Chad Liffmann – Page 5 – Spinning Platters

Film Review: “The Life of Chuck”

The Life of Chuck beautifully illuminates the magic, devastation, and solemn finality of our lives

Chuck (Tom Hiddleston) begins his dance.

The Life of Chuck is based on a Stephen King short story from his collection, If It Bleeds, published in 2020. “The Life of Chuck” is similar to King’s other less scary, more dramatic works, such as “Stand by Me,” “The Green Mile,” and “The Shawshank Redemption.” But unlike those, “The Life of Chuck” is filled with colorful wonder and likeable characters, even as it explores the sad and mathematical truth of our finite existence. Writer/director Mike Flanagan (Midnight Mass; The Fall of the House of Usher) is no stranger to adapting King’s work, having already directed two: Gerald’s Game and Doctor Sleep. Fans of Flanagan’s horror series and films know that in addition to the intricately-crafted scares and permeating sense of dread his team is so effective at creating, Flanagan knows how to deliver moments of authentic sentimentality. Focusing on that latter ability, Flanagan is the perfect director for The Life of Chuck. Combining visual flair with a whimsical yet brutally honest script, The Life of Chuck is, ultimately, a precious piece of existential storytelling. Continue reading “Film Review: “The Life of Chuck””

Film Review: “Ballerina”

Ballerina effortlessly (and violently) pirouettes into the John Wick universe

Gun fu is back! After 2023’s spectacular finale (for now), John Wick: Chapter 4, and a disappointing television series, The Continental, the John Wick universe is once again aiming to expand with Ballerina, marketed as From the World of John Wick: Ballerina, in case you didn’t know. If you also weren’t aware, Keanu Reeves reprises his role in Ballerina, a seemingly desperate inclusion by the producers to feed the fan base and add extra gravitas. Reeves is slightly overused in Ballerina. His initial cameo adds emotional weight to the titular ballerina’s plight, but the film could’ve stood solidly on its own without his reappearance in the third act, which isn’t much of a spoiler if you’ve seen any of the trailers. Ballerina is the first promising piece of John Wick universe expansion, and though the film contains plenty of flaws in its narrative logic, Ballerina is still a slick, exhilarating actioner with a bright future of potential sequel chapters. Continue reading “Film Review: “Ballerina””

Film Review: “Fight or Flight”

Fight or Flight is a brisk and exciting ride, despite narrative turbulence

Lucas (Josh Hartnett) is enjoying the fight on his flight.

The Josh Hartnett renaissance (Hart-naissance?) continues! From his supporting role in Oppenheimer and his cameo in The Bear, to the hammy lead role in last summer’s Trap, Hartnett is making moves to reclaim a movie star status he relished in the late ‘90s to early ‘00s. And, he seems to be loving every minute of it, taking on an assortment of roles: straight men, serial killers, and action heroes. Hartnett’s charm and underused physicality is on full display in Fight or Flight, a flawed B-movie thriller with a high level of violent choreography and cheeky humor. Continue reading “Film Review: “Fight or Flight””

Film Review: “The Surfer”

Toxic masculinity gets menacingly vibrant and sun-soaked in The Surfer

Nicolas Cage just wants to surf in ‘The Surfer’

“You can’t stop a wave. It’s pure energy.” What a great line to start a film, especially when the line is delivered with philosophical sincerity by Nicolas Cage to kickstart a gonzo psychedelic thriller. The Surfer is the new film from Lorcan Finnegan (Vivarium) and it takes its opening line to heart, stylistically and performatively. Finnegan submerges The Surfer in 1970s era orange and turquoise and utilizes Cage’s unique talent for capturing a character’s descent into madness. The result is a blistering portrayal of toxic masculinity. Continue reading “Film Review: “The Surfer””

Film Feature: 68th SFFILM Festival Preview #3

The 68th San Francisco International Film Festival (SFFILM) is underway with screenings at various theaters around San Francisco and the East Bay.

For a full view of special awards, spotlights, and centerpiece films, check out the complete festival guide. Tickets can be purchased here.

Below is a preview of a few remaining features and the Shorts 6: Family Films program with upcoming showtimes:

1.) SHORTS 6: FAMILY FILMS
(Various, 2024-2025. 66 min.)

HOOFS ON SKATES
(Lithuania. 13 min.)

Hoofs on Skates is a delightful tale about two friends, a pig and a cow, who enjoy skating on a frozen lake, only to be scared away by a giant fish. Eventually, the duo discovers where their assumptions and reality may be vastly differing. The stop-motion animation is cute, simplistic, and charming, and eases wordlessly (except for adorable animal-sound exchanges) into a positive message for kids.

Continue reading “Film Feature: 68th SFFILM Festival Preview #3”

Film Review: “Warfare”

Warfare prioritizes a real-time sensory experience for maximum impact

Prepare for war. Warfare is a ninety-five minute adrenaline shot of real-time warfighting that asks the audience to experience an authentic depiction of grim combat and decide how to feel about it. Some viewers will chastise the filmmakers for not taking an explicit stance, the same complaint levied against 2024’s Civil War, yet that would be missing the point. Warfare isn’t interested in historical or political context, and unfolds almost entirely without a hint of moral grandstanding. Instead, Warfare is solely focused on the visceral hell unleashed when the bullets begin to fly. In a troubling hint at war’s futility, Warfare’s very existence seems to suggest that any shred of morality can only work backwards from the end, after it’s too late and the battle is over. Continue reading “Film Review: “Warfare””

Film Feature: 68th SFFILM Festival Preview #1

The 68th San Francisco International Film Festival (SFFILM) will take place April 17-April 27 with screenings at various theaters around San Francisco and the East Bay.

For a full view of special awards, spotlights, and centerpiece films, check out the complete festival guide. Tickets can be purchased here.

Below is a preview of the festival, featuring brief looks at six films:

1.) THE BOTANIST
(China, 2025. 96 min)

The soulful connection between humans and nature lies at the forefront of Jing Yi’s directorial debut, The Botanist, about a young boy, Arsin, in the remote northern province of Xinjiang during one summer. Arsin spends his time quietly in nature, pressing flowers, examining a faded family tree and contemplating the building blocks of life. The cast of non-actors are amazing, and the stunning real-world environment is beautifully captured in a manner that exhibits the environment as a critical character. When Arsin meets Meiyu, a young girl in the village, his perception of the relationship between nature and civilization becomes simultaneously complicated and ethereal, as the filmmakers employ subtle elements of magical realism to portray his evolving emotional and physical understanding of the world. Other world-building elements include a village radio continuously spouting news about oil taxes and burgeoning industry, Arsin’s aloof brother (“uncle”) calling his network of former lovers and friends in Shanghai, and high-angled shots of the village and surrounding landscape. All of these elements create a meditative and enchanting coming-of-age story about how a forgotten pastoral corner of the world still finds ways to embrace our kinship with the natural world.

Screenings (click here for tickets):
– Fri., April 18th, 6:00pm at the Presidio Theatre
– Sat., April 19th, 5:15pm at BAMPFA Continue reading “Film Feature: 68th SFFILM Festival Preview #1”

Film Review: “The Friend”

A somber dramedy for writers and dog lovers

Iris (Naomi Watts) and Apollo go for a stroll.

Aspiring novelists and dog lovers, I have the perfect film for you! The Friend is a dramedy adapted from Sigrid Nunez’s National Book Award-winning novel. Though the book takes a unique approach by not giving the characters names except for the dog, Apollo, the film utilizes a traditional style and narrative structure. Despite its handful of plot contrivances, The Friend is a somber yet inspiring reminder of the power of strong friendships, where deep conversations come easily and unique personal connections are irreplaceable.

Continue reading “Film Review: “The Friend””

Film Review: “Death of a Unicorn”

Death of a Unicorn gallops around without a point

Undoubtedly, a lot of time and effort went into making Death of a Unicorn. There’s also little doubt that the filmmakers knew that with their film’s plot, and especially its title, their futile goal was to launch their film into immediate “cult classic” status. Everyone knows that cult films earn their “cult” status naturally and gradually. And so, unfortunately, Death of a Unicorn takes a unique premise and surrounds it with an abundance of half-baked ideas and incomplete characters. Death of a Unicorn is neither demented enough for a niche horror audience, nor entertaining enough for a mainstream audience. Perhaps the filmmakers got lost in the sauce, for what could’ve been a simple creature feature is, instead, a sloppily assembled, undisguised commentary on wealth, with a heavy-handed father-daughter subplot sprinkled in, because, why not? Continue reading “Film Review: “Death of a Unicorn””

Film Review: “The Penguin Lessons”

A charming tale with a heartwarming duo at its center

Tom (Steve Coogan) and Juan (penguin) teach Masefield.

The Penguin Lessons has all the recognizable tropes of an inspirational true-story Disney adaptation of the early 2000s; the film effectively utilizes a serious real-world backdrop but doesn’t deeply explore it, the protagonist (a teacher) recites literary passages that closely (albeit metaphorically) parallel the plot, and there’s a really cute beacon of innocence at the heart of the story – typically an animal or child, and in this case, a penguin. Based on Tom Michell’s memoir, The Penguin Lessons has enough heart and humor to elevate it above its predictive outline, and the chemistry between Steve Coogan and his absolutely adorable penguin costar(s) is worth the watch. Continue reading “Film Review: “The Penguin Lessons””