Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Photos and review by: Alan Ralph @ConcertGoingPro
Swedish band Ghost has returned to the US and is currently on a 7 week tour as the sole support act for the mighty Iron Maiden! In addition to those 26 shows, Ghost booked 14 headliner theater shows, including The Warfield in San Francisco.
Continue reading “Show Review: Ghost, The Warfield, July 2, 2017”
Boo! Sorry if I startled you, but such an opening seems appropriate for a review of A Ghost Story, writer/director David Lowery’s new film about, yes, a ghost – replete in Casper-esque white sheet with eyeholes and all. But this ghost isn’t exactly friendly; in fact, he’s sad. Bereft, even. And lost. He needs closure. And you will be yearning for it, too, if you choose to sit through this pretentious slog masquerading as a profound meditation on grief.
Continue reading “Film Review: A Ghost Story“
Do you know what today is? You do. It’s July 12. That means that over in North Carolina, it’s Mac McCaughan’s birthday. Who? Yes. Mac McCaughan of the long-running pogo-producing indie-rocker band Superchunk, as well as his own semi-solo project Portastatic, as well as one of the founders of the stalwart Merge Records. Cheers to Mac.
Speaking of pogo-inducing rock and roll, let’s talk about this week’s concerts. Here’s what we’ve got coming up this week in the Bay Area: things with animals, things from the past, and things near to college.
So, let’s get this preview started. Previewing now. Pre. View. Preview is starting and let’s go preview now.
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts: 2017-07-12 – 2017-07-16”
Sometimes a movie has a story to tell, and sometimes it doesn’t. This movie doesn’t. It has a purpose, for sure. It has a goal in mind and it competently makes every effort to get there, and objectively, it does. Unfortunately, the goal was not to make a meaningful movie; it was simply to check all the boxes on what makes an “entertaining” one. This is a bland, corporate product that goes down easy, but is forgettable from beginning to end.
Do you know what today is? You do. It’s July 5. That means that here in the Bay Area, it’s Huey Lewis’s birthday.
Speaking of the heart of rock and roll, let’s talk about this week’s concerts. Here’s what we’ve got coming up this week in the Bay Area: symphonies, troopers, and remembrances.
So, we’ll preview this now. Previewing now. Let’s preview and go ahead and preview. Preview go!
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts: 2017-07-05 – 2017-07-09”
A big issue I’ve taken up many times with electronic music is the fact that many top-selling, well-known acts are able to craft their musical set — and perform it — with incredibly little effort, sometimes less than a single button press. Many circles of music fans mock massively popular DJs for this “just push play” approach to touring, and I’m among them; I appreciate a great live show as much as anyone, but there should be a balance of performance and spectacle. In addition, it’s easy to bury the lack-of-complexity in a lot of pop-centered dance sets under piles and piles of dazzling lights, psychedelic projections, and spiffy lasers. If any of these sound like your own pet peeves with music that has mostly been composed with the aid of a machine, then you’ll want to make a point to see Shobaleader One, the latest project helmed by IDM artist Tom Jenkinson, best known for his work as Squarepusher. Theirs is a live performance bereft of automated tracks, flashy lights, or colorful costumes; instead, it’s a tour-de-force of stunningly-complex grooves played at dizzying tempos — the sort of thing that would appeal to electronic, jazz, and progressive fans alike.
Continue reading “Show Review: Shobaleader One (Squarepusher) at the UC Theatre, 6/27/2017”
In its 70-year history, the Cannes Film Festival has only awarded its Best Director prize to a female director twice; the first was in 1961 (to Soviet filmmaker Yuliya Solntseva for Chronicle of Flaming Years, a tale of Nazi resistance in the Soviet Union), and the second was this May, to writer/director Sofia Coppola for The Beguiled. While the Festival sadly took some 50 years before bestowing this honor on another woman, this year’s award hopefully signals a real shift toward providing opportunities for, and recognizing the accomplishments of, women in film. That said, the concern of this review, of course, is the film itself: are Coppola and her new film worthy of the prize? The answer, thankfully, is a resounding yes.
Continue reading “Film Review: The Beguiled“
It’s the week between Pride Weekend and the Fourth of July Weekend. A chance to catch your breath.
Speaking of catching things, let’s talk about what you can catch in this week’s shows. What we’ve got coming up this week in the Bay Area includes: ogres, lifers, (sc)avengers, The Dude and The Iguana.
So, we’re going to do the preview now. Doing the preview now. Preview is go and now we go do the preview now. Previewwww.
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts: 2017-06-28 – 2017-07-02”
She has eyes the color of sunlit amber. She has a face that always reflects your best mood. Just being near her, feeling the warmth of her body as you wake up from an afternoon nap, sends waves of serenity through you. Sometimes, when you’re not sure where she is, and you call after her, the moments before her reply can seem like small eternities. Continue reading “Film Review: Okja“
Edgar Wright’s newest film, Baby Driver, is a labor of love, many years in the making. The film would be a typical action crime drama were it not made by Wright, who is anything but typical. Instead, we get a creatively inspired film that takes this oft repeated form and adds a magical twist, which is that nearly every scene, from a romantic conversation in a laundromat to a brisk foot chase with guns blazing, is not only accompanied by inspired musical choices, but is also choreographed to the songs. The result crackles with life and bristles with energy. We were overjoyed to be able to spend a few minutes discussing the music and choreography with director Edgar Wright and budding superstar Ansel Elgort.
Continue reading “Film Feature: A Few Minutes with Edgar Wright and Ansel Elgort from Baby Driver“
