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Neil Finn, hundreds of amazing songs into his career.

Crowded House is a band with only two real American “hits.” But don’t be fooled by that. If you go see Crowded House live, you’d better be ready to sing. And although your less astute friends will assume the loudest singing will be for “Don’t Dream It’s Over,” the band’s biggest U.S. hit, those same friends will wonder what the heck this “You always take the weather with you” song is about. Congratulations, singer! You’re the smart one. [read the whole post]

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This is They Might Be Giants with confetti, but not all that much, really. See inside for details.

If I had to give a title to this review, apart from the boring, SEO-friendly titles we always use here, it would be “They Might Be Giants vs. The Napa Uptown Theatre.” I think that the band started the show really loving the beautifully restored theater, but by the end of the performance, I feel like there may have been some antagonism between the two. Was this an actual fight? Or merely a love-fest in disguise? It was a bit hard to tell. [read the whole post]

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No photos allowed, and it was really dark anyway, so I instead bring you a picture of Michael Pare from Streets of Fire. That's what Brandon looked like.

Not only did Brandon Flowers look like Michael Pare from music-nerd-must-see Streets of Fire (not the leather jacket look but the suspenders look), but the music was reminiscent of that film as well. All tales of rock n’ roll bleeding hearts and people down on their luck, but with occasional rousing singalong moments, the new material from Brandon Flowers is close enough to The Killers’ own tunes to make me wonder why the solo album was necessary. He’s always been the center of attention of that band, so that can’t be the motivation. So it must have been musical in nature. I just didn’t hear enough to know what makes this difference. Perhaps if he had played longer. [read the whole post]

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An example of a "rebel yell"

While waiting in line to see Billy Idol last night at the Fillmore, I was talking to a friend on the phone that was rather disappointed to learn that his show was sold out, and the asking price on the streets was about $160. We were talking about Idol’s history, and I was informed that Idol was once a member of Siouxsie & The Banshees, but left the band because he felt that they weren’t taking music seriously enough. My immediate response was, of course, to chuckle, but I thought about Idol’s place in our society and realized that there is nobody else out there quite like him. He is part of the new wave era, the punk era, and the hair metal era, and managed to escape all of those trends with dignity & credibility. There is a reason that he is still able to sell out The Fillmore on a Tuesday night 30 years after his first record.

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Steven Wilson of Porcupine Tree

Steven Wilson of Porcupine Tree

When a massive act plans a statewide, or possibly worldwide, tour, one of the factors involved is selecting opening bands for the tour. More often than not, the presence of a more famous and popular headliner will usually be a signal that larger, more well-known opening acts will come along for the ride. In the case of Porcupine Tree, however, their opening slot on Coheed And Cambria’s colossal new tour comes with the hope that at least a good chunk of the audience will be part of the dedicated following that they have carved out themselves within the states. As a nod to those fans, Porcupine Tree kicked off the tour with a special headlining show for one of their favorite cities (as claimed by frontman Steven Wilson on a few occasions): San Francisco, California.

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He's 62, still rocks hard, looks great, why retire, Rudolf? Why?

The Scorpions are too famous for their giant hit song, “Rock You Like a Hurricane,” and not well respected enough for their rest of their catalog. Filled with shiny gems of pop metal, the German legends have a huge list of hard-but-not-too-hard rock songs to choose from as they continue touring for the last time. They’ve said the tour will run through 2012 or 2013, so whether this is their last stop in the Bay Area or not is still a question. If it’s not, though, you’ll see me in the audience for the next one. These guys still have their stingers. [read the whole post]

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Show Review: Morcheeba with The Mumlers and Mariee Sioux at The Fillmore, 7/28/2010

July 29, 2010

Any sort of band that plays music that can be even remotely described as “downtempo” has, in some eyes, a serious disadvantage when it comes to their live performance. The energy and excitement and wildness that comes from a live gig is toned down, and re-formed into the fluid, organic compositions that make up the [...]

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Show Review: Toad The Wet Sprocket, Hey Marseilles at The Fillmore, 7/23/10

July 24, 2010

I have a live music bucket list. That is, I have a list of performers and bands that I would like to see before I or they die. This week has been pretty good for me, in terms of knocking things off that list, but I was really excited about the opportunity to see the [...]

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Show Review: Barenaked Ladies at Wente Vineyards, 7/20/10

July 21, 2010

The Barenaked Ladies are playing just about everywhere they can in the Bay Area this week. On Monday night, they were at the Mountain Winery and tonight they play at The Regency Center (with discount tickets available on Goldstar), but last night they were at the Wente Vineyards in Livermore. With a ticket price hovering [...]

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Show Review: Carole King & James Taylor: The Troubadour Reunion at Oracle Arena, 7/19/2010

July 20, 2010

Pollstar is a magazine that keeps track of concert tours, and around July of every year, they release their mid-year list of highest grossing tours. Usually it’s not a huge surprise. Generally speaking, it’s tried and true dinosaur rock, mixed in with a few “flavors of the year” pop artists. This time, however, the we [...]

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