Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
With this final spotlights post, we bring our coverage of the 2017 Sundance Film Festival to a close (you can read the previous posts here and here). We conclude by taking a look at six more feature films, once again using our world famous Sundance Viewing Priority Level (VPL) Guide to discern those films to seek out and those to avoid. Enjoy, and we’ll hope to see you in Park City next year!
Continue reading “Film Feature: 2017 Sundance Film Festival Spotlights #3”
Our coverage of the 2017 Sundance Film Festival continues with this look at five documentaries that premiered at the Fest a few weeks ago.
Many of these may receive distribution or television deals (if they haven’t already; see our notes below), so you can know what to watch for in the coming year with these handy capsule reviews, which use our patented Sundance Viewing Priority Level (VPL) Guide:
Continue reading “Film Feature: 2017 Sundance Film Festival Spotlights #2”
In celebration of Black History Month, we are running a series of short articles featuring influential black musicians.
His raspy voice, his intense and mercurial personality, and possibly, his personal tumult – all of these made Miles Davis “The Prince of Darkness” in the jazz scene. Davis had enormous influence on the world of jazz, and was at the forefront of at least six genres of jazz. He was the son of affluent parents, and his mother had a passion for music; she saw in her son a future blues pianist. Embracing the trumpet instead, though, he made it into Juilliard, then dropped out to replace Dizzie Gillespie in Charlie Parker’s band.
Continue reading “Black History Month Artist Series: Miles Davis”
The 2017 Sundance Film Festival ended last Saturday evening after ten days of showcasing over 200 films from around the globe; you can see all the winners here.
For the third year in a row, Spinning Platters was on the (snow-covered) ground trying to take in as many movies as our limited time and budget would allow. And so we bring you the first of our posts spotlighting the 17 films we managed to squeeze in to just over five days.
Many of these may receive distribution deals (if they haven’t already), so you can know what to watch for in the coming year with these handy capsule reviews, which use our patented Sundance Viewing Priority Level (VPL) Guide:
Continue reading “Film Feature: 2017 Sundance Film Festival Spotlights #1”
Silence! The Musical opens at the Victoria Theatre in San Francisco on Friday, February 3rd — tickets here. The “unauthorized parody of Silence of the Lambs” is a show you are not to miss. In eager anticipation for the show, I got the opportunity to ask the two leads, Anne Norland (who plays Clarice Starling) and Scott Hayes (who plays Hannibal Lecter), some questions…
Before landing your roles, had you seen “Silence of the Lambs” and what were your thoughts on the film?
Anne: I am such a scaredy-cat when it comes to scary films or images. I was familiar with Jodie Foster’s accent and style in the movie, but I actually only really sat down and watched the movie start to finish in preparation for my callback for Silence! It scared the shit out of me. Psychological dramas are the scariest for me. It’s not gore-y or sneak-out-of-the-closet-and-spook-you like a slasher movie, but it’s freaky because that Giallo style gets under your skin (…no pun intended?). Any minute, someone might try to shove me in a well or bite into my face.
Scott: I actually saw the film the night after it opened back in 1991. Not only do I recall it being terrifying, but also remember the audience as a whole responding with gasps and screams. It was a genuine collective experience in the best way.
Continue reading “Spinning Platters Interview: Anne Norland & Scott Hayes, Silence! The Musical“
2016 will go down in history as the year in which all of our heroes died. Most everything that happened felt like a cold darkness, and the world feels like a worse place. Here are a few thoughts from our writers about a few of our favorites who passed away this last year…
Continue reading “Final Goodbyes of 2016: Notes on Who We Will Miss”
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2016. Here is Chad’s list, presented in descending rank order. And check out Carrie’s list!
It takes a few viewings to fully appreciate the tremendous wit and satirical humor in Hail, Caesar! When the Coen Brothers released their latest film earlier this year, it was met with a lukewarm reception from audiences and critics, partially due to the Oscar-worthy brilliance of their previous three films — A Serious Man, True Grit, and Inside Llewyn Davis. Compared to those three, Hail, Caesar! is a silly comedy, yet it’s actually both an entertaining throwback and a salute to the unseen Hollywood players of the 1950s studio system, specifically the Hollywood fixer, played here by a confident Josh Brolin. Mix in a few Golden Age film sets, including those of an elaborate synchronized swimming musical number, and a Roman sandal epic, and cap it off with a phenomenal straight-out-of-the-’50s song and dance number with a handful of handsome seamen (led by Channing Tatum), and you’ve got a colorful, slightly absurdist take on Hollywood yesteryear that only the Coen Brothers can manage and deliver. Hail, Caesar! also puts Alden Ehrenreich on the map; here he plays a lovable typecast singin’ cowboy, and you’ll see him again soon as a young Han Solo. (You can also read my full-length review here.)
Continue reading “Film Feature: Chad’s Top 10 Films of 2016”
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2016. Here is Carrie’s list, presented, unlike last year’s alphabetized list, in descending rank order. And you can check out Chad’s list here to see which one of us you agree with more!
Sometimes the story-within-the-story convention can be confusing or feel gimmicky, but in this visually stunning picture from fashion designer turned filmmaker Tom Ford, the technique works to terrific effect. Amy Adams, as a woman haunted by a decision she made years ago, reads a manuscript sent to her by her ex-husband Edward (Jake Gyllenhaal), and that story comes alive on screen in the form of family man Tony (Gyllenhaal again) and his confrontation with some dangerous, deranged miscreants. Ford’s keen aesthetic vision and sharp performances by Adams, Gyllenhaal, and Michael Shannon as a tenacious lawman combine to make this brutally poetic but utterly captivating film one of the year’s most definitively unusual. (You can also read my full-length review here.)
Continue reading “Film Feature: Carrie’s Top 10 Films of 2016”
A brand new sonic explosion from the Texas quintet
It was never predicted to happen again, but it has: after nearly two decades, the El Paso post-hardcore masterminds of At The Drive-In have not only continued to stay united AND tour, but now there is finally new studio material in recorded form available! Now on Rise Records, the group has released their first single, “Governed By Contagions”, on YouTube and their official website. Read on for the lyric video!
Continue reading “Listen to At-The Drive In’s First Song in 16 Years, “Governed By Contagions””
For 10 years, the Treasure Island Music Festival has been one of the best-run and best-booked music festivals in the world. Situated on Treasure Island’s west lawn, we got to experience picturesque views of San Francisco, along with some of the best weather and some of the most innovative performers of our time, often just before breaking out to the mainstream. For 9 of those 10 years, everything went off pretty much perfectly; this year, however, mother nature decided that things were going a little TOO well for the festival, and it was time to see how the good people of Noise Pop and Another Planet would handle, well, everything she’s got. In my own humble opinion, they handled it rather nicely, and the 10th year was, once again, extraordinary.
Continue reading “Treasure Island Music Festival 2016 Journal, Day 1”