Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Continue reading “Show Review: Book of Love, Fever High at DNA Lounge, 2/19/2017”
I’ve always liked Janet Varney, who I knew almost exclusively from her work with Thrilling Adventure Hour, but once someone made the connection for me that she was one of the co-founders of SF Sketchfest, my admiration for her ratcheted up quite a few notches. So, she’s super funny, and likeable, and charming, and kind of a badass producer too? So cool! So this year, when I was perusing the schedule, and saw that she was doing a live podcast (The JV Club, it’s called) with Matt Nathanson, Rachel Dratch, and Jon Hamm? Hell yeah! I’d been trying to get to a Rachel Dratch appearance at Sketchfest for at least a year or two, and Jon Hamm is so fun when he’s in comedy mode (which I’d not yet seen live, either). I immediately put in my request and hoped I’d get to cover the show. Next thing I knew, there I was, at Brava Theater Center, last Saturday afternoon, with a great seat, just in time for the house lights to go down. Continue reading “SF Sketchfest Review: The JV Club w/Janet Varney and guests Rachel Dratch, Jon Hamm, and musical guest Matt Nathanson at Brava Theater Center, 1/28/17”
Show 2 of my 3 at this year’s SF Sketchfest was last weekend at Swedish American Hall on a chilly grey Saturday afternoon. What better way to spend such a day than laughing with Pat Francis taping a live Rock Solid podcast with Kyle Dodson and special guest “Weird Al” Yankovic? I couldn’t think of anything I’d rather do, either. Continue reading “SF Sketchfest Review: Rock Solid with Pat Francis, Kyle Dodson, and special guest “Weird Al” Yankovic at Swedish American Hall, 1/21/2017″
I don’t believe there’d be many folks who’d argue that Silence of the Lambs isn’t ripe for parody. The distinct characters, the famous lines, the bone-chilling seriousness of it all — all primed for spoofing. The good news is that the feat has been accomplished in a fun, shockingly crude way by Cloud 9 Theatricals, Lang Entertainment Group, and Ray of Light Theatre in their production of Silence! The Musical (show now extended through March 18th! – tickets here). The show is an incredibly tight, minimalist production punctuated by musical numbers culled from infamous lines of dialogue and plot elements of Jonathan Demme’s 1991 film. Scott Hayes and Anne Norland, who I had the chance to interview, play Hannibal Lecter and Clarice Starling, leading the bill of the 10 member cast. Yes, that’s right, the picture above includes 7/10 of the total cast. Aside from the two leads and Brian Watson as Buffalo Bill, the remaining seven cast members wear multiple hats, playing an assortment of characters including a chorus of lambs, FBI agents, work colleagues, guards, etc. The manic energy and precisely crafted parodical elements of the show make Silence! a ridiculously fun time at the theatre.
Freestyle rap and improv comedy have plenty in common. First, both have some very strict rules: you aren’t supposed to come in with any pre-written material, and you have to adhere to a commonly expected rhythm that is consistent with the rules of your craft. So it seems almost obvious that improv comics would want to at least try their hand at freestyle rap. And, who knows? Maybe they might actually be good at it. Comedian Eliza Skinner decided it was worthwhile to find out, so she put together a show that challenges comics to attempt to freestyle rap. And she brought that show to SF for the first time as part of this year’s Sketchfest, just to show us that it kind of works a bit.
Continue reading “SF Sketchfest Review: Turnt Up with Eliza Skinner at The Eureka Theater, 1/27/17”
It’s that time of year again: SF Sketchfest 2017 is in town, and as always, brings with it the promise of some great talent and good times. It also marks yet another anniversary for me with Spinning Platters (my 6th), which also always makes me smile. Anyway, this year is no exception in terms of the fun shows I went to, the first being this past weekend, at PianoFight. Kirsten Vangsness may be best known to many of us as her character Penelope Garcia on CBS’ Criminal Minds (or, as Shemar Moore’s character Derek Morgan called her, simply “Baby Girl”). But even if this is the only thing you know her from, my guess is that you, like me, adore her for the quirky, sweet lady she plays on the show. Her original one-woman show MESS intrigued me: I learned that she wrote it based on ideas from a TED Talk (which, admittedly, I haven’t had time yet to watch). I wondered if she would be anything like Garcia, or something else entirely. I admit, I had no idea what to expect, but I couldn’t wait to find out.
Continue reading “SF Sketchfest Review: Kirsten Vangsness: MESS w/The Right Now and Kevin Yee at PianoFight, 1/15/2017”
Saturday, January 21st, 2017 was a historic day. It marked the most significant single day of protest the US has ever experienced. Nearly one out of every hundred Americans went to the streets to protest the agenda of the incoming administration. It was an amazing and profound experience, and I was proud to participate in it. With it, another, smaller record was broken: on this fateful day, 1,667 people experienced what will be known as the largest improv show in history. (Please don’t fact check this. It’s a joke. Don’t be that person.) Continue reading “SF Sketchfest Review: Upright Citizens’ Brigade: A.S.S.S.S.C.A.T. at The Curran, 1/21/17”
In the world of comedy, Laraine Newman is an industry legend. She’s been consistently working for over 40 years, starting as a member of the legendary first cast of Saturday Night Live, and branching out into dozens of roles in television, film and voice acting. She has an amazing amount of stories, and when I heard she was going to be doing a one-woman show as part of Sketchfest this year, I jumped at the chance to experience her live.
Continue reading “SF Sketchfest Review: Laraine Newman: The Audition at PianoFight, 1/21/17”
It was a dark night at the Rickshaw Stop on 12/28. Droves of music fans, clad in black, funneled in throughout the evening to enjoy the darker side of synth music, and while some folks are near impossible to please, it was pretty obvious that this was one of those nights that would be remembered. It’s not often that an electronic music show is perfectly curated, but clearly The Black Queen was not screwing around when they booked their tour mates.
Several months ago, I decided, along with my girlfriend and a close friend, that spending Thanksgiving in Mexico City would be more fun than staying in the U.S. this year. We booked our flights, and made several fun plans, including a trip to see Lucha Libre on Friday, November 25th. We made these plans shortly before Japandroids announced their “comeback” tour of just a small number of cities worldwide, sadly skipping the Bay Area, but hitting Mexico City on Friday, November 25th. This, of course, meant it was time for me to accomplish the greatest show challenge of my life: a double-header in a foreign country, where I don’t know the layout, and I don’t speak the language. I had spent the past 37 years preparing for this moment.
Continue reading “Show Review: Japandroids at Bar Caradura, Mexico City, 11/25/16”