Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
This song is such a lovely little jam. It’s big, it’s cinematic. It’s dark and bright at the same time. It’s ethereal and a dance floor burner. I don’t really know what to feel with this song, and that’s what makes it so bloody great. “SYNESTHESIA” by Azam Ali is our single of the week, and all you need to know is that you should listen to this track.
“SYNESTHESIA” is the second single off the album of the same name, and it’s coming your way on November 14th. Preorder here!
Review by:
Alan Ralph @ConcertGoingPro and Emily Anderson @emilyphotoadventure
Photos by:
Alan Ralph @ConcertGoingPro unless otherwise stated
Nearly one year ago, at the very end of Spinning Platters’ Aftershock 2024 review, this question was raised: “West Coast’s Biggest Rock Festival had such a stellar lineup this year, HOW are they possibly going to outdo themselves in 2025?!?!”
If one hundred people were asked if 2025 was better than 2024, there would undoubtedly be one hundred different answers and opinions. Aftershock 2024 was so exceptionally good and a heavy metal fan’s wet dream – Iron Maiden, Judas Priest, Slayer, Pantera, Slipknot, Mastodon, Anthrax, Clutch, Ministry, Body Count and more! Fans of other genres of rock, punk, and loud music were still out in force, as Aftershock 2024 set an attendance record of 40,000 people per day, but may have felt neglected by the sheer amount of metal that closed every night of the festival.
For the 13th annual Aftershock in 2025, promoter Danny Wimmer Presents (DWP) altered the overall lineup to cater to the rest of those fans while still appealing to the heavy metal fans, by combining every Warped Tour, Ozzfest and Rockstar Mayhem Festival lineup, put it all in a blender, and poured it in a tall glass of Discovery Park for four days of the best rock, alt-rock, metal, 2000’s nu-metal, hardcore, and pop-punk bands, all in one place at one time in the outskirts of downtown Sacramento!
Continue reading “Show Review: Highlights of Aftershock 2025!”
The Regency Ballroom has a way of holding ghosts and sound in equal measure. Once a Scottish Rite temple built in 1909, its grand neoclassical bones and domed ceilings still hum with ritual energy. Now the devotion comes from a different kind of congregation. On this late September night, that congregation gathered for Grandaddy, a band whose bittersweet blend of analog warmth and cosmic melancholy has been quietly shaping indie rock for nearly three decades.
Continue reading “Show Review: Grandaddy at The Regency Ballroom, 9/16/25”
Additional Reporting and Photos by Matthew Meyer and Dakin Hardwick
Portola has figured out how to live in the impossible: a perfect balance between a giant warehouse rave, an art-party fever dream, and a legacy showcase built around titans like The Chemical Brothers and LCD Soundsystem. The festival grounds themselves were half the trip, stages stretched across a working port, tucked between hulking cranes and an airplane-hangar-sized warehouse. One side of the grounds was dominated by a massive ship; the other opened out onto the Bay, where the breeze mercifully cut through the heat.
Scantily clad post-Burning Man pilgrims roamed like the playa had drifted into San Francisco, fur and neon armor still glowing. Unlike so many other festivals, Portola spared us the dreaded sound bleed; every stage claimed its own sonic territory without stepping on another’s toes. Continue reading “Portola 2025: In Words and Pictures”
Upon pulling up to the Lodge Room and parking my motorcycle on the street for the second show I would be covering that week, I made a discovery that is every photographer’s nightmare. In my rush to pack up and leave my house, I forgot to pack my SD cards. This part of Highland Park is relatively small and while there was a camera shop nearby, it had closed an hour or two ago, which meant I would have to haul ass to the closest target, panic coursing through my veins, mixing with adrenaline, where I would find the only SD card they had in stock. A quick purchase and a semi-reckless speeding jaunt back to the Lodge Room later, I had luckily made it with time to spare and also discovered that a guard rail had been set up —a first for my experience with this venue, rendering my previous panic somewhat unnecessary. After a celebratory beer, I readied my camera for a night of heavy metal.
Continue reading “Show Review: Baroness, Weedeater at The Lodge Room (Highland Park), 09-20-2025”
Although I gravitate towards, and certainly cover, a lot of heavy and angry music, my tastes are more eclectic than I let on. It’s a bit of a mood thing for me, as I’m sure it is for many, and believe it or not, but my moods fluctuate rather wildly. I may not be the picture of poly-jamorous, but I’m just as comfortable listening to avant-jazz as I am death metal. So, it might be surprising to learn that I have never seen Swans before. I’ve listened to them on and off for years and even been ridiculed by my more obsessive peers for never having made it to one of their performances, so when the opportunity finally lined up, I pressed that go button.
On September 7, 2025, the Greek Theatre in Berkeley hosted a remarkable double bill featuring Modest Mouse and The Flaming Lips -each band delivering at least a 75-minute set, separated by over 20 years from their breakout records. The evening carried the last heat of Indian summer, light winds hinting at fall as music fans filled the amphitheater. It was a night that underscored not only the legacy of both acts but also the profound evolution of their sound over the decades.
The Catalyst in Santa Cruz is one of those venues where history hangs heavy in the rafters. It’s a place that has seen everything from Willie Nelson to punk chaos to indie legends, a club that is both small enough to feel intimate yet big enough to hold a restless crowd pressed shoulder to shoulder. Tucked downtown a few blocks from the ocean, the room itself is a rite of passage for anyone serious about live music in Northern California. On September 10, that stage belonged to Sunny Day Real Estate.
Continue reading “Show Review: Sunny Day Real Estate at The Catalyst, 9/10/25”
There have been a LOT of high-profile comebacks in the last year or so… Oasis, Rilo Kiley, The Prodigy, TV On The Radio, to name a few. Somehow, the return of the literal greatest live band of their generation, The Hives, seems to have crept on the radar. They played a handful of club shows in 2023, plus a handful of dates opening for Foo Fighters in stadiums (and covering for The Sounds at Just Like Heaven at the last moment), but 2025 was the first full-scale tour since 2013.
And if you are sleeping on these shows, you are vastly mistaken. Continue reading “Show Review: The Hives with Snõõper at The Warfield, 9/20/25”
It was another night of firsts for me. My first time shooting at the Greek Theater in the hills of East Hollywood, my first time seeing both Chelsea Wolfe and Wardruna, and I sure picked an interesting night for it. Thankfully, the temperature had dropped over the past couple of days so at least we wouldn’t be sweating it out with the sun down. The Greek is a seasoned and slick venue, boasting a damn good sound system. With the weather being nice and the wind nearly nonexistent, which is a rarity in outdoor music venues, it was a great experience.
Continue reading “Show Review: Wardruna at The Greek Theater (Los Angeles), 09-08-2025”
