this week and throughout the Festival. Without further ado, let’s take a look at some of the special events in store and then five of the festival films:

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Spinning Platters Weekly Guide to Bay Area Concerts: 4/10/15-4/15/15

The ruins of San Francisco's City Hall after the 1906 earthquake.
Tonight in Oakland, the earth will shake, the sky will burn, and San Francisco will be brought to the ground.

Here’s what’s coming up this week: monsters, bears, and Bruce Hornsby. Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts: 4/10/15-4/15/15”

Film Review: 5 to 7

Dull picture chronicles boring affair

Arielle (Bérénice Marlohe) and Brian (Anton Yelchin) wonder what they possibly could do in a hotel room between the hours of 5 and 7.

According to writer/director Victor Levin’s new film, a “5 to 7” relationship among the French refers to an extramarital affair, fully sanctioned by all involved parties, that may or may not take place during those appointed hours, but is termed thusly regardless. In Levin’s new film named for that expression, though, the affair that is the film’s subject does indeed mostly take place during those evening hours. The participants are 24-year-old aspiring New York writer Brian (Anton Yelchin, best known as the Star Trek reboot’s young Chekov) and the beautiful, older, married Frenchwoman Arielle (Bérénice Marlohe, Skyfall). At least these two get to have a few hours of fun; the viewers of this hokey mess aren’t quite as lucky.

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Film Review: The Longest Ride

A Nicholas Sparks adaptation done right, with all the flaws and annoyances of a Nicholas Sparks adaptation.

A city girl. A cowboy. Country love ensues.
A city girl. A cowboy. Country love ensues.

The newest adaptation of a sappy romantic Nicholas Sparks novel, The Longest Ride, is exactly that — sappy and romantic, and formulaic with a preposterous twist added in for preposterous effect. The story about a young beautiful art lover (Britt Robertson, Dan in Real Life) who falls in love with a young beautiful bull rider (Scott Eastwood, Fury) is the surface romance, featuring lines like “I can’t just quit. It’s all I know”, etc. The more dramatic underlying romance is the story told by an injured old man (Alan Alda, M.A.S.H.), about his courtship and marriage to the love of his life (Oona Chaplin, Game of Thrones) and the sacrifices they made for each other. Combine the two together in a layered emotional cheese fest and you have the makings of a classic Sparks story which the movie studio can use to excitedly make a film trailer that states “Two Stories Separated by Time / Connected by Fate.” (see trailer below)

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Show Review: TV On The Radio, Nostalghia at The Fox Theater – Oakland, 3/31/15

_MG_7023TV On The Radio are at an interesting point in their career. The band’s age is such that they are no longer actively buzzed about, yet they don’t stay far enough removed from the music scene to ever be experiencing a “comeback.” A lot of bands can become a little lazy at this point, opting to simply release likable records that don’t really push any boundaries, and serve just as an excuse to tour; TV On The Radio, however, simply have too deep of an imagination to go that direction. As 2014’s Seeds will go down as one of the finest records of their career, the set they played at Oakland’s Fox Theater (their first proper headlining show around here since its release) may go down in history as their finest performance in the Bay Area.
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