I woke up this morning to the saddest music news… Sleater-Kinney‘s powerhouse drummer, Janet Weiss, has officially left the band, citing that “the band has moved in a different direction, and it’s time for me to move on.” The news makes her recent performance with Sleater-Kinney on The Tonight Show the final public performance of the classic line-up of this band, which feels as good a time as any to look back on 22 years of some of the most impressive drumming in rock ‘n’ roll music. I’m sad to see her go, but excited to see what both Weiss and the rest of the greatest power trio in rock do from here on out.
Spinning Platters Film Editor Carrie Kahn shares her ten favorite films of 2017, presented in descending rank order. You can also check out her list from last year here.
2017 may go down as one of the worst years in recorded history. In fact, I’m almost 100% certain of that. However, the best art is created out of strife, and 2017 yielded an especially passionate crop of records. So, without further adieu, here is Spinning Platters’ Top 10 records of 2017, as selected and voted on by our entire team:
Spinning Platters film critics present their top 10 films of 2016
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2016. Here is Chad’s list, presentedin descending rank order. And check out Carrie’s list!
10.) Hail, Caesar!
It takes a few viewings to fully appreciate the tremendous wit and satirical humor in Hail, Caesar! When the Coen Brothers released their latest film earlier this year, it was met with a lukewarm reception from audiences and critics, partially due to the Oscar-worthy brilliance of their previous three films — A Serious Man, True Grit, and Inside Llewyn Davis. Compared to those three, Hail, Caesar! is a silly comedy, yet it’s actually both an entertaining throwback and a salute to the unseen Hollywood players of the 1950s studio system, specifically the Hollywood fixer, played here by a confident Josh Brolin. Mix in a few Golden Age film sets, including those of an elaborate synchronized swimming musical number, and a Roman sandal epic, and cap it off with a phenomenal straight-out-of-the-’50s song and dance number with a handful of handsome seamen (led by Channing Tatum), and you’ve got a colorful, slightly absurdist take on Hollywood yesteryear that only the Coen Brothers can manage and deliver. Hail, Caesar! also puts Alden Ehrenreich on the map; here he plays a lovable typecast singin’ cowboy, and you’ll see him again soon as a young Han Solo. (You can also read my full-length review here.)
Spinning Platters film critics present their top 10 films of 2016
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2016. Here is Carrie’s list, presented, unlike last year’s alphabetized list, in descending rank order. And you can check out Chad’s list here to see which one of us you agree with more!
10.) Nocturnal Animals
Sometimes the story-within-the-story convention can be confusing or feel gimmicky, but in this visually stunning picture from fashion designer turned filmmaker Tom Ford, the technique works to terrific effect. Amy Adams, as a woman haunted by a decision she made years ago, reads a manuscript sent to her by her ex-husband Edward (Jake Gyllenhaal), and that story comes alive on screen in the form of family man Tony (Gyllenhaal again) and his confrontation with some dangerous, deranged miscreants. Ford’s keen aesthetic vision and sharp performances by Adams, Gyllenhaal, and Michael Shannon as a tenacious lawman combine to make this brutally poetic but utterly captivating film one of the year’s most definitively unusual. (You can also read my full-length review here.)
Yes, it’s that time of year again. Outside Lands is about to begin, and with it, a slew of great acts you love — as well as a bunch of bands you may have never heard of before. I know that your instinct is to sleep in and show up just in time to let Third Eye Blind know that you do, in fact, believe in science. However, if you do, you are going to miss some of the best music in the festival. The lower part of the poster is where the good stuff hides, so, who knows — you may just stumble across the next Black Keys or Ellie Goulding, both past lower-poster-graduates.
The schedule is out NOW, so you can start planning your weekend. I do believe it’s in your best interest to include some of these acts:
Spinning Platters film critics present their top 10 films of 2015
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2015. Here is Chad’s list, presented in reverse-awesome order. Also check out Carrie‘s top ten list!
10.) Cinderella
A lack of the classic Disney song ‘Cinderelli!’ didn’t prevent Kenneth Branagh’s live action version of Cinderella from reaching magical heights. After a plethora of disappointing “re-imaginings” and “discover the true story” versions of classics — Maleficent, Alice in Wonderland, Oz the Great and Powerful — it was time for a movie to play it straight, and Cinderella did just that. With amazing performances from Lily James and Cate Blanchett and beautiful costumes and set designs, Cinderella (hopefully) represents the first in a new series of live action Disney remakes that stick to the strong source materials without egregious silly additions. (Read my full review of Cinderella here.)
Spinning Platters film critics present their top 10 films of 2015
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2015. Here is Carrie’s list, presented in alphabetical order. (And you can find Chad’s here.)
1.) Brooklyn
The immigrant experience in America is exquisitely captured in director John Crowley’s finely crafted film about love, loss, and longing in 1950s Brooklyn. Based on the novel by Colm Tóibín, Nick Hornby’s screenplay presents us with the intrepid young Irish woman Eilis, who leaves her family in the Irish countryside for adventure and opportunity in New York. Saoirse Ronan suberbly conveys Eilis’s gradual shift from shy newcomer to confident cosmopolitan. Called back home for a family emergency, Eilis must choose between familiar comforts and new possibilities, and Ronan depicts Eilis’s struggle with heartrending openness and aching honesty. Emory Cohen and Domhnall Gleeson, as competing suitors on opposite sides of the Atlantic, also deliver strong, sharply drawn performances.
2015 marks the 7th consecutive time that the collective staff of Spinning Platters have come together, selected our favorite records of the year, and then spent the following month listening to every possible contender on the list and picking the best of the best. With such an eclectic mix of music — from creative genres birthed into existence, to old artists returning to the fray, and, of course, new works by those still deftly holding fast in the tumult — it definitely made for an interesting set of choices. This year, we had a whopping 54 albums to choose from, and narrowed that list down to our ten favorites over the course of five weeks. Here are the records that made it to the final round.
2014 was a good year for music — you just had to lose yourself in something unsafe. – Staff Writer Jonathan Pirro.
A lot of people seemed mighty nonplussed by 2014’s recorded music output. Sure, there was a lot of somewhat generic, unimpressive stuff. However, if you did some real hunting, you’ll find that there was some incredibly impressive stuff out there. Here are Spinning Platter’s Staff’s individual lists of favorite records of 2014, starting with my own list: