Show Reviews – Page 34 – Spinning Platters

Show Review: Flight Of The Conchords at the Masonic, 6/27/2016

Never before has spontaneous comedy seemed so effortless — and brilliant — in a musical performance

Jemaine Clement and Bret McKenzie of Flight Of The Conchords

Comedy and music have always seemed to be slightly at odds with one another; there’s always this slightly underlying sense of novelty in humor-driven bands, a thought that without certain “gimmicks”, their work wouldn’t be nearly as funny, or that their jokes only appeal to a certain subset of popular culture. Artists like Reggie Watts manage to defy this expectation with deft aptitude; he is both a hilarious improvisational comedian and a brilliant musician in his own right, and the minimal nature of his performance adds emphasis to the stories he tells. The ability to shoot off jokes with rapid-fire delivery is, therefore, crucial in a concert setting; it reminds the audience of the brilliant wit and skill of the performers, rather than their ability to practice rehearsed jokes night after night. Nearly seven years after the release of their last album I Told You I Was Freaky, Flight Of The Conchords are still able to demonstrate these skills with flawless, side-splitting ease, and their live show is marvelous to watch — for both casual fans and hardcore ones alike.

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Show Review: John Carpenter: Live Retrospective at the Fox Oakland, 6/17/2016

Music in film is an often-celebrated phenomenon, but it seems to exist primarily in the medium it’s made for. Occasionally, composers and songwriters will offer up their works for public or private performance, though they themselves may not be in attendance, and in general the world of film music feels very separate from that of “traditional rock music”, i.e. the bands that release albums and promote them with live tours. The phenomenon of a live tour by acclaimed horror director John Carpenter, therefore, is even more impressive; his musical works not only require an actual band to perform (with synthesizers and guitars driving the melodies, rather than orchestras and choirs), but the tunes are steady, driving, and in small enough bits that they are easy to digest — this isn’t a random night at the symphony, folks! In addition, Carpenter himself wrote the scores to a good chunk of his films, so the live performance of compositions and overtures from his classic works could now be experienced with an ever more present vitality.

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Show Review: At The Drive-In with Le Butcherettes at The Warfield, 6/3/2016

It took 15 years to happen, and it was worth every moment.

Ten were spent wondering, with all involved working on new projects, exploring music and art in numerous forms. Two passed, with excited fervor and mild confusion, as they returned to the fold, thrust into the spotlight on unsteady feet and with only a handful of appearances, most before massive stadiums and festival crowds. The final three were marked with conflict, self-discovery, acceptance, and a renewed discovery of self — plus a new band to bring that unstoppable fire back to the front lines.

Thus, 15 years later, here we are. At The Drive-In has returned — and this time, they are just as ready to celebrate their reunion as we have been for the past decade and a half.

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Show Review: Baroness with Youth Code at the Regency Ballroom, 6/2/2016

Near-death experiences have often been labeled as the reason behind sudden shifts in artistic mindsets, philosophy, spiritual beliefs, and overall lifestyle changes. For the men of sludge-psych heroes Baroness, who experienced their own brush with the beyond in a horrific bus crash in Bath in 2012, it almost spelled out the end of the band, with founding member Allan Blickle and new bassist Matt Maggioni leaving the group after their recovery. Their frontman, John Dyer Baizley, thus had the incredible task of healing from his own injuries and also deciding what to do with the thunderous force that he had been helping to craft for half a decade. Miraculously, Baroness have returned, possibly even stronger than before, and their plight has not affected their egos whatsoever — they are genuinely as passionate and ferociously happy to be onstage as ever, and grateful for all who have come to see them.

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BottleRock Napa Valley 2016 Festival Journal, Day 3

Need a break from the amazing wine? No problem: grab a cocktail instead! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

You’re reading Day 3. Have you checked out Day 1 and Day 2 as well?

Tye Trujillo follows in dad Robert's (of Metallica) footsteps. (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment) — Tye Trujillo follows in dad Robert’s (of Metallica) footsteps. (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

I don’t know why, but Day 3 always seems to be the day all my friends attend BottleRock. This year was no exception. Two friends came up from the South Bay, not wanting to miss a moment. While I waited for my bestie and her boyfriend to arrive, I heard the festival begin through my bedroom window. Before we left the house, I realized that the band on the main stage (the one I can hear) was killing a cover of Nirvana’s “Smells Like Teen Spirit,” so I texted one of my friends to find out who they were. She didn’t know, except to say that they were kids, and they were crushing it. I made a mental note to find out who they were and check them out. It turned out they were The Helmets, a band that includes Metallica bassist Robert Trujillo’s son Tye and three other kids, all currently aged 12 or under. I’m disappointed to have missed them, because from what I heard (literally from afar, as well as from those who were already present), they are an excellent band, kids or not! Continue reading “BottleRock Napa Valley 2016 Festival Journal, Day 3”

BottleRock Napa Valley 2016 Festival Journal, Day 2

BottleRock Napa Valley 2016: a not-to-be-missed love-fest! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

You’re reading this year’s Day 2. Don’t forget to check out Day 1 too!

Wine isn't the only thing we enjoy drinking here! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment) — Wine isn’t the only thing we enjoy drinking here! (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

Day 2 got a bit of a late start, but once inside, I wasted no time at all stopping by Lagunitas for a cold Aunt Sally, which is easily my favorite beer they make, since it’s the least hop-driven! I went directly to the JaM Cellars stage to catch Walk the Moon who were due to begin momentarily. I admit, I only know the band from a friend who loves them and their gigantic smash “Shut Up and Dance” that’s so popular even my two-year-old niece asks for it by name. As I expected, they put on a fun, energetic set, particularly with “Different Colors” (which frontman Nicholas Petricca said was about the “beauty of being different), “Tiger Teeth,” “I Can Lift a Car,” and past single “Anna Sun.” As many had taken to doing over the festival, Petricca reminded the crowd to take time to vote: “Figure it out, and then go vote. Go fucking vote! It’s up to us to figure out the future!” He went on to say that the performance marked the very last one of the band’s tour in support of their Talking is Hard record. As expected, “Shut Up and Dance” was a fun, wild ride with the entire crowd dancing and singing along. Continue reading “BottleRock Napa Valley 2016 Festival Journal, Day 2”

BottleRock Napa Valley 2016 Festival Journal, Day 1

The first taste of summer: BottleRock Napa Valley, the 2016 edition. (Photo credit: BottleRock Napa Valley / Latitude 38 Entertainment)

Before I get into all the details of the gloriousness that was this year’s BottleRock Napa Valley, please allow me a moment, not just to digress but to explain why this festival is so important to me. I was born in Napa. As many Napa kids do, I moved away in my early 20s seeking something more exciting (hard to imagine now, but at the time Napa was still a relatively small town without a lot to do). I had some oats to sow, and was gone for 5-6 years, but returned about a decade ago to go back to school. Since then, I often say that “this town and I grew up together,” as we’ve both evolved into something more worth enjoying. While once I was a kid from a small town most had never heard of (and because of which I often claimed SF or the Bay Area to those unfamiliar), I have since become a “townie,” and that’s okay with me. This place is something special, and I can’t imagine ever leaving. True, it was once far quieter (and okay, far more dull), but these days it’s really something to behold, and has earned its reputation as a world-famous, world-class destination on bucket lists the world over. So, add to that a phenomenal music festival that showcases not just the mind-blowing wines and taste-bud-tantalizing food for which we’re known, but consistently impressive musical lineups that offer something for everyone, year after year? How could I not love BottleRock? I’m happy to say that I’ve been BottleRocking since the very beginning, and I can’t imagine what it might take to keep me away. As you can imagine, I’m already looking forward to next year’s festival!

Okay, onward…this year, BottleRock was scheduled to fall on Memorial Day weekend. While I personally heard the frustration of local business owners (for many of whom the beloved festival pulls away business all weekend long), I didn’t have any reason to lament spending a long, beautiful-weathered weekend wandering the Napa Valley Expo grounds last weekend more or less than any other.

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Show Review: Refused with The Coathangers and Plague Vendor at the Fillmore, 5/26/2016

Four years later, it’s no longer a reunion — Refused are reborn as something new

It’s really hard to find a concert that was better, and more well-attended, than the 2012 show at the Warfield that marked the triumphant return of the Swedish hardcore giants known as Refused. Alumni and newcomers from all scenes of loud, angry music were found wandering the crowd en masse, and the band themselves, fresh off of their first gargantuan performance at Coachella, took the tinier stage they were offered and absolutely demolished any doubts held about their ability to still blow the minds of their audience. To this day, every time Refused has returned to the Bay Area, they acknowledge that performance as the one that actually convinced them to stay in the game. Singer Dennis Lyxzén regularly has stated that the gig brought them back down to earth, from the lofty, uncertain heights of trying to conquer the main stage down in Indio, and the energy expressed in every one of Refused’s shows since that time has always seemed to be a display of gratitude for that night. The question, then, was whether or not Refused would treat the early ’10s as their victory lap back in the race, or actually return with a new path to follow as an active band creating new art.

The answer, of course, is the latter — and they show no signs of slowing down.

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Show Review: Violent Femmes at the Fillmore, 05/11/2016

Gordon Gano of Violent Femmes (all photos by Daniel Martinez)

Nothing would have made the Violent Femmes a better band, because they were perfect. Gordon Gano sings like he’s a sick cat and has been drunk-crying all day; he has a kind of nasal whine, full of defeat, with a timbre as refined as cheap whiskey with generic Cherry Coke. I love his voice like I love cheap, shitty cocktails; it’s a love fueled by disillusionment and a longing for my more reckless and grimier youth when I didn’t care so much for creature comforts or sleep. The musical structure of their songs, like most punk pieces, is simple. But, like a lot of punk, their catchy songs about needing/wanting or frustration/disappointment are embittered perfection driven by a stripped, primitive skill and sound, and all of this sits squarely and perfectly with some of my perpetually adolescent tendencies.

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