Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Our coverage of the 2017 Sundance Film Festival continues with this look at five documentaries that premiered at the Fest a few weeks ago.
Many of these may receive distribution or television deals (if they haven’t already; see our notes below), so you can know what to watch for in the coming year with these handy capsule reviews, which use our patented Sundance Viewing Priority Level (VPL) Guide:
Continue reading “Film Feature: 2017 Sundance Film Festival Spotlights #2”
Some legendary figures defy easy categorization. When we talk about Nina Simone, the High Priestess of Soul, do we talk first about her prodigious piano playing? Or about her penetrating, arresting, smokey voice? The voice that demands that we pay attention, that we think, as well as feel? This is a voice of a revolution, one that challenges the listener. This is the bold voice of an activist, who does not have time for your shit. Listen! Her voice challenges us – it’s the expansive sound, the hard edges, the enunciation of every syllable, and the content. Simone sang relatively few ballads compared with other jazz singers of the day, choosing instead songs with a more political message that does not seek to comfort, but rather to undermine the listener’s comfort. Simone focused on uncomfortable songs. Some, like Lilac Wine, or Nobody Knows You When You’re Down and Out, are about loneliness and heartache. Others, like the standard Strange Fruit, or her own song, Mississippi Goddam, are political songs about the unjust murder of black people at the hands of white people in the South.
Continue reading “Black History Month Artist Series: Nina Simone”
In celebration of Black History Month, we are running a series of short articles featuring influential black musicians.
His raspy voice, his intense and mercurial personality, and possibly, his personal tumult – all of these made Miles Davis “The Prince of Darkness” in the jazz scene. Davis had enormous influence on the world of jazz, and was at the forefront of at least six genres of jazz. He was the son of affluent parents, and his mother had a passion for music; she saw in her son a future blues pianist. Embracing the trumpet instead, though, he made it into Juilliard, then dropped out to replace Dizzie Gillespie in Charlie Parker’s band.
Continue reading “Black History Month Artist Series: Miles Davis”
I don’t believe there’d be many folks who’d argue that Silence of the Lambs isn’t ripe for parody. The distinct characters, the famous lines, the bone-chilling seriousness of it all — all primed for spoofing. The good news is that the feat has been accomplished in a fun, shockingly crude way by Cloud 9 Theatricals, Lang Entertainment Group, and Ray of Light Theatre in their production of Silence! The Musical (show now extended through March 18th! – tickets here). The show is an incredibly tight, minimalist production punctuated by musical numbers culled from infamous lines of dialogue and plot elements of Jonathan Demme’s 1991 film. Scott Hayes and Anne Norland, who I had the chance to interview, play Hannibal Lecter and Clarice Starling, leading the bill of the 10 member cast. Yes, that’s right, the picture above includes 7/10 of the total cast. Aside from the two leads and Brian Watson as Buffalo Bill, the remaining seven cast members wear multiple hats, playing an assortment of characters including a chorus of lambs, FBI agents, work colleagues, guards, etc. The manic energy and precisely crafted parodical elements of the show make Silence! a ridiculously fun time at the theatre.
The 2017 Sundance Film Festival ended last Saturday evening after ten days of showcasing over 200 films from around the globe; you can see all the winners here.
For the third year in a row, Spinning Platters was on the (snow-covered) ground trying to take in as many movies as our limited time and budget would allow. And so we bring you the first of our posts spotlighting the 17 films we managed to squeeze in to just over five days.
Many of these may receive distribution deals (if they haven’t already), so you can know what to watch for in the coming year with these handy capsule reviews, which use our patented Sundance Viewing Priority Level (VPL) Guide:
Continue reading “Film Feature: 2017 Sundance Film Festival Spotlights #1”
Freestyle rap and improv comedy have plenty in common. First, both have some very strict rules: you aren’t supposed to come in with any pre-written material, and you have to adhere to a commonly expected rhythm that is consistent with the rules of your craft. So it seems almost obvious that improv comics would want to at least try their hand at freestyle rap. And, who knows? Maybe they might actually be good at it. Comedian Eliza Skinner decided it was worthwhile to find out, so she put together a show that challenges comics to attempt to freestyle rap. And she brought that show to SF for the first time as part of this year’s Sketchfest, just to show us that it kind of works a bit.
Continue reading “SF Sketchfest Review: Turnt Up with Eliza Skinner at The Eureka Theater, 1/27/17”
It’s that time of year again: SF Sketchfest 2017 is in town, and as always, brings with it the promise of some great talent and good times. It also marks yet another anniversary for me with Spinning Platters (my 6th), which also always makes me smile. Anyway, this year is no exception in terms of the fun shows I went to, the first being this past weekend, at PianoFight. Kirsten Vangsness may be best known to many of us as her character Penelope Garcia on CBS’ Criminal Minds (or, as Shemar Moore’s character Derek Morgan called her, simply “Baby Girl”). But even if this is the only thing you know her from, my guess is that you, like me, adore her for the quirky, sweet lady she plays on the show. Her original one-woman show MESS intrigued me: I learned that she wrote it based on ideas from a TED Talk (which, admittedly, I haven’t had time yet to watch). I wondered if she would be anything like Garcia, or something else entirely. I admit, I had no idea what to expect, but I couldn’t wait to find out.
Continue reading “SF Sketchfest Review: Kirsten Vangsness: MESS w/The Right Now and Kevin Yee at PianoFight, 1/15/2017”
Saturday, January 21st, 2017 was a historic day. It marked the most significant single day of protest the US has ever experienced. Nearly one out of every hundred Americans went to the streets to protest the agenda of the incoming administration. It was an amazing and profound experience, and I was proud to participate in it. With it, another, smaller record was broken: on this fateful day, 1,667 people experienced what will be known as the largest improv show in history. (Please don’t fact check this. It’s a joke. Don’t be that person.) Continue reading “SF Sketchfest Review: Upright Citizens’ Brigade: A.S.S.S.S.C.A.T. at The Curran, 1/21/17”
Silence! The Musical opens at the Victoria Theatre in San Francisco on Friday, February 3rd — tickets here. The “unauthorized parody of Silence of the Lambs” is a show you are not to miss. In eager anticipation for the show, I got the opportunity to ask the two leads, Anne Norland (who plays Clarice Starling) and Scott Hayes (who plays Hannibal Lecter), some questions…
Before landing your roles, had you seen “Silence of the Lambs” and what were your thoughts on the film?
Anne: I am such a scaredy-cat when it comes to scary films or images. I was familiar with Jodie Foster’s accent and style in the movie, but I actually only really sat down and watched the movie start to finish in preparation for my callback for Silence! It scared the shit out of me. Psychological dramas are the scariest for me. It’s not gore-y or sneak-out-of-the-closet-and-spook-you like a slasher movie, but it’s freaky because that Giallo style gets under your skin (…no pun intended?). Any minute, someone might try to shove me in a well or bite into my face.
Scott: I actually saw the film the night after it opened back in 1991. Not only do I recall it being terrifying, but also remember the audience as a whole responding with gasps and screams. It was a genuine collective experience in the best way.
Continue reading “Spinning Platters Interview: Anne Norland & Scott Hayes, Silence! The Musical“
Moshe Kasher’s podcast Hound Tall takes several comedians and one expert on a subject and makes either a glorious or terrible mess of things. When the podcast is great, it is so great. And when it misses, it really misses. Last year I watched the electronic music episode and it was so much more than I thought it would be. This year the topic was “Planning a Non-Violent Revolution in the Age of Trump”. The topic was exactly what I needed, and maybe what everyone needs after spending a day being inspired by the Women’s Marches around the country. Continue reading “SF Sketchfest Review: Hound Tall Podcast with Moshe Kasher at Swedish American Hall, 1/21/17”