Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Spinning Platters album reviews category. Click here to see all album reviews from the Bay Area Music Nerds.
When I heard that Bitte Orca was being re-released I was a bit hesitant to say the least. What exactly could the Dirty Projectors possibly have to offer that would warrant an expanded re-issuing of this highly underrated album?
Continue reading “Album Review: Dirty Projectors — Bitte Orca (Expanded)”
In 2008, No Age became media darlings with their sophomore release, Nouns: a fuzzed out mixture of noise, pop and punk. Two years later they’ve follow it up with Everything In-Between. The adolescent angst under riding Nouns has now been filtered into a much more mature and complex sound in Everything.
Continue reading “Album Review: No Age — Everything In Between”
It has been a few weeks. Figuring out how to best use Rdio has been a bit of a trial. I think I’m getting there, so bear with me. Continue reading “New Release Round Up for July 2010 — 37 Instant Album Reviews”
The Roots have had an unheard of career trajectory for the hip-hop world. They quietly came onto the scene in 1993 with an organic form of hip hop that was created entirely with live instruments, and were often thrown in with the jazz/rap fusion acts like A Tribe Called Quest and Digable Planets. Although they didn’t reach the same level of success as those two acts, they were definitely one of the most determined acts in hip hop, touring non-stop, which is rare in hip-hop, and eventually became one of the most revered live acts in the country. They managed to build a following the old fashioned way, and have managed to become a little more successful with every passing year.
Fast forward to 2010, and The Roots are practically a household name, with several hit singles under their belt at this point as well as an extremely high profile gig as the house band in Late Night with Jimmy Fallon. Their latest record, how i got over, might be the record to finish that process off, and become that household name.
Rough week. Guess I was getting my comeuppance for not doing this for a while. [Editor’s Note: It’s OK. The transition from Lala to alternate listening methods hurt us all.] Some straight up dogs out this week. There were a few highlights though. Read on dear readers. Continue reading “New Release Round Up 6/22/10 — 19 Instant Album Reviews”
I have always considered myself a big Courtney Love fan. I know that sounds bizarre to many, but I’ve followed her long, strange career like some follow their favorite sports teams (or so I’m told). It just so happens that Courtney is like one of those sports teams that has far more failures than triumphs, and tends to flunk random drug tests. But she usually comes through when it counts, and no matter how much her reputation has suffered over the years, I have never been capable of anything less than total love and adoration of her. Sadly, Nobody’s Daughter is just the latest challenge to that love.
Man I got through a lot of albums this week. Not a record but I kinda don’t know where I’m at right now. Need to go outside and lay in the sun. Continue reading “New Release Round Up 4/20/10 — 43 Instant Album Reviews”
Shelby Lynne, one of the most defiantly self-sufficient female recording artists of her generation, has returned with yet another collection of sparse, intimate country/folk/blues/soul. Tears, Lies, and Alibis is written by Lynne, produced by Lynne, and — for the first time — released on Lynne’s own label, Everso Records. The woman has been dicked over by labels too many times by in her 20+ years as a recording artist, so she finally just invested in a label of one’s own. Get it, girl!
Continue reading “Album Review: Shelby Lynne — Tears, Lies, And Alibis”
Kate Nash’s second release, My Best Friend Is You manages to circumvent the usual route taken by hyped artists’ sophomore releases. It’s not about the perils of fame and it’s not experimental for difference sake nor does it sound like Made of Bricks: The Sequel. Kate Nash managed to release a second album that contains the same quirky lyrics about love, friendship and self from her debut but with an overall more mature sound that comes about in a really wonderful way. Continue reading “Album Review: Kate Nash — My Best Friend Is You”
I am, and there’s no better word for it, a Blur superfan. They’ve been my favorite band since I was 17. That was 1995. You can do the math. But all old jokes aside, I was very sad that I couldn’t make the trek to London to stand in line for hours and get one of the 1,000 copies of the new Blur 7″ “Fool’s Day” released for Record Store Day in the UK. As an old-school collector who spent all my lunch money on imported Blur singles, this was a painful decision. At least no one could go because of some sort of apocalyptic devil-ash, and I take solace in that. And in the fact that the internet exits… but I’ll get to the song now. Continue reading “Single Review: Blur — Fool’s Day”