Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Listening to the new Jay Reatard album, Watch Me Fall, has presented me with a puzzle I’ve never had to solve before. What if you like an album too much to do a proper review of it? How would you approach it? You’d do it by relying on the biggest security blanket a modern writer has. You’d make lists. So read on to see just how many lists I managed to make out of Jay Reatard’s masterpiece of an album. Continue reading “Album Review: Jay Reatard — Watch Me Fall”
The Nutty boys are back with a vengeance but can you really be as nutty almost 35 years after you started out and when you approach 50? I think I bought every Madness single for around five years but, interestingly, I don’t think I ever bought an album. Now here they are, 20+ years later with all seven original members intact, with an album that has a theme if not a full-on concept, all in celebration of London. Read on for the skinny on Madness’ The Liberty Of Norton Folgate. Continue reading “Album Review: Madness — The Liberty Of Norton Folgate”
Choir of Young Believers is led by 26-year-old Danish singer Jannis Noya Makrigiannis, who works with a rotating cast of supporting players. This Is For The White In Your Eyes is their debut album. It’s rare these days to get to listen to something new without any preconceptions, hype or other factory distorting your viewpoint. So lets see how it worked out. Continue reading “Album Review: Choir of Young Believers — This Is For The White In Your Eyes”
I’m a big Brendan Benson fan. I was a fan before The Raconteurs. Lapalco being one of my all time favorite albums but I was not overly happy with his last album, The Alternative To Love, which had its moments but was, overall, somewhat inconsistent. So how does his new one My Old, Familiar Friend stack up. Keep in mind that this review is all based on a first listen and of course songs may grow or otherwise on me given time. So what has spending his time with Jack White done for Brendan? Continue reading “Album Review: Brendan Benson — My Old, Familiar Friend”
Arctic Monkeys – Humbug
Retail Release Date: August 25th, 2009
Leaky Faucet Acquisition Date: July 30th, 2009
The negative of listening to an early leaked version of an album is the possibility of subpar sound quality. I really hope that this is what’s going on with the new Arctic Monkeys album Humbug and not that this is the way they meant it to sound. Continue reading “Album Review: Arctic Monkeys — Humbug”
Retail Release Date: June 8th, 2009 (only available on mikasounds.com)
Leaky Faucet Acquisition Date: May 15h, 2009
Mika is a singer-songwriter from Lebanon via England. He released a record in 2007 called Life In Cartoon Motion, a glorious pop record that was equal parts Donna Summer, Queen, Rufus Wainwright, and Erasure. He also writes songs that tell stories so vividly that one could call him the Bruce Springsteen of disco.
On May 15th, he’s releasing an EP of acoustic songs to tide people over until his next full length record, due out next year. He also enlisted some of his favorite artists to make original works to help tell the stories on this EP. Continue reading “The Leaky Faucet: Mika — Songs For Sorrow”
Retail Release Date: June 9, 2009
Leaky Faucet Acquisition Date: May 6, 2009
Dredg really never had a shot on the major labels. They’re a prog rock band, first and foremost. This is, of course, why I like them. For their last album, Catch Without Arms, they teamed up with a big name producer (Terry Date) and had songwriting help from Queensyche’s Chris Degarmo. That’s a high powered team, and the album that came out of it had a lot of polish and shine, but also lacked some of the musical innovation found on the band’s older releases. In a lot of ways, it made their earlier albums sound like demos.
So now Dredg is off of the major label, yet they’ve maintained the polished sound, but–and this is exciting–they’ve also thrown caution to the wind in a lot of ways. No longer worried about trying to sound like the band the majors want them to sound like, they go back to the more experimental sounds of their earlier albums, Lietmotif and El Cielo. And it’s almost a complete success. Continue reading “The Leaky Faucet: Dredg — The Pariah, The Parrot, The Delusion”
Retail Release Date: June 2, 2009 (digital only)
Leaky Faucet Acquision Date: May 3, 2009
I’ll start with the album cover. Patrick Wolf is posed here as an alien who’s landed in an oddly shaped spaceship tent, in some crazy cyberpunk outfit with a purple glow behind his hand, and some ancient instruments at his campsite. What is Patrick Wolf saying about this album before you even listen to it? He’s saying, “please don’t take me too seriously. I’m an utter goofball.” Continue reading “The Leaky Faucet: Patrick Wolf — The Bachelor”
Retail Release Date: May 25, 2009
Leaky Faucet Acquisition Date: March 11, 2009
Phoenix is a French pop band that plays music that can only be described as Britpop. What does French Britpop sound like? It sounds like the band Phoenix. Perhaps I should explain. Continue reading “The Leaky Faucet: Wolfgang Amadeus Phoenix”
Silversun Pickups – Swoon.
Retail Release Date: April 14, 2009
The Leaky Faucet Acquisition Date: March 26, 2009
The Silversun Pickups new album Swoon landed on my hard drive last week. I wasn’t thrilled with the last Silversun Pickups album. I really liked their live show, but the energy of that show didn’t end up on the record. This album continues that trend, but is overall a far better album anyway. Why’s this?
Swoon is the kind of album that simply isn’t made much anymore: a major-label 90s alternative rock record. What I mean by this is that it has that shiny perfection in every sound and an overall gloss that makes it really easy to listen to. There’s strings in parts where there should be strings. The guitar is fuzzy but never distorted. The vocals are clean with just the proper amount of reverb. If you fondly remember the production style of Bush’s Sixteen Stone or Candlebox’s debut album, then you’re totally going to dig this record.
The songs are good here, especially the driving rhythm section. There’s a decent amount of dynamics here; Silversun Pickups don’t do Pixies-ish loud-quiet-loud too much, but rather slow builds from soft to loud. The lyrics sound cool, but in the end have no real meaning to me. I might not be paying attention that much because the groove is really quite excellent.
Again, these songs are likely to sound even better live, but this album is a good listen. Recommended.