Show Reviews – Page 29 – Spinning Platters

Show Review: Andrew W.K. at The Independent, 9.27.17

This show had all of the essentials needed for a great metal show. Andrew WK, the patron saint of partying, leading his six piece backup band of very loud and technically adept musicians. Two members of his backup band were women, which made the party even better, as did the pizza guitar he played mid-set. AWK is a live wire with big, metal voice, but at the show, he seemed a little dampened. It happens – a lot of us have had the crud, and if he did I hope he feels better. This didn’t lower show’s wattage though, or cause anyone to party any less hard. A great metal show also has a fist pumping crowd in the back, and mosh pit up by the stage. Here, at an AWK show, all of these are accounted for. AWK writes great hooks that keep you moving and joyful, and his touring band brings them to a higher level of musicianship than the original recorded version. Continue reading “Show Review: Andrew W.K. at The Independent, 9.27.17”

Show Review: Deerhoof, Christina Schneider’s Genius Grant, Mayya and the Revolutionary Hell Yeah at Teragram Ballroom, 09/22/17

Deeeeeeeeeeeerrrrrrrhooooooooooofff!

Deerhoof-30

I cannot start this without immediately stating my bias. I love Deerhoof. I’ve been in love with this strange quirky band since I was 16 years old in high school, and a friend of mine played the cleanest version that exists of “Gore in Crown,” though we knew it as “Gore in Beans.” They are a band that — for whatever reason — manages to attack their inspiration ceaselessly and never get redundant in doing so. Like Fugazi‘s later career, each album is new, fresh, and exciting, better than the album before it. This says nothing of their performances — of which the following is my fifth as an audience member — which always retain some of the highest energy of any show I’ve ever been to.

Continue reading “Show Review: Deerhoof, Christina Schneider’s Genius Grant, Mayya and the Revolutionary Hell Yeah at Teragram Ballroom, 09/22/17”

Show Review: Dead Cross, Qui, Secret Chiefs 3 at El Rey, 8.21-22.17

“Nothing stops this tour!”

Dead Cross-20

Since supergroups seem to be the big deal right now, it’s hard to recognize any band who comes together in collaboration as anything but. However, it becomes crystal clear, when the band performs live, that “supergroup” is not as appropriate of a term. When talking about Dead Cross it is completely fair to say that this is a band, not another one-off album release. The self-titled album, recently released on Ipecac Records, is a blistering hardcore punk set that injects a new vitality into the genre.

Continue reading “Show Review: Dead Cross, Qui, Secret Chiefs 3 at El Rey, 8.21-22.17”

Outside Lands Night Show Review: Sleigh Bells, Jel at The Independent, 8/11/17

It may not be winter, but Sleigh Bells are always lovely

The music festival night show: a time honored tradition, when nightclubs around town host a band playing said festival to also play a smaller show after curfew is over at the main event. There is good and bad with these; the good side is that you get your band playing a full length set, in a crowd of just fans in a smaller venue than you’d normally see them at; the bad side is that these shows start really late, you have to get to them from the festival (which is never an easy affair), and it also means that you’ll be working on very little sleep the next day. This might, however, just be because I insist on showing up at doors, and leaving when the last note has played; I guess not everyone else is crazy like me.

Continue reading “Outside Lands Night Show Review: Sleigh Bells, Jel at The Independent, 8/11/17”

Outside Lands Journal: Day 3, 8/13/17

Karl The Fog even showed up to see Lee Fields

We arrived at Day Three of Outside Lands, commonly known as “Sunday” to the real world. There was definitely a different energy in the air within the park, as much of the crowd was unaware of the extent of the activity happening in Charlottesville, VA the day before, and you could kind of see that a lot of people were trying to muster up the motivation to be there. There was really only one person on this Earth capable of taking that feeling when humanity has let you down, and it seems like there is nothing left to look forward to — so we were damn lucky that he was booked to play at 12:15 on the Lands End stage. Continue reading “Outside Lands Journal: Day 3, 8/13/17”

Outside Lands Journal: Day 2, 8/12/17

METALLICA! And nothing else matters…

Day 2 of any festival is a little rough. Your energy is a little bit zapped from the day before. You can’t seem to drink enough water or coffee. Your legs are sore. So when you finally get there, you need something to kick yourself into gear. And I managed to stumble across that band at 12:00 on the dot. Continue reading “Outside Lands Journal: Day 2, 8/12/17”

Outside Lands Journal: Day 1, 8/11/17

Celebrating 10 years of walking through the park

My 10th Outside Lands began by listening to Hundred Waters close out their set on the Lands End stage. For a set at noon on Friday, the crowd was massive. They were warm and bright, perfect for getting warmed up for a day of music. These folks also curate the FORM festival in Acrosanti, AZ, one of the most intimate music festivals in America. So intimate that, historically, you needed to be invited to attend. Continue reading “Outside Lands Journal: Day 1, 8/11/17”

10 Years of Outside Lands: A Look Back

This year marks the 10th year of the Outside Lands Music Festival. It feels like the first one was just yesterday, and it also feels like it’s been happening since the beginning of time. It’s been a fantastic August tradition that I’ve been lucky enough to enjoy nearly every year. (I did miss the one that Kings Of Leon headlined. I’m sure other people wish they missed that one.) I think it’s time to look back on this recent San Francisco tradition. Continue reading “10 Years of Outside Lands: A Look Back”

Show Review: Ben Folds with the San Francisco Symphony Orchestra, June 21, 2017

“Rock this bitch!” Ben Folds had just finished his second song in the set after the intermission, when an audience member screamed out from the balcony, “Already? We just started!” Ben Folds turned around to face his backing band for the evening, the venerable San Francisco Symphony Orchestra, and said, “I should probably explain this.” In Chicago, years ago, at a live show, a fan screamed this out and Ben Folds wrote a song on the spot. Now, “Rock This Bitch” is a Folds tradition. He plunked out a concept, muttering something about jazz to himself, and then gave each section of the orchestra a different assigned part. With about three minutes of preparation, Folds had a melody composed, and assigned parts to sections of the orchestra. The cellos, violas, violins, bassoons, and percussionists all had their own parts to play, over which Folds improvised a jazz melody and lyrics that were part pontifications about rocking this bitch, part lyrics to the Beverly Hillbillies theme song, all backed by a world class orchestra.

Continue reading “Show Review: Ben Folds with the San Francisco Symphony Orchestra, June 21, 2017”

Here Is A Safe Space: Burger Boogaloo 2017

I used to go to a lot of shows. I spent most of my twenties in Chicago, which, oh man, the music scene. Ten bucks could get you a Huber Bock and what felt like constant access to [The] Gossip. Gingerman, Elbo Room, Delilah’s, the Metro, Empty Bottle, the Vic, and countless little dank bars.

I’m older and more tired now, but that isn’t why I almost never go to shows. On about a 1:1 ratio, for every show I attended in Chicago, there was one I called off at the last minute, one I spent huddled in a corner, one I missed most of because I “stepped out for air” and never went back in. A couple years ago, I stopped fighting the fact that I rarely, if ever, feel safe at shows. I had to start saying it in words when I started dating my husband, who goes to an average of two shows a week, and who can predict with almost 100% accuracy which bands I will like. I’d watch him bop easily around a room hugging friends, and realize we’d never have a relationship if I kept trying to go to shows and standing stiffly in the least crowded part of the space with my arms locked around my chest until enough time had passed that I felt justified shouting “I’M READY TO GO NOW” in his ear. Continue reading “Here Is A Safe Space: Burger Boogaloo 2017”