Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
The 46th Mill Valley Film Festival will take place Oct 5 – Oct 15, 2023, with screenings at theaters all around the North and East Bay (and a few in SF).
For a full view of special awards, spotlights, and centerpiece films, check out the complete festival guide. Tickets can be purchased here.
Below is a preview of the festival, featuring brief looks at four films:
Continue reading “Film Feature: Preview #1 of the 46th Mill Valley Film Festival”
“I would always think of a Samurai when I would walk.” -Bethann Hardison
A pioneer who continuously pushed boundaries, Bethann Hardison is the subject of Invisible Beauty, an autobiographical (she is co-director) look at her trail-blazing life and her ongoing push for equal representation in the modeling and fashion industries. As one of the first high-profile Black models, Hardison gained widespread fame in the ‘70s and launched her own modeling agency in the mid ‘80s. Shortly after, she started the Black Girls Coalition (BGC) with fellow model and activist, Iman, to promote and support Black models. Invisible Beauty takes us behind-the-scenes of Hardison’s extraordinary journey, while appropriately following her in the present as she works on her memoir. The film features numerous interviews with a wide breadth of famous faces and impressive footage of turning-point moments that capture Hardison’s immense impact.
There’s a seemingly endless amount of movies based on books, and a shorter but not insignificant number of movies based on real life cooks. What I can’t recall ever seeing is a movie that was based on a cookbook. Better late than never! Sitting in Bars with Cake, the new dramedy based on Audrey Shulman’s autobiographical book, is a well-produced tearjerker with standout performances, a film perfectly fitting of its streaming platform release.
There are two pieces of classic literature to which I’m happily devoted in the case of any film adaptation, re-imagining, modern take, or spin-off: Charles Dickens’s A Christmas Carol and Bram Stoker’s Dracula. I’ll save any further reading into my personal attachment to these two stories for therapy, because right now the latter intellectual property has a new entry in a long lineage of film adaptations, The Last Voyage of the Demeter. Based on a short but haunting chapter from the original Dracula text, The Last Voyage of the Demeter continues director André Øvredal’s impressive filmmaking streak, but too many imbalanced components can’t keep this Demeter afloat.
Continue reading “Film Review: “The Last Voyage of the Demeter””
The Teenage Mutant Ninja Turtles animated series and three feature films of the early 1990s that centered around the reptilian mutant fighting foursome were hugely successful and spawned a multimedia franchise of toys, shows, and comics for decades. The hype was tempered by three mediocre films between 2007-2016, with the latter two misfires produced by Michael Bay. Nostalgia was keeping the franchise afloat, despite diminishing returns. So with a huge sigh of relief and a heart full of nostalgic glee, I’m happy to report that the series reboot Teenage Mutant Ninja Turtles: Mutant Mayhem is an energetic and artistic cinematic take on what makes the Ninja Turtles brand so fun.
Continue reading “Film Review: “Teenage Mutant Ninja Turtles: Mutant Mayhem””
When it comes to the horror genre, A24 has excelled in its decade long output. The studio has championed unknown filmmakers and launched mind-bending, risk-taking titles into the pantheon of the genre’s greatest entries, like Ari Aster’s Hereditary and Midsommar, Ti West’s X and Pearl. Once again, A24 has backed a feature film debut with Talk to Me, an old school horror film directed by Australian twin brothers Danny and Michael Philippou. Filled with practical effects and a quietly pervading sense of dread, Talk to Me is a chilling throwback horror flick that also serves as a calling card for a handful of fresh talent.
First, here’s a bit of context and factoids for your next trivia night: Barbie (the doll) was created by Ruth Handler and manufactured by the toy company Mattel, Inc. in 1959. A live-action Barbie movie had been rumored and tossed around in studio purgatory for many years before landing in the hands of Warner Bros. and director Greta Gerwig (Lady Bird; Little Women). There are over forty previously released Barbie movies, most if not all straight-to-video and all animated, but Gerwig’s vision was bound to be different. With each new set photograph, marketing ad, and interview released, anticipation grew to a fever pitch. Now it’s finally arrived: Barbie the live action blockbuster summer movie! And it’s as playful as a child could want and as incisive as everyone older yearned for.
The 43rd San Francisco Jewish Film Festival (the world’s longest running Jewish film festival) will take place July 20 – Aug 6, 2023, with screenings at theaters in San Francisco and Oakland. The festival will showcase 67 films from 18 countries, all touching upon the complexities of Jewish life, history, and culture.
For a full view of special awards and opening and closing night events, check out the complete festival film guide. Tickets can be purchased here.
Below is a preview of the festival, featuring brief looks at six films: Continue reading “Film Feature: Preview of the 43rd San Francisco Jewish Film Festival”
Sex comedies are officially back! Maybe they never completely left, but the sub-genre felt as if it were suffering, scarce, or diverted to streamers as limited series. Over the last decade, only a few exceptions like Girls Trip (2017) and Blockers (2018) broke through and made a splash. Now, hot on the heels of the R-rated sex comedy No Hard Feelings doing impressive business at the box office, Joy Ride hits theaters. Joy Ride is the feature directorial debut from Adele Lim (co-screenwriter of Crazy Rich Asians) and comedy producing super duo Seth Rogen and Evan Goldberg (This is the End; Neighbors). It’s a raunchy road trip movie that doesn’t shy away from explicit content – so let’s be perfectly clear: it’s super dirty, and f*cking hilarious!
Death-defying stunt. Fight and chase. Team regroup. Death-defying stunt. Fight and chase. Team regroup. Death-defying stunt. Fight and chase. Team regroup. Although repetitive, this formula has been successfully carrying the Mission: Impossible franchise forward. It’s now on its seventh film, Dead Reckoning – Part One. The newest film showcases, once again, the finest action stunt work choreography in the film industry. Although the franchise continues to steer away from the intricate spy work that the original television series and first few films featured, there’s no denying that with Tom Cruise on screen and Christopher McQuarrie in the director’s chair, a thrilling cinematic experience is guaranteed.
Continue reading “Film Review: “Mission: Impossible — Dead Reckoning Part One””