From the twanging riffs and thumping percussion that open the album on the single, “Wild Child”, we know we’re in for a head-bopping, foot-stomping, groovy record. Dropout Boogie is The Black Keys’ eleventh studio album (!) and a conscious return to stripped down hard-nosed bluesy rock ‘n’ roll they first earned a passionate fanbase and later numerous accolades. For the first time in their studio album discography, the Akron, Ohio duo of Dan Auerbach and Patrick Carney solicited collaborations from other artists and the result is a river flow of laid back jaunts, comfortable grooves, and a few raw first take recordings. All hail the majesty and imperfections of the blues-rock guitar!
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This ‘New York song and dance’ double feature is an obvious duet. On the positive side, both films surprised audiences (and critics) with an abundance of colorful energy, and on the flip side, both films feature male leads with some troubling choices in their personal lives. In any other year, or perhaps ten years ago, these two films would be atop the box office and Oscar predictions, especially the one where Steven Spielberg directs his first musical that is an adaptation of another movie that won Best Picture. This year they’ll both have to settle for being two overflowing-with-life musicals that will become more and more appreciated over time.