Show Reviews – Page 39 – Spinning Platters

Show Review: Coldplay with The Pierces and Metronomy at HP Pavilion, 4/28/2012

P1030206 — Jonny Buckland and Chris Martin (with Guy Berryman in background)

To most of the fans in attendance at HP Pavilion this past Saturday night, I might have seemed crazy… or at least like I’ve been living under a rock since 2000. That’s not to say that I’ve never heard of Coldplay, or don’t enjoy the singles I’ve been hearing over the years, or that I dislike them. I just never caught the fever. Much like U2, Coldplay was always a band I liked, but had never gotten rabid about like their hardcore fans. In my experience, when I feel that ambivalent about a band, I often think that most of their songs sound the same. I remember when “Yellow” came out: I was 21, and I loved it. And after that, for some reason, I never paid much attention. But here I am, 12 years later, and the opportunity to see (and review) them falls into my lap – do I go? Hell yes! I couldn’t pass up a chance to see what all the fuss was about, and I knew I’d leave the show with a forever “meh” attitude about them, or come home having caught the fever…

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Show Review: Ingrid Michaelson with Harper Blynn at The Fillmore, 4/25/2012

P1030143 — Ingrid Michaelson and her uke

Prior to this week, I couldn’t have picked Ingrid Michaelson out of a police line-up. I had more than a good handful of her songs on my iPod, and had seen her on at least one TV appearance and multiple album covers, but she appears to be somewhat chameleonic if you judge by those: from the girl with the ponytail and the face paint on the cover of Be OK to the girl-next-door blonde on Everybody to the bundled-up brunette in hipster glasses in last year’s Macy’s Thanksgiving Day parade, I really didn’t know who she was, other than a girl with a voice I really liked. Thankfully, last Wednesday night at the Fillmore, I had the opportunity to find out for myself just what Ingrid Michaelson is all about.

Continue reading “Show Review: Ingrid Michaelson with Harper Blynn at The Fillmore, 4/25/2012”

Show Review: Tyrone Wells with Mike Annuzzi and Joe Brooks at The Independent, 3/29/2012

P1020888 — Tyrone Wells: unique and delicious

At first glance, he might just be a very large, very bald man with a tiny guitar and a voice that mesmerizes. Upon closer inspection, though, Tyrone Wells is just tall, talented, and playing a ukulele. Well, at least until he starts yodeling, anyway…if it’s all a bit to take in for the first time, I understand. It’s a unique (and thoroughly enjoyable) experience, and I can still remember the first time I witnessed it myself, several years ago. Since then, I’ve fallen for albums like Remain and EP Metal & Wood, as well as the brand new release, Where We Meet, which brought him to The Independent this Thursday, alongside local opening act Mike Annuzzi and English singer/songwriter Joe Brooks.

Continue reading “Show Review: Tyrone Wells with Mike Annuzzi and Joe Brooks at The Independent, 3/29/2012”

Show Review: Jordan Knight at Yoshi’s San Francisco, 3/12/2012

P1020608_ — Jordan Knight, in all his charismatic glory...

Many of you aren’t going to believe me when I say this, but that won’t stop it from being true: the New Kids on the Block just keep getting better with age. Here’s how I know this: I’ve been a fan since I was a first grader. Back then, for me, it was definitely more about cute boys and catchy music than whether or not someone had any actual talent. Happily, though, by the time that ceased to be true, the vocal and musical talents of the group’s main singers had begun to impress me more than I ever dreamed they would. And even if you don’t believe me enough to give them a listen, the photos speak for themselves: these guys are making forty-something look unbelievable. But perhaps I digress a bit…

Continue reading “Show Review: Jordan Knight at Yoshi’s San Francisco, 3/12/2012”

Show Review: Javier Colon with Reed Waddle at The Uptown Theatre Napa, 3/4/2012

P1020419 — The stage before the show, and before the "no photos" policy was announced (and enforced)

Let’s talk for a minute about NBC’s The Voice. Last April, when it premiered after much hype, I was really excited to check it out. For anyone who isn’t familiar, the premise of the show is that undiscovered musical talents audition for four current musicians, in hopes that their vocals alone will convince one (or more) of them to coach them through the rest of the competition. They call it a “blind” audition because all four coaches (Adam Levine of Maroon 5, Cee-Lo Green, Christina Aguilera, and Blake Shelton) sit with their backs to the stage, unable to see the performer at all. It sounds like a great concept, right? True, I always point out that there’s a little bit of a fallacy here, since it is a TV show, and someone’s doing the casting, so while it’s true that the coaches don’t see who the voice is coming out of before signing on to work with them, it’s not entirely true that how a performer looks isn’t taken into consideration at all.

Anyway, last year it was really fun to watch, because after you get past the fact that almost all of the performers look commercial enough to make it in the industry, you start to get sucked into the untapped talent – in my case, I was especially rooting for Team Adam, as Mr. Levine has a knack for picking the artists I liked the best. In the end, my favorite guy won. His name is Javier Colon, and truth be told, I haven’t heard much about him since he won. So believe me, I was excited to see him when I saw that he was playing the Uptown Theatre in Napa last night. Continue reading “Show Review: Javier Colon with Reed Waddle at The Uptown Theatre Napa, 3/4/2012”

Show Review: The Fray with Scars on 45 at The Fox Theater, 2/20/2012

P1020387 — The Fray's Ben (drums) and Isaac (atop the piano, singing his ass off)

The Fox Theater. Scars on 45. The Fray, live. A crowd that actually applauds with their hands more than with their voices. These are things that, until Monday night, I’d never before experienced. And all were, as it turned out, the beginning of a wonderful cure for a stereotypical “case of the Mondays.” Though I’ve been listening to The Fray for several years, this was my first chance to catch a show, and until last week, I’d never even heard of English opening band Scars on 45. They did, however, come highly recommended by a friend, and so I couldn’t wait for the show to start. Lucky for me, the lights went down promptly at 8:01 pm. Continue reading “Show Review: The Fray with Scars on 45 at The Fox Theater, 2/20/2012”

Show Review: Nikka Costa with Terraplane Sun at Red Devil Lounge, 2/12/2012

Why the world still has yet to catch on to what they’ve been missing all these years in Nikka Costa is a mystery to me, and frankly has been for more than a decade now. That said, though I wish her all the success in the world, I don’t really mind that she has a small-but-dedicated cult following rather than fans to fill arenas, because it allows me opportunities to see her in small venues like the Roxy in LA, the Independent here in SF, and this past weekend, the absolutely tiny Red Devil Lounge. Better still, I’m finally learning that if Ms. Costa is going to have an opening act, it’ll likely be a musician or band she’s chosen herself, as was the case with last night’s opener, Terraplane Sun. Continue reading “Show Review: Nikka Costa with Terraplane Sun at Red Devil Lounge, 2/12/2012”

Show Review: Andy Grammer with Ryan Star and Rachel Platten at Great American Music Hall, 1/15/2012

Until recently, I barely knew the names Andy Grammer or Ryan Star. Rachel Platten, however, was a name I knew – I’d just seen her open for the musically delicious Keaton Simons back in October. Adorable, charming, and a catchy singer-songwriter, I made a mental note to review her set next time she came to the Bay Area. Which is how I found myself researching the likes of Ryan Star and headliner Andy Grammer last week, in preparation for last night’s show at SF’s Great American Music Hall. I knew a song or two from each guy (“Start a Fire” and “Breathe” from Mr. Star, and last year’s catchy hit “Keep Your Head Up” from Andy), all of which I liked enough to get excited to discover new tunes. As it turned out, the show would exceed my expectations tenfold. Continue reading “Show Review: Andy Grammer with Ryan Star and Rachel Platten at Great American Music Hall, 1/15/2012”

Show Review: Jonny Lang with the Michael Williams Band at the Uptown Theatre Napa, 10/28/2011

Up until last week, it would have shocked me to learn how few people in my life have heard of the young blues guitar genius Jonny Lang. Because I’ve witnessed Jonny’s musical evolution (from 15-year-old phenom to critical darling to gospel musician) since the late 90s, it seems absurd to me that there would be anyone that’s not yet heard of this man. Alas, it’s true: we Jonny Lang fans seem to be much more of a minority than I knew. Happily, this weekend found me among nearly a thousand like-minded individuals at Friday night’s performance at downtown Napa’s tiny Uptown Theatre. Continue reading “Show Review: Jonny Lang with the Michael Williams Band at the Uptown Theatre Napa, 10/28/2011”

Show Review: Switchfoot with Anberlin and Atomic Tom at the Warfield, 10/10/2011

Jonathan Foreman with his Vice Verses guitar

It’s been almost ten years since I was first introduced to the music of Switchfoot. At the time, I was living in San Diego and they were a local band on the brink of making it. Somewhere between frontman Jon Foreman’s distinctive voice and lyrics that inspired me to live fully, (“this is your life – is it everything you dreamed that it would be when the world was younger and you had everything to lose?”) I had found a band whose music I could never play too much. Sure enough, nearly a decade later, I continue to love each album as much (or more!) than the one that preceded it. Somehow, life has managed to keep me from ever seeing this band live…until last night. Finally, finally, finally, my time had come: Switchfoot and co-headliners Anberlin graced the stage at the Warfield in San Francisco with openers Atomic Tom, and what better way to spend a beautifully rainy Monday night than warm and cozy inside with a fantastic band? Continue reading “Show Review: Switchfoot with Anberlin and Atomic Tom at the Warfield, 10/10/2011”