SFIFF58 Interview: ‘Aria for a Cow’ writer/director Dan Lund & Crew

Amos, (Me), Siddhartha, Elizabeth, and Dan of 'Aria for a Cow'
Amos, Me, Siddhartha, Stephanie, and Dan talking ‘Aria for a Cow’

The shorts programs at SFIFF58 have been increasing in popularity the last few years, and Shorts 5: Family Films is no exception. One film from the group, the colorful and magnificent musical Aria for a Cow, is appropriately quite the showstopper. I sat down with Disney animator and Aria for a Cow writer/director Dan Lund, art director and co-producer Amos Sussigan, background designer and painter Stephanie Dominguez, and production manager Siddhartha Maganti at the Hotel Majestic, a few blocks from where their short would premiere the next day and a few hours before their premiere party. The camaraderie within the group is infectious, and they had no trouble jumping right into the nitty gritty of their film: 

Where did the idea for Aria for a Cow originate?

Dan Lund: I’ve always had a pretty healthy ‘outside-of-Disney’ project type thing going. I was a PA in 1989 at Disney and was working with people who were working with Howard (Ashman). I had kept hearing about this passion project of his called ‘Fatty of the Opera’. Right before we started working on Frozen I had this period where I didn’t have an outside project to work on and it kinda freaked me out. I was in New York and I had mentioned to a friend, ‘I wonder what ever happened to Howard’s “Fatty of the Opera” project’ and my friend knew Sarah (Howard’s sister) peripherally and he said, ‘You should email her.’ So I did and she graciously agreed to give me all the information I needed on this passion project if I listened to her favorite song that no one has ever heard by him, called Aria for a Cow.” I really just did it to get the other thing I wanted, but the other thing I wanted turned out to be a little odder than I thought. And I just fell in love with the cow song. She let me turn it into an animated thing. Originally she was thinking of it being a children’s book but I don’t know that world at all. The song was just lyrics on a page. I wrote the wraparound. I didn’t just want to make a music video. I wanted the song to have a home that was as story-driven as the song.

Continue reading “SFIFF58 Interview: ‘Aria for a Cow’ writer/director Dan Lund & Crew”

Sketchfest Interview: W Kamau Bell

Photo By Matthias Clamer
Photo By Matthias Clamer

W Kamau Bell is one of the most brilliant and controversial names in comedy. He recently moved back to the Bay Area, after a stint in New York hosting the dearly departed Totally Biased with W Kamau Bell. To celebrate his return, he did a “secret residency” at Cinecave in Lost Weekend Video. He’s playing Uptown Showdown: Are We Getting Dumber vs Are We Getting Smarter with Maria Bamford, Dave Hill, TJ Miller, Aparna Nancherla, Greg Poops and Jared Logan on January 31st. Tickets are available here!

Continue reading “Sketchfest Interview: W Kamau Bell”

Sketchfest Interview: George Chen of Cinecave

Photo by Ricardo Esway
Photo by Ricardo Esway

George Chen is one of the founders of Cinecave, one of San Francisco’s best kept secrets. It’s a comedy club in the basement of Lost Weekend Video. It’s also one of the best rooms for comedy in this town. Cinecave is teaming up with Sketchfest for several shows during the festival, as well as shows every Friday and Saturday night! Chen is also one of the funniest comics in his own right, and you can catch him throughout the festival. His schedule is here.

Spinning Platters had the pleasure of speaking to George ahead of Sketchfest. Just click on the word “more.” Continue reading “Sketchfest Interview: George Chen of Cinecave”

Local Spin: Interview with Briget Boyle

aprilrenae20140925brigetboyle-505WEB
(Photo by April Renae)

When I ponder my favorite singer-songwriters, I think about musicians that are authentic, honest, and speak from the inside out.  Catchy hooks don’t hurt, either.  Local musician Briget Boyle (www.brigetboyle.com) exemplifies these characteristics in her debut solo album, The Parts Interior.  After many years spent performing in an assortment of music groups within multiple musical genres, Briget has now broken out as an individual songwriter and the result is an album both emotionally resonant and beautifully harmonious!   I spoke with Briget about The Parts Interior and her journey to this point…

You’ve been on a long musical journey involving various groups and projects.  What made now the right time for your solo debut?

Well, I had carved out a lot of space for myself creatively. Brass Menažeri is no longer together and I left Kitka a few years ago, and that space has given me the time to start writing again and really dig into myself as a songwriter.  There was something holding me back for a long time.  I wasn’t writing for a while.  It’s hard to say exactly what it was, but I’ve been doing a lot of work on myself over the last couple of years and through that work, both emotionally and spiritually, I realized that I needed to let my songwriter shine.  I had a lot of support from my partner, Harlow, and my community.  I was able to raise money to do this and it all just fell into place really nicely.

Continue reading “Local Spin: Interview with Briget Boyle”

Spinning Platters Interview: Bill Hader & Kristen Wiig & Craig Johnson, “The Skeleton Twins”

Screen Shot 2014-09-08 at 9.47.23 PM

At the Ritz-Carlton in San Francisco, I sit with a group of other writers around a table as the audible antics begin approaching outside the door.  SNL veterans Bill Hader and Kristen Wiig, along with director Craig Johnson, are splitting each others’ sides with jokes and voices.  They are tired and somewhat giddy from a day of press, supporting their incredible new film, The Skeleton Twins, and they loosely greet us with smiles and how ya dos.  Bill chucks a muffin from that morning down the hallway, comically screaming ‘This BETTER BE GOOD!’.  Bill and Kristen feed off each other’s energy, a polite and friendly Craig Johnson between them, and they all take a deep breath and search around the table for who’s first to dive in…

———-

Craig, you co-wrote the script with Mark Heyman, and I heard he’d been working on the script for eight years.  How did the final cut of the film differentiate from the original script?

Craig Johnson:  Well, we actually had a couple versions of it that were unfinished that were all over the place.  We had one where Milo was a drag queen. (To Bill) I haven’t even told you about these versions of it.  There was a road trip element.

Kristen Wiig: Maggie was a cat. (laughing)

Continue reading “Spinning Platters Interview: Bill Hader & Kristen Wiig & Craig Johnson, “The Skeleton Twins””

Spinning Platters Interview: James Ward Byrkit, Writer/Director, “Coherence”

coherence2
Director James Ward Byrkit’s COHERENCE

After Coherence screened to a packed house at the 57th San Francisco International Film Festival, the film’s writer/director James Ward Byrkit (Rango, Pirates of the Caribbean trilogy), sat down with me to discuss the mind-bending thriller, its origins, its unique production, and more…

Where and when did you originally come up with the premise for Coherence?

Well, we came up with the premise in my living room, where the movie is shot.  A couple years ago we were trying to think about what a good low budget, or no budget, movie would be.  And, since we didn’t have any resources, I had to think of what we actually had.  We had a camera.  We had some actors who were pretty good, and we had a living room.  So we had to find out how to make a living room feel like more than just a living room.  And, that led to a whole Twilight Zone type story [laughs].

Coming off the work you’ve done  — storyboarding for Pirates of the Caribbean and working on the story for Rango, how did this shift your way of thinking?

Continue reading “Spinning Platters Interview: James Ward Byrkit, Writer/Director, “Coherence””

Spinning Platters SFIFF Interview: David Zellner, writer/director — Kumiko, the Treasure Hunter

KUMIKO, THE TREASURE HUNTER
KUMIKO, THE TREASURE HUNTER

Kumiko, the Treasure Hunter has been spreading buzz around the festival circuit.  The Zellner brothers’ new modern fable is a sight to see, a surreal experience to witness, and a cinematic treasure to behold.  David Zellner, who co-wrote, directed, and plays a crucial supporting character in the film, sat down with me outside the theatre in which it was screening to discuss the film:

Can you give us a brief history of Kumiko, the Treasure Hunter?

Yeah, my brother and I heard about it [the urban legend] in 2001.  The urban legend began circulating online and this was before Twitter and Facebook, so it was through message boards.  It was very cryptic, basically saying ‘Japanese woman went from Tokyo to Minnesota for this mythical fortune’.  It was so mysterious to us because of the limited information and because the idea of someone going on a treasure hunt in the modern day world was such an antiquated notion.  It’s something from the age of exploration.  Especially in a time now where there’s less mystery in the world.  Information is more readily available.  Everything is mapped out, no uncharted land.  So we liked the idea of someone on this antiquated quest, but set in the year 2001.

Is that why ‘conquistadors’ are such a prevalent theme in your film?

Continue reading “Spinning Platters SFIFF Interview: David Zellner, writer/director — Kumiko, the Treasure Hunter”

Spinning Platters SFIFF Interview: Yoav Hornung, Writer/Director, Deserted (“Nivut Golem”)

Screen Shot 2014-04-29 at 9.50.28 PM
Yoav Hornung’s DESERTED

In the lounge of the 57th San Francisco International Film Festival (SFIFF), Yoav Hornung sips a cocktail.  Yoav is a young Israeli filmmaker who has his tense and reflective dramatic short film, Desertedshowing in one of the shorts programs.  I sat down with him to discuss his new film, its controversy, its funding process, and some details on his recently co-founded start-up, Veed.Me:

(Warning: Contains spoilers)

Are you enjoying bringing your film around the festival circuit?

It’s very exciting.  I worked very long on the film and it’s probably the most rewarding experience.  To see it on the big screen with other people watching it, so far it’s been amazing.

The premise is something you’re personally familiar with, can you touch on how you came up with the story for Deserted and for those who don’t know, how military obligations work in Israel?

Continue reading “Spinning Platters SFIFF Interview: Yoav Hornung, Writer/Director, Deserted (“Nivut Golem”)”

Spinning Platters Interview: Aparna Nancherla & Eliza Skinner

Good comedy is hard to find. I mean, it’s easy to find , but with thousands of voices permeating the ether, it’s hard to see the stars within the galaxies. How does anybody, especially comedy nerds, expect to stay up to date when there’s so many choices and unanswered questions: Do I want to have a good time? Do I want to be challenged? Who will champion the comedy I want to hear, excuse me, need to hear? Well, Aparna Nancherla and Eliza Skinner, of course.

One is acerbically imaginative, the other keenly effervescent, both are delightfully different with incredible style and substance. The duo worked on the gone-too-soon “Totally Biased with W. Kamau Bell” (aka the “OMG, Kamau has a show! OMG, they canceled it! Whyyyyyyyy!?” Show), together they’ve toured with the regal Janine Brito, and both are performing THIS SATURDAY—two shows—at our favorite indie comedy haunt, Lost Weekend Video (aka the Cynic Cave). It’s a highly-recommended happening of extremely special circumstance!

In this exclusive interview we discuss Disney, earthquake preparedness, and their biggest fear for the weekend. Continue reading “Spinning Platters Interview: Aparna Nancherla & Eliza Skinner”

Spinning Platters Interview: Benjamin Renner, “Ernest & Celestine”

A beautiful frame from 'Ernest & Celestine'
A beautiful frame from ‘Ernest & Celestine’

Nearly a year after Ernest & Celestine screened at the 56th San Francisco International Film Festival, this charming French animated film is finally being released into U.S. theaters (in the Bay Area on 3/28).  I’ve been eagerly awaiting this moment, since Ernest & Celestine was not only one of my favorite films of 2013, but also one of my favorite animated films of all time.  At last year’s SFIFF, Benjamin Renner, co-director of the film, was simultaneously exhausted, excited, and relieved that the film was getting such a great response.  With his friends waiting to go celebrate over a few drinks, Mr. Renner was kind enough to sit down with me at the Sundance Kabuki, just outside the auditorium where his film just finished screening, to discuss his experience…

Chad: How did you first get involved with this film?

Benjamin Renner: I started working on this when I just left school.  I didn’t know anything except that it was an adaptation of the books by Gabrielle Vincent.  The producer, Didier Brunner, the one who made Triplets of Belleville and Kirikou and the Sorceress, really famous in France, asked me if I could help work on this film.  So I started reading the books, Ernest & Celestine, and I was so impressed by the books, the drawings, and everything.  So I said, ‘I really want to work on this.   Whatever position you want to give me.  Even if I’m making coffee, I don’t care, it’s perfect.’  I really wanted to work on the animation, especially.  So I started making him small animations.  He loved it and said that I could work on the film.  So that’s how I got involved.  I was not a director, just a lead animator.

Continue reading “Spinning Platters Interview: Benjamin Renner, “Ernest & Celestine””