Category: Show Reviews

SF Sketchfest Review: The Crossword Show at the Gateway Theatre, 2/3/23

If you’re reading this, there’s a chance you may already know that those of us who contribute to Spinning Platters are known around here as “music nerds.” While I absolutely identify as such, there’s another term that describes me even better: word nerd. I delight not just in clever wordplay but languages in general, etymology… you name it. So when I heard about Zach Sherwin‘s Crossword Show, which promised a night full of crossword puzzles, trivia, comedy, and fun, I knew I couldn’t miss it!

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SF Sketchfest Review: Red Room Orchestra does “Repo Man” at Great American Music Hall, 2.3.23

I should confess… I’ve never seen the movie Repo Man. I worked at a corporate music store in the late ’90s, and I recall stocking a CD called Repo Man and putting it in the punk compilations. Because, looking at the track listing, I just assumed that the “movie” was a fake movie for what was an AMAZING compilation of LA Punk. I honestly just assumed it was an early ’80’s version / LA version of the classic Kill Rock Stars compilation in the early ’90s / Pacific Northwest. I probably owned that CD for over a decade before I learned it was a real movie. 

Continue reading “SF Sketchfest Review: Red Room Orchestra does “Repo Man” at Great American Music Hall, 2.3.23″

SF Sketchfest Review: Comedy For Bass Players, but Everyone is Welcome with Fred Armisen at Great American Music Hall, 1/29/23

Photo By Jakub Mosur

Fred Armisen knows music really well. His knowledge is vast and deep. He understands music theory, understands music’s relationship to pop culture, and knows how people “listen” to music. I can think of few other people outside of Tom Lehrer that could pull off shows such as “Stand Up for Drummers,” “Comedy for Musicians,” “Comedy for Guitarists,” and now, “Comedy for Bass Players,” which he brought to the Great American Music Hall for three packed nights. 

Similar to 2020’s “Comedy for Guitarists,” he brought out a different guest each night. Night 1 was Les Claypool of Primus fame. Night 2 was Kathy Valentine from The Go-Gos. I’m sure those shows were great, as I learned to play bass by emulating both of those folks. Well, I *tried* to emulate. Those two are monsters on the 4-string boomstick. (Why wasn’t Mike Watt invited to this?) But on the third night, we were graced by Bay Area rock royalty: Green Day’s Mike Dirnt.  Continue reading “SF Sketchfest Review: Comedy For Bass Players, but Everyone is Welcome with Fred Armisen at Great American Music Hall, 1/29/23”

SF Sketchfest Review: River Butcher at Brava Theater Center, 1/24/23

My first SF Sketchfest show in 3 years! And it’s a double header of shows from my personal SF Sketchfest past at the wonderful Brava Theater Center! The festival has been rescheduled twice, and I am so happy to finally be doing it! The first one is this wonderful stand-up performance from River Butcher and opener Hayden Kristal. Continue reading “SF Sketchfest Review: River Butcher at Brava Theater Center, 1/24/23”

SF Sketchfest Review: The Benson Movie Interruption: The Lost Boys at the Great Star Theater, 1/27/23

Oh, SF Sketchfest, how I’ve missed you. Fortunately, now that we’re living in what I can only call a ‘semi-post-COVID’ world, our favorite local comedy festival has returned. For me, there was only one way to properly celebrate the restoration of a few weeks’ worth of laughs like only Sketchfest can give us: by getting myself to the Great Star Theater late-ish last night to hear Doug Benson and special guests poke fun at the 80s cult classic The Lost Boys. Warning to anyone who sadly has not yet seen this movie: spoilers ahead!

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SF Sketchfest Review: Femmes The Rules at Brava Cabaret, 1/21/23

One of the games I like to play is “SF Sketchfest Roulette.” This is when I pick a random show with nobody I’ve heard of on the bill and hope for the best! The lucky winner this night was Femmes The Rules. A show that was advertised as a show where female-identifying comics interrupt male-identifying comics while they do a bit. GENIUS PREMISE! I’m on board. Continue reading “SF Sketchfest Review: Femmes The Rules at Brava Cabaret, 1/21/23”

SF Sketchfest Review: “Viva Variety” 25th Anniversary Tribute: A Very Special Evening at The Great Star Theater, 1/21/23

All Photos by Jakub Mosur

The last three years have been awful. Like, pure misery. SF Sketchfest, alongside Noise Pop, was kind of the “last” festival before things went to hell. In late 2020, when SF Sketchfest graced us with their calendar, I was excited, not just about the shows, but because it meant to me that there might have been a path out of this madness. But, instead of enjoying an early 2021 reprieve from the darkness, cases got worse. Vaccines were starting to make their way into our arms, but not anywhere nearly fast enough to change the trajectory of the pandemic. So the whole thing was moved to 2022. The same January 2022 gifted us with Omicron, decimating the Bay Area and locking down several counties. So, yeah, it got pushed again to 2023. And based on November 2022, I wasn’t expecting 2023 to be any better, and I was expecting to lose another year. BUT- something strange happened… People were actually careful this Christmas and NYE. We didn’t get a January surge like we had the last two years. Regular readers will know that I am EXTREMELY COVID pessimistic, and I was expecting, even if the festival happened, that I wouldn’t take part. But luckily, much of California is doing very well with COVID. (Lord help us that we finally get to the point where we don’t have any more increases in case rates!) Continue reading “SF Sketchfest Review: “Viva Variety” 25th Anniversary Tribute: A Very Special Evening at The Great Star Theater, 1/21/23″

Theatre Review: “Wine Escape”

Wine Escape brings a bit of Northern California to the UK
Daniel Craze and Nick Hessling as Jimmy & Johnny- a duo not to be messed with! Photo Courtesy of Molly Grave (2022).

Greetings from the UK! The land that brings you British Pantomime. For our readers who are unfamiliar with Pantomime, it is a form of theatre that encourages audience members to participate. The plot almost always revolves around a fairy tale. There’s some set of rules like certain characters who always appear so repeat pantomime goers have an idea of what to expect. Audiences love moments like shouting at the main character that something has appeared behind them, like a big bad wolf. Of course they don’t notice, and this drives the audience wild, especially younger audience members, who are typically the target for these type of shows. Singing and dancing along to pop songs is encouraged, and, in general, it’s a smashing good time. Continue reading “Theatre Review: “Wine Escape””

Show Review: Modest Mouse at The Fox Theater, 11/30/22

Issac Brock and crew sauntered out to fervent fans in Oakland Wednesday night. The 25th-anniversary tour for The Lonesome Crowded West has twenty-one scheduled tour dates full of 90s gems that soundtracked college dorms through the early 2000s. This one was sold out, with fans of all ages and all eras of the band attending. Beanie-topped tidy grunge folks in the teeming audience at the Fox howled when the first licks of “Teeth Like God’s Shoeshine” began. The setlist continued down a nostalgic path stirring ephemeral eddies of light-push-moshing. “Doin’ The Cockroach” is their disco grind dance number. The crowd obliged.  Continue reading “Show Review: Modest Mouse at The Fox Theater, 11/30/22”

Single Of The Week: “Veronica Mars” by BLONDSHELL

I have never seen Veronica Mars. I barely know the premise. But from the minor key muted strum opening this track, I’ve never been more intrigued by a TV show that I missed nearly 20 years ago. The song actually places me in My So-Called Life territory, the greatest TV show ever. This song is a fuzzy, emotive burner and my only complaint is that it’s too short. And I’ve NEVER said that about a song before. 

“Veronica Mars” is available in all the usual places. She’s touring with Suki Waterhouse and, yes, I’m sad that there is no Bay Area date, too.