Category: Features

In Defense Of: The New Lilith Tour

Once upon a time, in the late 90’s, a struggling singer-songwriter was finding it difficult to get her music heard. She was too edgy for Adult Contemporary radio, but too light for Alternative Rock radio. She also noticed that both of these genres were awfully male-centric. So, her solution was to find a group of like-minded female musicians and take them on the road with her. The basic idea is that there is strength in numbers, and with the marketing push of several artists, it could be good for everyone, much like Lollapalooza managed to accomplish in the early 90’s. That artist was Sarah McLachlan, and the tour was called The Lilith Fair, named after Adam’s first wife. Continue reading “In Defense Of: The New Lilith Tour”

The Top 4 Reasons you should attend High Sierra Music Festival

The twentieth Annual High Sierra Music Festival, which takes place in Quincy, CA, is almost upon us and if you’re still seeking out plans for the long weekend of July 4th, then you should consider heading up to the mountainous town located eighty miles North of Reno to experience four days of music, exercise, workshops, parades and much, much, more.

Formed in 1991, the family-oriented, kid-friendly festival attracts between 7,000 – 8,000 attendees as well as a myriad of influential music acts that span across neo-hippie jam band-friendly genres including roots rock, electronica, afrobeat, jazz, bluegrass, and funk. There’s a lot of entertaining options offered up on the Plumas Sierra Fairgrounds to consider so without further ado, here are the top four reasons you should attend High Sierra Music Festival (HSMF)…

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SFIFF Film Review: 20,000 Leagues Under the Sea with Stephin Merritt at Castro Theater, 5/4/10

Oh Captain Nemo, you know how to bring the crazy!

Although I knew nothing about the silent film 20,000 Leagues Under the Sea, I had high expectations for this evening, all of which were piled on Stephin Merritt’s shoulders.  His amazing ability to craft the perfect quirky pop song seemed well suited to the project: creating a live score to a silent film.  This is a mainstay of the San Francisco International Film Festival, after last year’s The Lost World with Dengue Fever, and I’m very happy it is.  It is a great opportunity for a songwriter/composer to showcase his song-craft and experiment, but composing almost 2 hours of music that will enhance someone else’s work? It’s a tall order for even the most talented and interesting songwriter. Continue reading “SFIFF Film Review: 20,000 Leagues Under the Sea with Stephin Merritt at Castro Theater, 5/4/10”

The Music Room SF International Film Festival

Of all the movies playing at the San Francisco International Film Festival Jalsaghar (The Music Room) was what I wanted to see most.

An Indian film from 1958 that has been recently restored is not your usual popcorn popping movie. It’s more of a privilege to see and everything about my experience was just that. Continue reading “The Music Room SF International Film Festival”

SFIFF in Review: Roger Ebert, James Schamus, and Other Highlights

The 53rd annual San Francisco International Film Festival concluded last night, thus ending this year’s edition of one of our fair cities’ most enduring and enriching cinematic traditions. After the jump, I’ll recap some of the festival’s highlights, ranging from Serge Gainsbourg lookalikes and Tilda Swinton speaking Italian, to James Schamus dismissing Brokeback Mountain enthusiasts and Jason Reitman teaching Terry Zwigoff how to be a douchebag.

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SFIFF Film Review: “Pianomania”

Stefan Knupfer featured in the documentary Pianomania, co-directed by Lilian Franck and Robert Cibis

As a child I was only allowed to listen to soft rock and classical music. Though I should have probably called CPS, I did not know any better. I do still however love both forms of music. This is probably why I thought Pianomania ruled. The music was absolutely enchanting. Continue reading “SFIFF Film Review: “Pianomania””

SFIFF Film Review: “Coco Chanel and Igor Stravinsky”

Anna Mouglalis and Mads Mikkelsen are quite believable as this iconoclastic pair

“Coco Chanel and Igor Stravinsky” twists the worlds of fashion, art, music and society together.  It screams about the new-ness inherent in the early 20th century: in music, in fashion, and in people’s relationships.  The film depicts the couple’s passionate affair along with what is billed (by the film) as each of their greatest works:  Stravinsky’s ballet “The Rite of Sping” or “Le Sacre du Printemps” and Coco Chanel’s iconic fragrance Chanel No. 5.  In this day and age where music and fashion are so intertwined the film successfully takes you into the world of 1920’s Paris where this was far from the truth.  Coco Chanel is the unlikely patron here, bringing Igor Stravinsky into her world with money, and with that relationship forged, the pair change each other’s art and direction. Continue reading “SFIFF Film Review: “Coco Chanel and Igor Stravinsky””

SFIFF Film Review: “Rejoice and Shout”

Rejoice and Shout, the latest music documentary from director Don McGlynn (The Howlin’ Wolf Story, Somewhere Over The Rainbow: Harold Arlen, and many more) is the most thoroughly researched and exhaustive film about African-American gospel music ever committed to film. In telling the story of gospel in America, it simultaneously mirrors the entire narrative of the African-American experience, beginning with slavery and ending with the election of the nation’s first black president. It is an ambitious undertaking, and for the most part, it is successful.

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A Music Nerd’s Guide To The San Francisco International Film Festival

As a world class city, we get some pretty impressive events. Often times, these events tend to pile on top of each other, such as Fauxchella overlapping with the San Francisco International Film Festival. Of course, piling into clubs night after night can seriously wear on even the most enthused music fan, and sometimes it’s pleasant to sit in a seat in an air conditioned theater. That’s where we can serve you. There are plenty of ways to enjoy your time as a music nerd at the SF International Film Festival, and this is your guide. Ticket information can be found here.

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Noise Pop Show Review: Wallpaper, The Limousines and Butterfly Bones at Slim’s, 2/26/10

Everybody wants to party with Ricky Reed

The Limousines

The Limousines were already on stage when I walked in a bit late.  The first thought that popped into my head was “this is going to be boring, because the music was very bland.”  First impressions though are a dangerous thing because they are often way off the mark.  After less than a minute, when the song changed and the beat started resonating with my heart beat, I started swinging my hips a little bit.  The crowd was very much loving The Limousines.  I can’t say the drunk energy was infections, rather it made me a bit envious that I wasn’t as drunk as everyone else; because maybe I would have enjoyed them more.  By the end of their set there was still a little blah quality that I couldn’t quite put my finger on.  At one point I thought it was either the singer’s voice or the lyrics.  And since I didn’t particularly dislike the singer’s voice, I guess by default that means the lyrics were what I didn’t like.  I felt that there wasn’t anything being said in the lyrics of the songs, as if a bunch of random words were strung together; nor was there any obvious difference from one song to the next.
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