Films – Page 70 – Spinning Platters

Film Review: What Maisie Knew

Julianne Moore and Onata Aprile in What Maisie Knew

It’s Friday morning, and you’re turning to your significant other saying, “Let’s go to the movies tonight…. What should we see?” You scroll through Fandango or skim through the Chronicle Datebook listings (okay, maybe that’s just me…) and ask, “What about this film about these two flawed people involved in a bitter custody fight over their sweet six- year-old daughter?” Your S.O. is no doubt responding…. “Ummm… how about Star Trek?” Continue reading “Film Review: What Maisie Knew”

Film Review: Epic

Naming a film Epic is asking for a lot, especially when it’s based on a children’s book of a different and less demanding title, “The Leaf Men and the Brave Good Bugs” by William Joyce. Mirriam-Webster defines ‘epic’ as “extending beyond the usual or ordinary especially in size or scope.” To focus Epic on inherently small things, like insects and miniature people in a world of forest trees and underground hives, is a problem in of itself. Sure, things may look “epic” from the characters’ point of view, but from the perspective of a human being in the audience, not so much. Luckily the visuals do look epic, they just don’t feel that way. This is due in part because of the relatively banal storyline and uninspired character design for the protagonists. It’s still a very playful film with just enough depth to satisfy adults, but as it tries to balance emotion and a tone oriented toward small children, it falls short.

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Round-Table Interview: Simon Pegg and John Cho of “Star Trek Into Darkness”

Simon Pegg and John Cho, reprising their roles as Montgomery “Scotty” Scott and Hikaru Sulu respectively in the newest chapter of the Star Trek film franchise, Star Trek Into Darkness, sat down with a few members of online press outlets to answer a few questions. Dressed in casual clothing and beaming with smiles, the two actors couldn’t be more welcoming and polite. We sat around a tiny circular table and jumped right into it…

J.J. Abrams is a huge fan of the Star Trek franchise, how does the fact that he’s such a big fan of both the Star Trek films and the original TV series translate into the fact that he’s making the new franchise…with this film especially?

Simon Pegg: I don’t think he was. I think he was more of a Star Wars fan growing up.

John Cho: Yeah.

Simon Pegg: And I think he came to Star Trek as somewhat of an outsider…

Continue reading “Round-Table Interview: Simon Pegg and John Cho of “Star Trek Into Darkness””

Film Review: Star Trek Into Darkness

Zachary Quinto, Benedict Cumberbatch, and Chris Pine in Star Trek Into Darkness

In 2009, J.J. Abrams jumpstarted a dulling Star Trek franchise by instilling youthful energy and adrenaline into a familiar cast of characters. The universe was the “same” but the feel was different. It was shinier and faster paced, and took advantage of modern computer technology to produce visual effects in a way that the original Star Trek series may have dreamed of but never could harness. But the most powerful weapon 2009’s Star Trek wielded was a solid origin story that balanced the needs of the salivating Trekkies with the cinematic desires of general audiences. It was fresh and fun, familiar yet new. With Star Trek Into Darkness, the formula remains unchanged. At its heart lies a refurbished story that is uniquely enjoyable, complete with a sly tip of the hat to its franchise predecessors. But there are a few J.J. Abrams specialties and stellar performances that make this generally risk-averse Star Trek film the most entertaining one to date. (I suspect I may pay for that proclamation.)

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Film Review: The Great Gatsby

Carey Mulligan and Leonardo DiCaprio in The Great Gatsby

Baz Luhrmann’s new adaptation of F. Scott Fitzgerald’s 1925 novel The Great Gatsby has been generating buzz for months. Critics, Hollywood insiders, bloggers, and anyone with a pulse have all been asking: Can an Australian director, filming in Australia, with many British and Australian actors, pull off a film of a classic American novel? Will filming in 3D help or hinder the film? Will the film be worth seeing? The short answers are no, no, and no. Continue reading “Film Review: The Great Gatsby”

SFIFF Final Spotlight: Golden Gate Awards

It’s nine o’clock at night and inside the velvet-lined nightclub Rouge, amidst the smells of savory tacos and steamy quesadillas (compliments of Nick’s Crispy Tacos), the tireless SFIFF staff welcomes in the crowd of filmmakers, critics, and film enthusiasts. They all exchange smiles and pleasantries, speak of their favorite festival films and entreat each other to stories of their experience in the city by the bay. Mika Mattila, the Finnish director of Chimeras, informs me of his plan to rent a car and explore the beautiful deserts and mountains just hours outside the city. The shmoozing continues; sipping wine, dipping chips into thick chunks of guacamole, and trading tales…briefly pausing for ten minutes as a few honors are bestowed.

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SFIFF Spotlights #5: Crystal Fairy / Cutie and the Boxer

My final two spotlights from the 56^th San Francisco International Film Festival (SFIFF), which ends today. Information and tickets for the day’s final films at: http://festival.sffs.org/

Crystal Fairy
(Chile 2012, 100 min; English and Spanish with English subtitles)

Michael Cera is comically brilliant as Jamie, a know-it-all American seeking a mescaline high in Chile. Chilean director Sebastian Silva contrasts Jamie’s self-absorption and rigidity with fellow American Crystal Fairy (Gaby Hoffman). She’s free-spirited and new-agey, yet endears herself to Jamie and the Chilean brothers travelling with them; watching her conflict with Jamie is terrific fun. Silva’s very funny, sweet picture proves that even the most annoying of us are capable of growth and compassion.

Next showing:
Opens nationwide July 12, 2013. Continue reading “SFIFF Spotlights #5: Crystal Fairy / Cutie and the Boxer”

Midnight Music Movies at The New Parkway: Streets of Fire

Streets of Fire plays at The New Parkway in Oakland on Saturday, May 11th at 10:30

Unlike other movies that have entered the canon of “cult films,’ Streets of Fire is actually considered a good movie by some people who judge that sort of thing. But it’s over-the-top nature of the characters, the terrific music, and the combination of Michael Pare and Diane Lane that make this movie absolutely worth seeing. But why should I try to convince you when I can just quote the opening voiceover from the trailer:

You are about to enter a world unlike any you’ve ever seen before. Where rock and roll is king, the only law is a loaded gun, where the beautiful, the brutal, and the brave all meet. In Streets of Fire. Continue reading “Midnight Music Movies at The New Parkway: Streets of Fire”

SFIFF Spotlights #4: Fill the Void / Prince Avalanche / The Way, Way Back

More spotlights from the 56^th San Francisco International Film Festival (SFIFF), which ends this Thursday, May 9th. Tickets for screenings still available at: http://festival.sffs.org/

Fill the Void
(Israel 2012, 90 min; Hebrew with English subtitles)

Yiftach Klein and Hadas Yaron in Fill the Void

In this Israeli Film Academy Best Picture winner, director Rama Burshstein takes us inside the Tel Aviv Hassidic community. Shira (Hadas Yaron) is a conflicted young woman under pressure to marry her recently deceased sister’s husband. Hadas Yaron, resembling Greta Gerwig both physically and stylistically, deftly conveys Shira’s uncertainty and vulnerability. At the Q&A I attended, Burshstein called the film a “journey of feeling,” an apt description of this beautiful meditation on commitment and love.

Next showing:
No U.S. release date yet; has been playing film festivals. Continue reading “SFIFF Spotlights #4: Fill the Void / Prince Avalanche / The Way, Way Back”

SFIFF Spotlights #3: Computer Chess / Google and the World Brain / The Kings of Summer

The SFIFF continues to showcase fascinating films from around the world. It ends soon (May 9th) so visit http://festival.sffs.org/ to get tickets to this week’s final screenings.

Computer Chess
(USA 2013, 91 min)

An existential satire of 1980’s computer technology and the burning topic (as it stood at the time) of human vs. computer, set against the backdrop of a small computer chess tournament. Devotion to an 80’s feel through cinematography, fashion, and hilarious social stigmas are definitely worth the viewing, though the film dives a bit unnecessarily into the psychedelic. It’s fun to see (and remember…if you’re old enough) how the computer geek culture has changed.

Continue reading “SFIFF Spotlights #3: Computer Chess / Google and the World Brain / The Kings of Summer”