Show Review: Lauren Mayberry with Alaska Reid at August Hall, 9/28/23

Brilliant. Chvrches lead vocalist Lauren Mayberry decided to share her first solo album by touring it BEFORE releasing it. It’s such a brave endeavor- we all know her band’s work, but anyone who bought a ticket to this was taking a risk that this project would be worth their time and money. I decided it was worth my time because the curiosity was killing me. Continue reading “Show Review: Lauren Mayberry with Alaska Reid at August Hall, 9/28/23”

Single of the Week: “Lenny” by Atka

I keep trying to figure out what the story of “Lenny” actually is, which maybe why I’ve listened to it so much. Atka says, “This is a song about how one man’s tunnel-visioned obsession with finding meaning turns everything around him into a swamp of meaninglessness that also sucks in everyone around him. It’s witnessing empty repetition right in front of your eyes and the helplessness and all-limbs-dropping-to-the-floor exhaustion felt as a result, when caring for someone who is depressed. And ultimately it’s about the absence of being perceived by that person and one’s drift into a ghost-like state. When no one is watching or sees me – do I even exist? Lenny is about “reverse-paranoia” if you want it.” The song itself is heavy on the analog electronics, with a Kraftwerkian anxiety that somehow doesn’t sound like The Postal Service. All I know is I both really want to know Lenny, but I also don’t want Lenny to get dragged down by my own mental health. 

Anyways, you can also dig deep into the inner workings of “Lenny” and reading your own struggles with your own psyche into the song by streaming it here! Atka has plenty more coming your way, including an EP called The Eye Against The Ashen Sky, due out November 3rd! 

TALKIES is BACK IN THE BAY AREA (BRIEFLY)

Y’know, as often as I try to keep on top of hip, new things, I’m 43 years old (going on 44 next month!), and I DEFINITELY reminisce about the Bay Area of my youth (Read: 30’s). And Talkies at the old Cinecave (The best comedy venue in history, RIP) was something that I always loved. Well, ever since George Chen moved to LA, the show moved, too. We’d only get to enjoy the blend of film, PowerPoint, stand-up, sketch, and storytelling that is TALKIES during his annual Sketchfest visit. Well… FEAR NOT! TALKIES is ON TOUR and it’s coming home during the off-Sketchfest season!  

TALKIES is hosted by Nick Stargu, Aviva Siegel, George Chen, and Land Smith-Abbinate. Special Guests for these shows will be Drennon Davis and Jack Brown, along with Ashley Monique in SF and Jessica Sele in Sacramento and Santa Cruz. (BTW: I bloody love those last two comics AND don’t drive, so, yeah, I’m a little sad about them being on different shows.)

Next week, they are bringing the show to Punch Line in SF on October 3rd, Comedy Spot in Sacramento on October 4th, and Blue Lagoon in Santa Cruz on October 5th

Show Review: Dream Wife with Buzzed Lightbeer at Bottom Of The Hill, 9/20/23

There’s nothing more exciting than realizing you’ve reached “fan” status with a band. And after picking up Social Lubrication, followed by their 2020 live album IRL, I’ve gone officially “all in” on the political dance punk stylings of Dream Wife. My turntable has pretty much alternated between both discs all year, reminding me that I need to pick up the two earlier records so I don’t wear out the other ones. This show has been on my calendar for most of the year, and it was also my return to Bottom Of The Hill, one of the most magic venues on the west side of SF Bay. 

Continue reading “Show Review: Dream Wife with Buzzed Lightbeer at Bottom Of The Hill, 9/20/23”

Single of the Week: “Le Temple Volant” by Crumb & Melody’s Echo Chamber

Modern shoegazers Crumb and Psych’s reigning chanteuse Melody’s Echo Chamber have never come to mind as a collaboration that felt like the world needed. Both bands are fantastic, but their similarities never really gelled to me. And then I heard “Le Temple Volant.” What an airy, breezy groove of a song! I can listen to a song like this endlessly… I speak no French, and it doesn’t matter. This one-off single screams for a full-length collaboration of goodness like this. 

You can enjoy “Le Temple Volant” in all the usual places. Both Crumb and Melody’s Echo Chamber are currently on the road, sadly separately. Tour dates after the jump, and maybe enough streams of this track will get a clever booker to put the two bands together for a Spring package run? Please? 

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Festival Review: Through The Looking Glass at Children’s Fairyland, 9/16/23

Children’s Fairyland is a pretty magical, at times even mythical place. The place that may or may not have inspired Disneyland has certainly inspired the imaginations of many generations of children who have grown up in the Bay Area. Yet, aside from the annual open-bar fundraiser, there haven’t been many opportunities for adults without children to really experience the wonder of this place. Really, it would take a special type of person, an artist who understands what fairies mean to grown-ups, who can bridge the beauty of approaching the world with a childlike curiosity with an adult’s maturity. There are probably three local musicians who are capable of curating an event at Children’s Fairyland and doing it right. It would be either Les Claypool, Tom Waits, or SPELLLING. And, really, we all know SPELLLING is the only person who could really do it right. 

Continue reading “Festival Review: Through The Looking Glass at Children’s Fairyland, 9/16/23”

Single of the Week: “The Tree b/w Get The Hell Out Of Here” by Maren Morris

Country music is a messy, messy place these days. The narrative seems to always be dominated by the Jason Aldeans and Toby Keiths, and Morgan Wallens, folks that dominate the mainstream not because they make good music but because they speak to the petty grievances of right-wing America. (I’m not putting Oliver Anthony in this boat, and someday I’ll write a real blog post about that song, but I don’t think he’s saying what people think he’s saying with that song.) Anyway, I’ve already said too much about despicable white men who are deathly afraid of losing power and control. I’m much more interested in the people looking to speak the truth, unafraid of losing power. Maren Morris’ new EP, The Bridgedoes just that. It’s a direct rebuttal of “Try That In A Small Town,” two singles about the crushing weight of hate in this country and how to navigate it. Neither of the tracks are actually political anthems. She’s managed to hit that specific feeling of being overwhelmed by the hell we are in, and sometimes it feels like we are just doomed, but we’ve gotta take a step out and rest and then get back to work, because we are all humans and need to treat each other as such. 

Anyways… I’m also on Day 12 of testing positive for my first ever COVID-19 infection (and hoping hard to test negative tomorrow and finally leave my room) and feeling SUPER angry about how we don’t have any sufficient ways to protect ourselves while still existing and such. So, yeah, I’m feeling raw and Maren Morris is like a nice weighted blanket telling me that I’m not alone, and maybe, just maybe, we will get through this. The Bridge is out now and is available on all your DSPs. Hopefully, we will see a physical release, too! 

VIDEO PREMIERE: “Girl Girl Girl” by Anna Hillburg

I was first introduced to the great Anna Hillburg via her amazing (and educational) Instagram Series “Tootin’ Tuesdays!” where she would cover classic trumpet riffs in well known songs, with a bit of history and well crafted video. BUT! We aren’t here to talk about “One of the few things that gave me hope during the deep pandemic,” because she’s also finished the third portion of her epic music video trilogy that began with “Your Room” and “middled” with “No Fun.” “Girl Girl Girl” finishes off the story, and might be my favorite movie of the year at this point. 

“Girl Girl Girl” is a track off Hillburg’s upcoming record Tired Girls, coming your way October 13th! You can do all you need to do to anticipate your listening (by that, I mean Preorder or Presave) of it here! And there’s a record release show at The Make Out Room in SF on October 20th at 7:30pm, so please remember to leave work early that day? Probably in an angry huff? Maybe knock over a water cooler while you are at it? 

HOW DID I GET HERE with Annie Hart

On this episode, we had Annie Hart, formerly of Au Revoir Simone, one of Spinning Platters’ all-time favorite bands. We talked about the importance of Pee-Wee Herman, Heavy D & The Boys, Funkmaster Flex, David Lynch, Christmas Presents, and even Okuda Hiroko, the woman who wrote all of your favorite Casiotone beats! Her new record, The Weight Of A Wave, is available now, and fall tour dates are below:

Bumbershoot 2023- The 50th Anniversary In Pictures

Bumbershoot is one of the oldest and longest-running music festivals in America. Sure, it took a bit of a hiatus after the 2019 edition to regroup (and that pesky pandemic had a bit of a part in it, too), it returned in 2023 with a heavy focus on the talent of the Pacific Northwest, including sets from such luminaires as Sleater-Kinney (who played 1/2 of Dig Me Out as well as a cover of Sinead O’Connor’s “Emporer’s New Clothes,”) Sunny Day Real Estate, and The Dandy Warhols. We got to take our camera around and enjoy the sights and sounds of this event, and we even got to take a turn behind the mic for queer/bar staple Burleskaraoke (but, sadly, only the folks at the event got to experience that magic). It was a delightful weekend of both sunshine and rain, and it was such a joy to see Seattle having fun. 

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