Some weeks, I find a song that immediately inspires me to write about it. I find a clear and vivid emotional connection, and can easily articulate it. Other weeks, I go through emails and press releases, and a song just jumps out at me, and I don’t really know how to describe it. “Sad Girl Party” by CYBERST3PH is one of those. After hours of listening to new music from all across the spectrum, this song just *hit.* It filled me with that burst of serotonin that comes from hearing a song that just makes you happy. It has all the heart and sincerity of Diet Cig, but a shine to it that usually doesn’t work for a song like this, but just plain does.
“Sad Girl Party” is available in all the usual places, and be sure to follow CYBERST3PH on Instagram, Twitter, and Spotify to stay in the loop on new music.
One of my favorite video tropes is the “female murdering their male partner” trope. Kesha gave us a great one in 2019 with “Raising Hell.” The Dixie Chicks’ “Earl” stands as a classic. And now Elizabeth Nistico, under her aptly named alter-ego Revenge Wife, brings us “Manifest.” This is a thrilling tale of love gone awry, and, quite honestly, this music video might be the best movie I’ve seen all year. (I also have a two-year-old that is trapped at home with me due to the pandemic, and when that kid is asleep, I’m either running this blog, working, or trying to make sure the house doesn’t fall to pieces, so there’s not a lot of time for movie watching. 3 minutes and 12 seconds IS my free time) The song itself is some hyperpop brilliance, and I’m really excited about all of this madness ending so I can enjoy this genre live.
“Manifest” is the second single off Revenge Wife’s forthcoming EP Background Songs For Your Boring Life, Part 1. The release date is still TBA, but you can keep up with Nistico on Instagram and Twitch!
It’s been a long time since we’ve given you a hometown single of the week. A lot of that is due to, well, not going to shows and getting blown away by someone new live. Instead, we need to get blown away in our headphones, which is exactly what Susan Darvishi did. “Polaroid” is a big, classic new wave song, in the vein of Human League. The synths are warm and lovely, not cold like a lot of dance music suffers from. And the best part is the lyrics- we have a real story with a beginning, middle, and end that takes you on a night out. She actually brings you to a space where we can see our friends, meet new people, dance, and live life like we haven’t been able to in over a year at this point. It’s the perfect COVIDversary track, and, in its own way, is helping me remember that there is an end, and we will get to that place again.
You can find “Polaroid” and the rest of her excellent catalog in all the usual places! Rumor has it a full length will be dropping before the year is out!
Little Fuss are Olivia Martinez and Cody Von Lehmden, a pop duo from Boston, MA. “Watch Out” is their first single, and it’s an anxious little bouncy number that matches it’s sonic optimism with realistic lyrics about struggling through life now. In the end, there isn’t a lot to say about it other than it made me happy, and continues to make me happy upon subsequent listens. I hope it makes you happy, too.
This is the first we are hearing of Little Fuss, but hopefully not the last. You can follow them on Soundcloud, and, if we are lucky, they might get to take this thing out on the road by year’s end.
I’ve been sleeping on The Paranoyds… There is so much good garage rock coming out of LA these days that sometimes it’s easy to miss something amazing. Well, by the grace of God, they decided to drop a new single and video off their 18-month-old debut full-length Carnage Bargain. And, well, I really like it. “Egg Salad” is a fun, organ-driven punk rock number that fills my heart with great joy. It’s a dance song, and it’s the kinda song where I can’t wait until it’s safe to get sweaty to this jam in person.
Factory Baby, Noname’s 2nd full-length album was due to come out in 2019. Then Chicago’s finest MC (Yes, Chance and Kanye, she is Chicago’s finest MC) decided that she was leaving the music business. She dropped off a massive triple headlining tour with Chromeo and Toro u Moi. The album never saw the light of day, and she was pretty silent throughout 2020, aside from a low profile single, “Song 33” and starting a NoNameReads, a book club dedicated to uplifting the voices of POC.
Well, about a month ago or so, Noname reactivated her artist profiles on social media, teasing that she’s back. Her first track since her “return” is “Rainforest.” Her smooth, calm delivery almost makes you miss the fact that it’s a biting, no-holds-barred attack on colonialism and capitalism. If this is what we are going to expect from Factory Baby, then I’m totally on board.
“Rainforest” is available in all the usual places. More news on Factory Baby as we get it!
For those who have been paying attention to this column, it’s not hard to see that the writer has been pretty frustrated and feeling both suffocated and frightened for the last, um, 11 months or so. Everything is equally an existential crisis and a real crisis, and despite the news getting more and more positive every day, it’s still scary, and life is still pretty much trapped in four walls. That’s where “23” comes in. It’s a lovely, poppy, fuzzy number that feels simultaneously free and trapped. Think somewhere between Courtney Barnett and Diet Cig. Lyrically it’s a witty and insightful look inside the mind of someone transitioning into adulthood and what it means. Wallice’s jazz-trained vocals come through without losing her relatability. My 41-year old self, whose career was pretty much severed because of COVID and has been thrown into a stay-at-home dad life, not because of choice but because there’s no other option, has been stuck listening to this song on repeat because the situation is different, but the sentiment is on point.
“23” can be streamed/purchased in all the usual places. More to come from her, so it may be wise to hit that “follow” button on your chosen platform.
David Bowie’s Blackstar. Metallica’s Hardwired… To Self Destruct. Cher’s Believe. Green Day’s American Idiot. Bob Dylan’s Oh Mercy. It’s rare for an artist to go over a decade between “classic albums.” These five were the only five I could really think of where the band was able to find that magic, get that “this is why I love this artist” sound after years. Liz Phair’s two most recent records, Somebody’s Miracle and Funstyle weren’t for me. I actually wasn’t even sure Phair was going to release another album after 2010’s Funstyle, let alone a record that I was going to be legit excited about.
So, when I put on “Hey Lou,” that angular acoustic guitar HIT ME IMMEDIATELY. THIS IS THE LIZ PHAIR THAT I LOVE!!! It’s classic Liz Phair: rough, a little abrasive, vivid lyrics. Yet, the song sounds fairly mature. The arrangement is complex and fascinating in a way that someone with 30 years experience under her belt as a songwriter would be able to do. And, really, she is a better singer now. It’s just a great song.
“Hey Lou” is out now in all the usual places. It’s the first single off her upcoming record Soberish, due later this year. If you are jonesing for a Liz Phair concert, she’s doing a live stream on March 3rd, aptly titled “I Was Almost There.” And, of course, we are still waiting to see officially when we will be able to enjoy live music again, but Phair is still due to tour with Alanis Morisette and Garbage later this Summer. Dr Fauci said that it’s important to make plans out in the world for after this is over, so it’s really beneficial to start buying concert tickets anyways! Until then, keep double masking, avoiding unnecessary trips into the world, washing your hands, and be sure to get your shots when they become available again, and we might actually enjoy this ridiculous lineup together.
Yes, Spinning Platters is still dealing with an avalanche of great singles from 2020 that we missed… We will get to 2021 soon enough, but 2020 was so dark and painful that a lot of music got lost in the shuffle and I’m glad it’s shuffling back to the surface. Our single this week is “National Song” by Nana Adjoa, a track off last year’s Big Dreaming Ants. It’s a bold, haunting, dark number with a slightly “off” fragile synth line that does that thing where a part of a song makes your heart all gooey and warm. It’s a stunner of a single that belongs in the same class as the best material from Portishead and Feist.
Big Dreaming Ants is out now and available in all of the usual places! And don’t forget to check out her performance on NPR’s World Cafe!
I get a lot of press releases. I’ll admit, most of the time I just read the subject and archive it if nothing jumps out at me. I wish I had time to listen to everything that was sent to me, but I just plain don’t. This particular one almost didn’t make the jump! But some mystical force made me listen to this track. I had a queue of about 20 other songs that could have been this week’s single, but this one was just magic. “Resistance” is dreamy, shoegazey goodness, with just a hint of country. Singer Laura Wight comes from the Neko Case / Bethany Constentino mold of full, confident emoting with just a hint of twang, and it balances nicely over the wall of sound layers this group produces. If you were a fan of 90’s alt-rock legends Belly, this is a band for you.
“Resistance” is available now in all of the usual spots. I’m excited to hear more from these folks in the coming months and beyond!
