Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Ah, a Saturday night show. The one time the audience has no excuse but to bring the energy. At the We Are Scientists show at Slim’s the energy was bursting from the seams. There was great music, a relatively friendly crowd, a lot of laughter, and even more drinking. At least that’s what happened where I was standing… Continue reading “Show Review: We Are Scientists with Rewards (Aaron Pfenning) at Slim’s 8/7/10”
Four songs into the set, Marina Diamandis, the songstress that is Marina & the Diamonds (the Diamonds being you, the fans, duh!) announces boldly that this is “the last chance you’ll get to see me like this.” Whether or not this is true, at this moment in time, Marina & the Diamonds is bigger than the packed dance floor of Popscene at 330 Ritch. Of course, Popscene is notorious for giving you the opportunity to say “I saw them when” but could Marina really back up her claim that she will be one of the greats, or will she just fade out once popular culture is done with her? Continue reading “Show Review: Marina & The Diamonds at Popscene, 330 Ritch, 7/8/10”
When Zooey Deschanel walked on stage in a sparkly dress you would have thought it was the next messiah walking out to greet her followers. In a weird way I guess she is the messiah of sweet indie-ness. Between her movie career and the success of She & Him, Zooey Deschanel is the It girl of indie rock. She certainly looked the part at The Fox: bouncy perfect hair, cute make-up, black tights and kitten heels, but what really sold the show was her voice. From the first note it was strong, clear and emotive, and for the next hour and a half it was glorious. Continue reading “Show Review: She & Him with The Chapin Sisters at The Fox Oakland, 5/29/10”
Although I knew nothing about the silent film 20,000 Leagues Under the Sea, I had high expectations for this evening, all of which were piled on Stephin Merritt’s shoulders. His amazing ability to craft the perfect quirky pop song seemed well suited to the project: creating a live score to a silent film. This is a mainstay of the San Francisco International Film Festival, after last year’s The Lost World with Dengue Fever, and I’m very happy it is. It is a great opportunity for a songwriter/composer to showcase his song-craft and experiment, but composing almost 2 hours of music that will enhance someone else’s work? It’s a tall order for even the most talented and interesting songwriter. Continue reading “SFIFF Film Review: 20,000 Leagues Under the Sea with Stephin Merritt at Castro Theater, 5/4/10”
“Coco Chanel and Igor Stravinsky” twists the worlds of fashion, art, music and society together. It screams about the new-ness inherent in the early 20th century: in music, in fashion, and in people’s relationships. The film depicts the couple’s passionate affair along with what is billed (by the film) as each of their greatest works: Stravinsky’s ballet “The Rite of Sping” or “Le Sacre du Printemps” and Coco Chanel’s iconic fragrance Chanel No. 5. In this day and age where music and fashion are so intertwined the film successfully takes you into the world of 1920’s Paris where this was far from the truth. Coco Chanel is the unlikely patron here, bringing Igor Stravinsky into her world with money, and with that relationship forged, the pair change each other’s art and direction. Continue reading “SFIFF Film Review: “Coco Chanel and Igor Stravinsky””
Vampire Weekend proved without a doubt at their two sold out shows at the Fox in Oakland that they are a strong band. I didn’t hear any mistakes either night. The drums, brought to you by C.T. (Chris Tomson) were solid, holding everything together. Chris Baio danced and played the bass masterfully. Rostam Batmanglij fleshed out the melody with keyboard and guitar and Ezra Koenig gave it all a focal point with his charm and strong vocals center stage. This was the third and fourth time I’d seen Vampire Weekend and I knew they could deliver a good show like this, but could they still surprise me? Continue reading “Show Review: Vampire Weekend at the Fox Oakland, 4/19/10 and 4/20/10”
I am, and there’s no better word for it, a Blur superfan. They’ve been my favorite band since I was 17. That was 1995. You can do the math. But all old jokes aside, I was very sad that I couldn’t make the trek to London to stand in line for hours and get one of the 1,000 copies of the new Blur 7″ “Fool’s Day” released for Record Store Day in the UK. As an old-school collector who spent all my lunch money on imported Blur singles, this was a painful decision. At least no one could go because of some sort of apocalyptic devil-ash, and I take solace in that. And in the fact that the internet exits… but I’ll get to the song now. Continue reading “Single Review: Blur — Fool’s Day”
Truth time. This review is two weeks late and way beyond the relevant date for any She & Him fan. So I’m not going to write it for a fan, I’m going to write it for all you people who say Zooey Deschanel can’t sing or that She & Him is boring dreck. Because I think you’re wrong and if you are actually willing to have an open mind about it, you might change your mind.
When I first started listening to Volume Two and pondering the angle for my review I did my usual pre-writing ritual: hours of procrastinating on the internet. I ended up in one of my favourite places: ONTD (Oh No They Didn’t on livejournal.com for those not in the know). I was surprised by the amount of hate being spewed in She & Him’s direction, and started to wonder why. So I’ll take the negative comments posted to this entry, and do my best to prove them wrong. Continue reading “Defending Zooey: A Review of She & Him Volume Two”
Let me start off by saying that I probably saw 1% of possible bands to see at SXSW, and none of them were the bands everyone is talking about. I didn’t bother waiting in line for She and Him. I left a venue Hole was playing right before they came on twice. I don’t give a crap about The Black Keys or Broken Bells, and my feet hurt too much to watch Miike Snow (which I actually kinda regret). My point being that my awards are highly subjective and only the opinion of me, Marie. A special thanks to YouTube for making these awards possible.
So, on with the awards! Continue reading “Marie’s Best of SXSW 2010 Awards”
I first heard Marina and The Diamonds’ album The Family Jewels in my usual fashion: in the background while I did something else. It caught enough of my attention that four songs in I turned to YouTube, wanting to know more. What I found there horrified me. This travesty of a video made me spend the next two days telling everyone who would listen about this horrible woman they should never listen to. Now it’s three weeks later and per lastfm I have listened to these songs 186 times. So, what happened? Continue reading “Album Review: Marina & The Diamonds — The Family Jewels”