Show Review: Japandroids w/Craig Finn and the Uptown Controllers at The Fillmore, 3/15/2017

A passionate, spellbinding set at the final leg of the duo’s North American tour

Brian King of Japandroids
Brian King of Japandroids

If you can believe it, five long years have passed since the last time that Japandroids came to San Francisco and took over The Fillmore, and it’s been far too long of a wait. Their 2012 work Celebration Rock marked a pivotal shift from their laden-with-chaos-and-noise debut tunes to the triumphant, thundering anthems that their singles are now gleaming with, and 2017’s Near To The Wild Heart Of Life continues in this fashion, offering up a slab of pieces full of vitality and potency — this time with the extra sheen of studio magic. Lest you be concerned that the slick sounds of overdubs have marred the energy level that the Vancouver duo are famous for possessing, worry not: if anything, their chemistry has reached an all-time high, their precise delivery pairing magnificently with the massive walls of sound they can tirelessly deliver. If Japandroids were tired at the end of the tour, there was no sign of such weariness at this performance.

Continue reading “Show Review: Japandroids w/Craig Finn and the Uptown Controllers at The Fillmore, 3/15/2017”

Noise Pop Show Review: clipping. with Baseck, DJ Marco De La Vega and 93 Bulls at Starline Social Club, 2/24/2017

Exciting evening of noise and rhythm in a new addition to Oakland’s vibrant live music scene

Daveed Diggs of Clipping.
Daveed Diggs of clipping.

It’s hard to find a more jarring juxtaposition of talents and roles than those that Oakland-born hip-hop star Daveed Diggs has possessed as of late. After half a decade building a steady underground following as the MC of noise trio clipping., he became a household name after taking on the role of Marquis de Lafayette/Thomas Jefferson in the original production (and first Broadway run) of the massive hit musical Hamilton. Finishing his theatrical run in mid-2016, Diggs hurtled right back into his work with the experimental outfit, knocking out two releases in the latter half of the year and continuing a heavy schedule of touring. The group’s Noise Pop gig at Oakland’s young-but-blossoming Starline Social Club was one of the first in the festival to sell out, and even with three openers on the bill and a long, rainy night to greet them at the end of it, rabid fans of the three-piece packed the walls of the bright ballroom and celebrated the return of their heroes, in the hometown of the man at their helm.

Continue reading “Noise Pop Show Review: clipping. with Baseck, DJ Marco De La Vega and 93 Bulls at Starline Social Club, 2/24/2017”

Show Review: Book of Love, Fever High at DNA Lounge, 2/19/2017

All Photos by Amber Gregory
 
Book of Love played the third of 3 shows with their original lineup (Lauren Roselli Johnson, Jade Lee, Susan Ottaviano, and Ted Ottaviano—no relation) in San Francisco at DNA Lounge. Time will tell whether this will be their last show together, but one thing we know for sure is that this show went off without a hitch.
 

Continue reading “Show Review: Book of Love, Fever High at DNA Lounge, 2/19/2017”

SF Sketchfest Review: The JV Club w/Janet Varney and guests Rachel Dratch, Jon Hamm, and musical guest Matt Nathanson at Brava Theater Center, 1/28/17

Sketchfest co-founder & all-around funny girl Janet Varney

I’ve always liked Janet Varney, who I knew almost exclusively from her work with Thrilling Adventure Hour, but once someone made the connection for me that she was one of the co-founders of SF Sketchfest, my admiration for her ratcheted up quite a few notches. So, she’s super funny, and likeable, and charming, and kind of a badass producer too? So cool! So this year, when I was perusing the schedule, and saw that she was doing a live podcast (The JV Club, it’s called) with Matt Nathanson, Rachel Dratch, and Jon Hamm? Hell yeah! I’d been trying to get to a Rachel Dratch appearance at Sketchfest for at least a year or two, and Jon Hamm is so fun when he’s in comedy mode (which I’d not yet seen live, either). I immediately put in my request and hoped I’d get to cover the show. Next thing I knew, there I was, at Brava Theater Center, last Saturday afternoon, with a great seat, just in time for the house lights to go down. Continue reading “SF Sketchfest Review: The JV Club w/Janet Varney and guests Rachel Dratch, Jon Hamm, and musical guest Matt Nathanson at Brava Theater Center, 1/28/17”

SF Sketchfest Review: Rock Solid with Pat Francis, Kyle Dodson, and special guest “Weird Al” Yankovic at Swedish American Hall, 1/21/2017

Special guest: the delightful “Weird Al” Yankovic

Show 2 of my 3 at this year’s SF Sketchfest was last weekend at Swedish American Hall on a chilly grey Saturday afternoon. What better way to spend such a day than laughing with Pat Francis taping a live Rock Solid podcast with Kyle Dodson and special guest “Weird Al” Yankovic? I couldn’t think of anything I’d rather do, either. Continue reading “SF Sketchfest Review: Rock Solid with Pat Francis, Kyle Dodson, and special guest “Weird Al” Yankovic at Swedish American Hall, 1/21/2017″

Show Review: Silence! The Musical

A biting, hilariously crude musical parody.

I don’t believe there’d be many folks who’d argue that Silence of the Lambs isn’t ripe for parody. The distinct characters, the famous lines, the bone-chilling seriousness of it all — all primed for spoofing. The good news is that the feat has been accomplished in a fun, shockingly crude way by Cloud 9 Theatricals, Lang Entertainment Group, and Ray of Light Theatre in their production of Silence! The Musical (show now extended through March 18th! – tickets here). The show is an incredibly tight, minimalist production punctuated by musical numbers culled from infamous lines of dialogue and plot elements of Jonathan Demme’s 1991 film. Scott Hayes and Anne Norland, who I had the chance to interview, play Hannibal Lecter and Clarice Starling, leading the bill of the 10 member cast. Yes, that’s right, the picture above includes 7/10 of the total cast. Aside from the two leads and Brian Watson as Buffalo Bill, the remaining seven cast members wear multiple hats, playing an assortment of characters including a chorus of lambs, FBI agents, work colleagues, guards, etc. The manic energy and precisely crafted parodical elements of the show make Silence! a ridiculously fun time at the theatre.

Continue reading “Show Review: Silence! The Musical

SF Sketchfest Review: Turnt Up with Eliza Skinner at The Eureka Theater, 1/27/17

Freestyle rap and improv comedy have plenty in common. First, both have some very strict rules: you aren’t supposed to come in with any pre-written material, and you have to adhere to a commonly expected rhythm that is consistent with the rules of your craft. So it seems almost obvious that improv comics would want to at least try their hand at freestyle rap. And, who knows? Maybe they might actually be good at it. Comedian Eliza Skinner decided it was worthwhile to find out, so she put together a show that challenges comics to attempt to freestyle rap. And she brought that show to SF for the first time as part of this year’s Sketchfest, just to show us that it kind of works a bit.
Continue reading “SF Sketchfest Review: Turnt Up with Eliza Skinner at The Eureka Theater, 1/27/17”

SF Sketchfest Review: Kirsten Vangsness: MESS w/The Right Now and Kevin Yee at PianoFight, 1/15/2017

The lovely Kirsten Vangsness is a MESS.

It’s that time of year again: SF Sketchfest 2017 is in town, and as always, brings with it the promise of some great talent and good times. It also marks yet another anniversary for me with Spinning Platters (my 6th), which also always makes me smile. Anyway, this year is no exception in terms of the fun shows I went to, the first being this past weekend, at PianoFight. Kirsten Vangsness may be best known to many of us as her character Penelope Garcia on CBS’ Criminal Minds (or, as Shemar Moore’s character Derek Morgan called her, simply “Baby Girl”). But even if this is the only thing you know her from, my guess is that you, like me, adore her for the quirky, sweet lady she plays on the show. Her original one-woman show MESS intrigued me: I learned that she wrote it based on ideas from a TED Talk (which, admittedly, I haven’t had time yet to watch). I wondered if she would be anything like Garcia, or something else entirely. I admit, I had no idea what to expect, but I couldn’t wait to find out.
Continue reading “SF Sketchfest Review: Kirsten Vangsness: MESS w/The Right Now and Kevin Yee at PianoFight, 1/15/2017”

SF Sketchfest Review: Upright Citizens’ Brigade: A.S.S.S.S.C.A.T. at The Curran, 1/21/17

Saturday, January 21st, 2017 was a historic day. It marked the most significant single day of protest the US has ever experienced. Nearly one out of every hundred Americans went to the streets to protest the agenda of the incoming administration. It was an amazing and profound experience, and I was proud to  participate in it. With it, another, smaller record was broken: on this fateful day, 1,667 people experienced what will be known as the largest improv show in history. (Please don’t fact check this. It’s a joke. Don’t be that person.) Continue reading “SF Sketchfest Review: Upright Citizens’ Brigade: A.S.S.S.S.C.A.T. at The Curran, 1/21/17”

SF Sketchfest Review: Laraine Newman: The Audition at PianoFight, 1/21/17

Photo by Heather Wilson

In the world of comedy, Laraine Newman is an industry legend. She’s been consistently working for over 40 years, starting as a member of the legendary first cast of Saturday Night Live, and branching out into dozens of roles in television, film and voice acting. She has an amazing amount of stories, and when I heard she was going to be doing a one-woman show as part of Sketchfest this year, I jumped at the chance to experience her live.

Continue reading “SF Sketchfest Review: Laraine Newman: The Audition at PianoFight, 1/21/17”