Show Review: Perfume Genius with Julianna Barwick at Great American Music Hall, 9/24/24

Perfume Genius’ 10th-anniversary performance of Too Bright at The Great American Music Hall was an intimate and unforgettable night. With its classic San Francisco charm, the venue offered the perfect setting for a devoted crowd, huddling close around the stage like a protective cocoon for Michael Hadreas and his band. Everyone in the room seemed eager and reverent, excited to see Too Bright brought to life in full.

Opening the night, Julianna Barwick cast the room in waves of indigo light. Her set, ethereal and expansive, felt like an homage to artists like Julee Cruise, Donna Summer, and Enya, with a modern twist of binaural beats and the haunting echoes of ancient voices. It was as if she channeled something otherworldly, conjuring a space where time and genre folded in on themselves. You could almost feel the presence of ancestral female spirits, grounding the room in calm energy and preparing it for what was to come.

When Perfume Genius finally took the stage, Michael Hadreas was radiant—relaxed, proud, and fully present. I’ve seen him perform before, sometimes on edge with the demands of obsessive fans, but tonight was different. There was a jovial trust between him and the crowd, a mutual respect that allowed him to flourish. His band, tightly synced and full of emotional charge, mirrored this sense of cohesion. Each note felt connected, like a shared breath between them. His partner on keys added an extra layer of intimacy, deepening the emotional resonance of the performance.

Hadreas himself was a sight to behold. Part Elvis, part Morrissey, his body was a slithering, back-bending expression of the music. Dressed in a slick olive sateen button-down, the shirt clung to his skin, wet with the raw energy of his performance, wrinkled and sexy. The microphone cord draped along his fingers like an extension of himself as he writhed upward, completely lost in emotion.

The highlight, of course, was “Queen,” which he played not once but twice—because really, who wouldn’t want to be slayed by that iconic strut all over again? The first time, the crowd was electrified; by the second, it felt like we were all ascending to another level of sonic bliss. Hadreas delivered the anthem with all the sashay and defiance it demanded, leaving no one untouched.

It was a night where the connection between artist and audience felt palpable as if we were all part of the same heartbeat. You could feel the trust, the love, and the shared history in every moment, making this anniversary a night to remember.

 

Festival Review: Bumbershoot 2024

Bumbershoot Music and Arts Festival has existed in Seattle since 1971 and has happened every Labor Day weekend with the exception of 2020-2022 due to Covid restrictions. I’ve been a Seattleite my entire life. I was born the weekend before the festival’s 8th anniversary, also its final year of being a free festival. I grew up attending Bumbershoot with friends and family many times over the years up until September 2, 2001, when I saw David Lee Roth perform at Memorial Stadium. Since then, Bumbershoot has changed hands management a few times, and based on my experience this past weekend, the new changes have been a net positive. Back in 2001, Bumbershoot was a four days long, often oversold, crowded, difficult-to-navigate, bloated event that involved wristbands one needed to collect at the beginning of each day to allow you access to the stadium to see each evening’s headliner in the stadium, which served as the Main Stage. I skipped many a year and many an act due to this ridiculous first come, first serve approach to seeing a headliner at a festival. To me, it defeated the entire purpose of what seeing a fest should be. After all, if buying a ticket didn’t allow you access to the main event, then why would anyone humor that flawed system? Continue reading “Festival Review: Bumbershoot 2024”

Show Review: Wand at The Chapel, 9/14/24: A Vertigo-Induced Spell

As someone who prides themselves on devouring the fringes of music—everything from experimental jazz to art-house drone— Wand’s performance at The Chapel on Sept. 14, 2024, felt like falling into a chasm of sound I didn’t know I needed. Wand, a band that had always flown under my radar, shattered my expectations in a way that only those once-in-a-lifetime musical experiences can. My gateway into their world was Vertigo, their stunning 2024 album. I dove deep into that record, immersing myself in it for weeks before the show. Given the intensity and cohesion of Vertigo, I was excited to hear the band tour the album in its entirety, expecting the live performance to reflect the hypnotic, seamless flow of the record.

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Show Review: bôa w/Rocket at The Fonda (Hollywood, CA), 09-13-2024

“And you don’t seem to understand. . .”

It’s been a while since I’ve been to The Fonda, but it was the same as I remembered it. A cozy little old movie theater turned music venue near the end of the Hollywood Strip where just about every type of music can be heard in a given night. While I’ve been focused a lot more on heavy music for the past year or two, I couldn’t resist when I heard that bôa would be performing.

Continue reading “Show Review: bôa w/Rocket at The Fonda (Hollywood, CA), 09-13-2024”

New Festival: United Sounds NYC

The guy who owns Spinning Platters, our first Editor-in-Chief, Gordon Elgart, remains furious that The Dismemberment Plan keeps neglecting to play the Bay Area. He remains furious that they KEEP ANNOUNCING EAST COAST SHOWS!!! Including a brand new (and very reasonably priced) festival in Brooklyn called United Sounds NYC. Joining them on the top line is the great Blonde Redhead. Fleshing out the bill will be Sunflower Bean, Les Savy Fav, Model/Actriz, Man Man, Monobloc, Peel Dream Magazine + more to be announced. And it’s my birthday weekend, so if you aren’t hanging out with me, you should do this. 

Tickets are on sale now!

Bush with Jerry Cantrell, Candlebox: The ’90s nostalgia remains at Cadence Bank Amphitheater, 9/1/24

Photo by Ellen Eldridge

I brag more often than I should that I saw Bush the second time they played in New York City, in 1995 at Roseland Ballroom. My concert companion and I weren’t even old enough to drive.

Around the time of the American Tiger King binge during our nation’s “two weeks to slow the spread,” Bush released The Kingdom.

Whenever I noticed, I bounced along to “Flowers on a Grave,” thinking, ‘They’ve still got it.’ Continue reading “Bush with Jerry Cantrell, Candlebox: The ’90s nostalgia remains at Cadence Bank Amphitheater, 9/1/24”

Show Review: Chaka Khan with Steel Pulse at Stern Grove, 8/25/24

Stern Grove is one of my favorite places, but I have never make it out there enough. It’s a sunny oasis in the middle of the foggiest reaches of San Francisco’s Sunset District, and every year, they commit to a Summer’s worth of amazing free shows. (Donate here to help keep these shows coming) I often feel intimidated by the commute, traveling from Oakland to the city’s furthest reaches across the bay. However, whenever I get here, I remember how magical this place is. And it doesn’t hurt that our show this afternoon features one of my bucket list artists, recently Rock & Roll Hall Of Fame Inductee Chaka Khan. 

Continue reading “Show Review: Chaka Khan with Steel Pulse at Stern Grove, 8/25/24”

Show Review: Bikini Kill with Frightwig at The Warfield, 8/19/24

We were there for the first Bikini Kill reunion shows in 2019.  They were a profound and moving experience. We didn’t know what COVID was yet, which upended this tour and, well, still upends everything. I’m grateful that they managed to find a way to get back on the road. Everything feels really hard and continues to feel hard, and this band has always been the thing that gives me the strength to persevere and find reasons to be hopeful in the face of hopelessness. Continue reading “Show Review: Bikini Kill with Frightwig at The Warfield, 8/19/24”

Show Review: Foo Fighters + L7 at Toyota Pavilion in Concord

Photos and review by: Alan Ralph @AlanHasPicks

Having not been to Toyota Pavilion in Concord at all during this 2024 season, Spinning Platters made the long journey twice in four days (see also Megadeth + Mudvayne)! It really is a trek too… from our satellite penthouse office in San Francisco, there’s a thirty-minute MUNI bus followed by a fifty-minute BART ride followed by a twenty-minute Pavilion shuttle, and traveling back after any show typically takes even longer.  All that said, it certainly is worth it to be able to bring these shows to life to the readers with our photos and words… it just takes longer to travel than some of these bands’ headlining sets are!

Except for Foo Fighters

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Show Review: King Buzzo and Trevor Dunn w/JD Pinkus and Field at The Lodge Room, 08-06-2024

I’ve been so immersed in the metal world lately that sometimes I forget that I like other music. I especially forget that weird thrill of going mostly blind into a show. Sure, I may not know an opener or two, but it’s pretty rare for me to cover a band I haven’t listened to beforehand. It’s both exciting and nerve-wracking and, let’s face it, no one wants to be disappointed. Luckily for me, I at least knew of the other music projects of the artists on the night’s lineup, but even knowing that, did not prepare me for what I was about to experience.

Continue reading “Show Review: King Buzzo and Trevor Dunn w/JD Pinkus and Field at The Lodge Room, 08-06-2024”