Film Review: Edge of Tomorrow

More like… ‘Edge of your seat’.

Saving Private Ryan meets Aliens
Groundhog D-Day

With films like The Bourne Identity and Mr. and Mrs. Smith under his belt (as well as Swingers and Go), director Doug Liman is no stranger to directing top notch action sequences that simultaneously contribute to clever storytelling.  Edge of Tomorrow has some of the most gripping battle scenes in quite some time, but also clever humor, solid action, and a surprisingly engaging yet quasi-familiar plot.  All the pieces work together.  Tom Cruise, one of the last remaining movie stars (in the traditional sense of the term), is terrific as usual, but he doesn’t carry the film.  Neither does a strong co-lead in Emily Blunt. Nor do the insanely gripping action sequences and phenomenal effects.  No, Edge of Tomorrow is carried proudly on the shoulders of everyone involved.  It’s a fast-paced A-grade blockbuster through and through, one that provides the intense action, clever plot twists, and smart sense of fun that most blockbusters fail to deliver.

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Film Review: The Grand Seduction

A small glass of Irish Canadian schmaltz, please.  Thank you!

Not-so-sleepy time.
Not-so-sleepy time.

No matter how predictable, cliché, or improbable a story is, it’ll translate into a worthwhile movie-watching experience if it’s executed well (I’m ready to argue about this).  This is definitely the case for Don McKellar’s The Grand Seduction, a remake of the 2003 French film, La Grande Séduction.  The Grand Seduction is an incredibly charming film filled with great laughs, lovable characters, and a quaint story that befits the film’s soothingly calm pace.

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Film Review: Maleficent

I don’t know you, I may have walked with you once upon a dream…

Well.  Well.  What magnificent horns you have.
Well. Well. What magnificent horns you have.

…but honestly, who are you?

This is not the Maleficent from Disney’s 1959 animated classic, Sleeping Beauty.  There’s a physical resemblance, sure.  For about 10-15 minutes, the story and tone seems to reflect the Disney version as well.  But mostly this is a completely new retelling, including new environments, and  newly structured characters and motives.  Unfortunately, it’s the title character that suffers the most from the creative liberties taken.  Yet, it’s still Angelina Jolie, playing the title character of Maleficent, who ends up stealing the show from start to finish with her powerful features, dark silhouette, and devotion to her character — no matter how weakened the character is now.

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Film Review: X-Men: Days of Future Past

Back to the future past!

So. Damn. Magnetizing.
He’s just so…magnetizing.

The only actors seemingly capable of producing the same intense chemistry with onscreen conversations as Patrick Stewart and Sir Ian McKellan do…are Michael Fassbender and James McAvoy.  Put them all in a movie together and it’s practically a how-to on acting.  Throw in Hugh Jackman and Jennifer Lawrence and you now have one of the most talented ensembles ever.  Oh, wait, Tyrion Lannister, err… Peter Dinklage, too?!  With this billed cast, it could’ve been a biopic about the GEICO gecko and I’d get in line.  Luckily for everyone, it’s actually X-Men: Days of Future Past, one of the best entries in the X-Men series (including all spinoffs, etc.) and an insanely fun film.

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Film Review: Words and Pictures

No matter how you paint this picture, there’s only one word for it: Bad

Clive Owen pretends like he's in Dead Poet's Society.
Clive Owen pretends like he’s in Dead Poets Society.

Australian director Fred Schepisi has an impressive resume; he’s directed the critically acclaimed pictures Roxanne, Six Degrees of Separation, and A Cry in the Darkness, among others. So naturally it’s disheartening that his newest film, Words and Pictures, is such a disappointment, especially considering it stars two high-caliber actors – – Clive Owen and Juliette Binoche. Unfortunately, writer Gerald Di Pego (Message in a Bottle; Angel Eyes) doesn’t give them much to work with, and Schepisi’s direction seems to echo the mediocrity of Di Pego’s script.

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Film Review: Godzilla

Roaring (and lumbering) back into action!

Godzilla's so vain, he probably thinks this movie's about him.
Godzilla’s so vain, he probably thinks this movie’s about him.

In comparison to 1998’s embarrassing excuse for a blockbuster, Godzilla (directed by Roland Emmerich), most popcorn flicks look Oscar worthy.  What’s refreshing about 2014’s Godzilla, directed by Gareth Edwards (Monsters), is that it shows off some remarkably cool modern sequences while embracing the traditional look and feel of the classic Godzilla films and the summer movies of the late 70’s that established the blockbuster sub-genre.  After the overload of monsters and CG destruction we see in movies these days, it’s a relief to know that there’s still room for a film to embrace the origins of both and still surprise us.  Welcome back, Godzilla.

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Also in Theaters — 5/16/2014 — Chef / God’s Pocket / The Double

Film Review: Chef

Review by Gordon Elgart

This is one food truck you don't want to miss.
This is one food truck you don’t want to miss.

Jon Favreau writes, directs and stars in Chef, which is clearly a passion project about the passions of others. HIs main character, Chef Carl Casper, is a genius chef who’s been working for ten years in the restaurant of a man who does not appreciate genius chefs. One big night, a reviewer is coming to the restaurant to see what Chef Carl is making these days, and writes a scathing review which starts the events of the movie in motion. Chef Carl needs to put his life back together while balancing the relationship he has with his son, a child of his divorce.

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Final SFIFF Spotlights: Alex of Venice/Begin Again

Spinning Platters brings you two final spotlights from the 57th San Francisco International Film Festival (SFIFF), which closed on Thursday with Chris Messina’s film Alex of Venice at the Castro, with many of the cast there for a fun Q&A. You can check out the Festival award winners here, and be sure to keep your eye out for many of these films as they are released throughout the year.

Alex of Venice
(USA 2014, 87 min)

Mary Elizabeth Winstead and Chris Messina in Alex of Venice.
Mary Elizabeth Winstead and Chris Messina in Alex of Venice.

The Mindy Project’s Chris Messina makes his directorial debut with this emotionally rich drama about the dissolution of a marriage. In the Q&A following the film, Messina cited Kramer vs. Kramer, Hannah and Her Sisters, and All the Real Girls as influencing his picture, and, indeed, all the best tonal elements of those films can be felt here. Strong performances from Mary Elizabeth Winstead as workaholic environmental attorney Alex, Katie Nehra as her more free-spirited sister, and Don Johnson as their actor father on the verge of a health crisis solidly anchor the film. Messina, as Alex’s unhappy husband George, and young Skylar Gaertner as Alex and George’s son Dakota round out the cast nicely, with Gaertner’s portrayal just as nuanced and sensitive as Justin Henry’s in Kramer vs. Kramer. A side story about Alex’s father appearing in The Cherry Orchard is a bit of a heavy-handed metaphor, but that’s just one small quibble with an otherwise excellent first feature. Continue reading “Final SFIFF Spotlights: Alex of Venice/Begin Again”

Film Review: Neighbors

It’s a very funny movie. What more do you need to know?

Zac Efron and Seth Rogen in Neighbors, in a scene chosen by me to get traffic if someone searches for "shirtless Zac Efron"
Zac Efron and Seth Rogen in Neighbors, in a scene chosen by me to get traffic if someone searches for “shirtless Zac Efron”

Comedy is subjective. What’s funny to you isn’t necessarily funny to me. There’s absolutely no way I can tell you that a movie is hilarious, and a must-see, and have it necessarily be the case for you. All that said, if you don’t think Neighbors is a very funny movie, I probably won’t take comedy recommendations from you in the future. It’s OK if you give me the same treatment. I’m guessing you won’t, though; this is as good as it gets in modern movie comedy. Continue reading “Film Review: Neighbors”

SFIFF Spotlights #8: The One I Love/Coast of Death/Night Moves

Spinning Platters brings you even more spotlights from the 57th San Francisco International Film Festival (SFIFF), which ends today, May 8th. Program notes and tickets available here.  There are only a few screenings left, so hurry to catch the last showings, and you can also see many of the films as they open widely throughout the year.

The One I Love
(USA, 2014, 91 min)

Elisabeth Moss and Mark Duplass stand agape in THE ONE I LOVE
Elisabeth Moss and Mark Duplass stand agape in THE ONE I LOVE

Romantic comedy meets The Twilight Zone, Charlie McDowell’s obscure relationship dramedy is a wonderful piece of bizarre metaphorical fiction.  The story focuses on an unhappy married couple, Elisabeth Moss and Mark Duplass, who go to a beautifully secluded rural home to rekindle their love. Immediately, anomalies involving the adjacent guest house occur, and the film starts toying with our minds, offering continuous scenarios that beg the question, ‘how would I handle this?’  A quirky tone keeps the film upbeat, but the twists lead the characters down varied emotional routes, resulting in a whole new meaning to “couples therapy.”

The One I Love SFIFF Page: http://www.sffs.org/festival-home/attend/film-guide/the-one-i-love

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