2019 was an insane musical year… If I traveled back to 2000 and told me that Trent Reznor would have writing credit on the longest running #1 single of all time, and that song was a duet between a 20 year old rapper and Billy Ray Cyrus that won a CMA award, I’d think you were insane. (BTW: I just watched the video to this song for the first time, and it’s pretty wonderfully weird) The insanity is a good thing, and our top 10 of the year ended up being our most eclectic one yet!
As Spinning Platters has managed to continue for far longer than anyone would’ve expected us to, so has this list. Here are records 11-30 from the first decade of Spinning Platters. For those looking to read #31-50, click here!
Our very first photo posted was too small an image of Marnie Stern & I. I stand by the importance of this image.
The very first article posted to Spinning Platters was March 25th, 2009. It was a diary of the first few days of my second visit to SXSW. You can read that here, and even look at a picture of me 29 year old me with Marnie Stern.
That means this little music blog that has evolved into a music, film, theater, and comedy blog, and has been around for more than a decade at this point. So, in order to commemorate this time, I reached out to every person that has ever contributed to the site to pull together a top 50 records of the first ten years of Spinning Platters. That would be between March 2009 and March 2019.
Not everyone got back to me. I even got a couple, “I don’t remember doing this” emails from people that only contributed a couple of articles. However, this is definitely a list that represents the tastes of everyone that has been part of this thing. Since 50 records is a lot to take in at once, I’m just going to give you 31-50 today. Only without any words about the record at all, just a video from that album. Coming soon will be 11-30 with more commentary, and 1-10 with even more commentary will be coming your way before Christmas. So without further adieu, here’s your list!
In the year 2001, I was working at a Wherehouse Music in the Financial District of San Francisco, CA. During this time period, we received regular visits from representatives from major record labels who would drop off advance CD’s of the upcoming new releases. Mid-Summer, we got a record called In Search Of… by a band called N*E*R*D. This was a side project of popular producers The Neptunes, with Neptune Pharrell Williams handling all of the lead vocals. Yes, there was a time when people didn’t know who Pharrell Willams was! Continue reading “Spinning Platters Picks Six: Albums That Were Pulled Before Release”
I woke up this morning to the saddest music news… Sleater-Kinney‘s powerhouse drummer, Janet Weiss, has officially left the band, citing that “the band has moved in a different direction, and it’s time for me to move on.” The news makes her recent performance with Sleater-Kinney on The Tonight Show the final public performance of the classic line-up of this band, which feels as good a time as any to look back on 22 years of some of the most impressive drumming in rock ‘n’ roll music. I’m sad to see her go, but excited to see what both Weiss and the rest of the greatest power trio in rock do from here on out.
If you didn’t get out to the movies as much as you’d hoped in 2017, it’s not too late to catch up on these worthy titles!
Spinning Platters Film Editor Carrie Kahn shares her ten favorite films of 2017, presented in descending rank order. You can also check out her list from last year here.
A look back at the records that got us through the dumpster fire that was 2017…
By The Spinning Platters Staff
2017 may go down as one of the worst years in recorded history. In fact, I’m almost 100% certain of that. However, the best art is created out of strife, and 2017 yielded an especially passionate crop of records. So, without further adieu, here is Spinning Platters’ Top 10 records of 2017, as selected and voted on by our entire team:
Spinning Platters film critics present their top 10 films of 2016
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2016. Here is Chad’s list, presentedin descending rank order. And check out Carrie’s list!
10.) Hail, Caesar!
Tatum goes full Coen.
It takes a few viewings to fully appreciate the tremendous wit and satirical humor in Hail, Caesar! When the Coen Brothers released their latest film earlier this year, it was met with a lukewarm reception from audiences and critics, partially due to the Oscar-worthy brilliance of their previous three films — A Serious Man, True Grit, and Inside Llewyn Davis. Compared to those three, Hail, Caesar! is a silly comedy, yet it’s actually both an entertaining throwback and a salute to the unseen Hollywood players of the 1950s studio system, specifically the Hollywood fixer, played here by a confident Josh Brolin. Mix in a few Golden Age film sets, including those of an elaborate synchronized swimming musical number, and a Roman sandal epic, and cap it off with a phenomenal straight-out-of-the-’50s song and dance number with a handful of handsome seamen (led by Channing Tatum), and you’ve got a colorful, slightly absurdist take on Hollywood yesteryear that only the Coen Brothers can manage and deliver. Hail, Caesar! also puts Alden Ehrenreich on the map; here he plays a lovable typecast singin’ cowboy, and you’ll see him again soon as a young Han Solo. (You can also read my full-length review here.)
Spinning Platters film critics present their top 10 films of 2016
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2016. Here is Carrie’s list, presented, unlike last year’s alphabetized list, in descending rank order. And you can check out Chad’s list here to see which one of us you agree with more!
10.) Nocturnal Animals
Tony (Jake Gyllenhaal, middle) arrives at a possible crime scene with lawman Bobby Andes (Michael Shannon, r.).
Sometimes the story-within-the-story convention can be confusing or feel gimmicky, but in this visually stunning picture from fashion designer turned filmmaker Tom Ford, the technique works to terrific effect. Amy Adams, as a woman haunted by a decision she made years ago, reads a manuscript sent to her by her ex-husband Edward (Jake Gyllenhaal), and that story comes alive on screen in the form of family man Tony (Gyllenhaal again) and his confrontation with some dangerous, deranged miscreants. Ford’s keen aesthetic vision and sharp performances by Adams, Gyllenhaal, and Michael Shannon as a tenacious lawman combine to make this brutally poetic but utterly captivating film one of the year’s most definitively unusual. (You can also read my full-length review here.)
