Show Review: Javier Colon with Reed Waddle at The Uptown Theatre Napa, 3/4/2012

The stage before the show, and before the "no photos" policy was announced (and enforced)

Let’s talk for a minute about NBC’s The Voice. Last April, when it premiered after much hype, I was really excited to check it out. For anyone who isn’t familiar, the premise of the show is that undiscovered musical talents audition for four current musicians, in hopes that their vocals alone will convince one (or more) of them to coach them through the rest of the competition. They call it a “blind” audition because all four coaches (Adam Levine of Maroon 5, Cee-Lo Green, Christina Aguilera, and Blake Shelton) sit with their backs to the stage, unable to see the performer at all. It sounds like a great concept, right? True, I always point out that there’s a little bit of a fallacy here, since it is a TV show, and someone’s doing the casting, so while it’s true that the coaches don’t see who the voice is coming out of before signing on to work with them, it’s not entirely true that how a performer looks isn’t taken into consideration at all.

Anyway, last year it was really fun to watch, because after you get past the fact that almost all of the performers look commercial enough to make it in the industry, you start to get sucked into the untapped talent – in my case, I was especially rooting for Team Adam, as Mr. Levine has a knack for picking the artists I liked the best. In the end, my favorite guy won. His name is Javier Colon, and truth be told, I haven’t heard much about him since he won. So believe me, I was excited to see him when I saw that he was playing the Uptown Theatre in Napa last night. Continue reading “Show Review: Javier Colon with Reed Waddle at The Uptown Theatre Napa, 3/4/2012”

Show Review: The Fray with Scars on 45 at The Fox Theater, 2/20/2012

The Fray's Ben (drums) and Isaac (atop the piano, singing his ass off)

The Fox Theater. Scars on 45. The Fray, live. A crowd that actually applauds with their hands more than with their voices. These are things that, until Monday night, I’d never before experienced. And all were, as it turned out, the beginning of a wonderful cure for a stereotypical “case of the Mondays.” Though I’ve been listening to The Fray for several years, this was my first chance to catch a show, and until last week, I’d never even heard of English opening band Scars on 45. They did, however, come highly recommended by a friend, and so I couldn’t wait for the show to start. Lucky for me, the lights went down promptly at 8:01 pm. Continue reading “Show Review: The Fray with Scars on 45 at The Fox Theater, 2/20/2012”

Show Review: Nikka Costa with Terraplane Sun at Red Devil Lounge, 2/12/2012

The incomparable Nikka Costa

Why the world still has yet to catch on to what they’ve been missing all these years in Nikka Costa is a mystery to me, and frankly has been for more than a decade now.  That said, though I wish her all the success in the world, I don’t really mind that she has a small-but-dedicated cult following rather than fans to fill arenas, because it allows me opportunities to see her in small venues like the Roxy in LA, the Independent here in SF, and this past weekend, the absolutely tiny Red Devil Lounge.  Better still, I’m finally learning that if Ms. Costa is going to have an opening act, it’ll likely be a musician or band she’s chosen herself, as was the case with last night’s opener, Terraplane Sun. Continue reading “Show Review: Nikka Costa with Terraplane Sun at Red Devil Lounge, 2/12/2012”

Show Review: Andy Grammer with Ryan Star and Rachel Platten at Great American Music Hall, 1/15/2012

Andy Grammer

Until recently, I barely knew the names Andy Grammer or Ryan Star.  Rachel Platten, however, was a name I knew – I’d just seen her open for the musically delicious Keaton Simons back in October.  Adorable, charming, and a catchy singer-songwriter, I made a mental note to review her set next time she came to the Bay Area.  Which is how I found myself researching the likes of Ryan Star and headliner Andy Grammer last week, in preparation for last night’s show at SF’s Great American Music Hall.  I knew a song or two from each guy (“Start a Fire” and “Breathe” from Mr. Star, and last year’s catchy hit “Keep Your Head Up” from Andy), all of which I liked enough to get excited to discover new tunes.  As it turned out, the show would exceed my expectations tenfold. Continue reading “Show Review: Andy Grammer with Ryan Star and Rachel Platten at Great American Music Hall, 1/15/2012”

Show Review: Jonny Lang with the Michael Williams Band at the Uptown Theatre Napa, 10/28/2011

Jonny Lang. Genius at work.

Up until last week, it would have shocked me to learn how few people in my life have heard of the young blues guitar genius Jonny Lang. Because I’ve witnessed Jonny’s musical evolution (from 15-year-old phenom to critical darling to gospel musician) since the late 90s, it seems absurd to me that there would be anyone that’s not yet heard of this man. Alas, it’s true: we Jonny Lang fans seem to be much more of a minority than I knew. Happily, this weekend found me among nearly a thousand like-minded individuals at Friday night’s performance at downtown Napa’s tiny Uptown Theatre. Continue reading “Show Review: Jonny Lang with the Michael Williams Band at the Uptown Theatre Napa, 10/28/2011”

Show Review: Switchfoot with Anberlin and Atomic Tom at the Warfield, 10/10/2011

Jonathan Foreman with his Vice Verses guitar

It’s been almost ten years since I was first introduced to the music of Switchfoot. At the time, I was living in San Diego and they were a local band on the brink of making it. Somewhere between frontman Jon Foreman’s distinctive voice and lyrics that inspired me to live fully, (“this is your life – is it everything you dreamed that it would be when the world was younger and you had everything to lose?”) I had found a band whose music I could never play too much. Sure enough, nearly a decade later, I continue to love each album as much (or more!) than the one that preceded it. Somehow, life has managed to keep me from ever seeing this band live…until last night. Finally, finally, finally, my time had come: Switchfoot and co-headliners Anberlin graced the stage at the Warfield in San Francisco with openers Atomic Tom, and what better way to spend a beautifully rainy Monday night than warm and cozy inside with a fantastic band? Continue reading “Show Review: Switchfoot with Anberlin and Atomic Tom at the Warfield, 10/10/2011”

Show Review: Hanson with Meiko at Regency Ballroom, 9/8/2011

Taylor, Isaac, and Zac Hanson...in an 'mmmbop' they're grown

To most of the world, Hanson were three little boys who sang ridiculously catchy songs like “I Will Come to You,” “Weird,” and “Where’s the Love,” had millions of little girls screaming and crying, but “in an mmmbop” were gone. What most don’t know is that the brothers Hanson have never stopped making music. Since that first album that created hysteria among pre-pubescent girls, Middle of Nowhere, Hanson has released four more studio albums (2000’s This Time Around, Underneath in 2004, The Walk in 2007, and last year’s Shout it Out), the three most recent three of which have been under their own label, 3CG Records. Because Hanson made their debut in a moment of bubble gum pop insanity alongside the Backstreet Boys, ‘NSync, and countless other fluffy prefab acts, they were too easily written off with the rest as having had little to no talent. What many didn’t (or still don’t) know was that the boys had been writing their own lyrics and music all along, and now almost fifteen years later, continue to do so, rewarding loyal fans with some great pop rock tunes. Last night their “Musical Ride Tour” stopped at the Regency Ballroom, and I was lucky enough to be there to spend another memorable evening with a band I love to change people’s minds about. Continue reading “Show Review: Hanson with Meiko at Regency Ballroom, 9/8/2011”

Show Review: TFDI with Riley Etheridge & Michael Kang at Cafe du Nord, 8/21/2011

A little over two years ago, some friends and I went to see Tony Lucca at the Hotel Utah. He was playing with two dudes we’d never heard of before: Jay Nash and Matt Duke. Matt opened, and before he’d finished the first song all three of us were staring at him, transfixed (and okay, maybe a little surprised as well). Our reactions to Jay were similar, and of course we already knew we loved Tony’s music too. As the tour progressed, it didn’t take them long to realize that their fantastic chemistry shouldn’t go to waste. By the time they reached SPACE in Chicago, they were harmonizing their way through each other’s set lists, two of them flanking the third songwriter as he took center stage. They decided to record a 4-song EP, and somehow the whole project was dubbed “TFDI.” (More on that later.)

Continue reading “Show Review: TFDI with Riley Etheridge & Michael Kang at Cafe du Nord, 8/21/2011”

Show Review: Keaton Simons with Curtis Peoples and Whitney Nichole at Hotel Utah, 4/13/2011

Keaton Simons at the Hotel Cafe in LA

Keaton Simons has a degree in ethnomusicology (the study of world music). Curtis Peoples calls his style of music “coffee shop/arena rock.” At first glance, these two may seem an odd pair for a mid-week one-night stint at the Hotel Utah. The truth is, though, that the two have been friends (and sharing stages) for years. Both are LA-based singer/songwriters with mostly acoustic sets and guitars, sprinkled with a little piano here and there, and both have been so hard at work on new albums that neither has been to the Bay Area in at least a year. And both have fans that were happy to skip the Giants game in favor of a night’s worth of their music. Continue reading “Show Review: Keaton Simons with Curtis Peoples and Whitney Nichole at Hotel Utah, 4/13/2011”

Show Review: 30 Seconds to Mars with CB7 at SJSU Events Center, 4/8/2011

30 Seconds to Mars, a few days prior. Thanks to Flickr user danford for sharing!

To their fans, 30 Seconds to Mars are as much a religion as they are a band. If you’d have said this to me a week ago, I wouldn’t have known enough about other fans to agree or disagree. Though the band released their eponymous first album in 2002, it wasn’t until late 2009 that I wised up enough to pay them some attention. In retrospect, I can only wish I’d have gotten on board years ago.

In 1994, like most other fifteen-year-old girls, I was swooning over the baby blues of My So-Called Life‘s “Jordan Catalano,” as most of us first knew Jared Leto. After the show was canceled, I followed his film career sporadically. I heard he was in a band, and yet because I knew him first and foremost to be an actor, I never even thought to give them a listen. In 2005, a friend and I randomly bumped into Mr. Leto wandering from tent to tent at Warped tour in Long Beach, but even then I was more interested in not drooling over his long blond hair than in checking out his band. It wasn’t until the adamant recommendation of a virtual stranger in late 2009 that I turned my ears toward the album that would quickly lead me to call 30 Seconds to Mars my favorite band (This is War). After finally getting to see them live for the first time Friday night at SJSU’s Events Center, I’m starting to understand why I saw licensed t-shirts printed with the words “yes this is a cult.” Continue reading “Show Review: 30 Seconds to Mars with CB7 at SJSU Events Center, 4/8/2011”