Bob Odenkirk

Film Review: The Post

by Carrie Kahn on December 22, 2017

Spielberg brilliantly brings First Amendment showdown to life 

Washington Post editor Ben Bradlee (Tom Hanks) and publisher Kay Graham (Meryl Streep) weigh big decisions for their paper.

“We can’t have the administration dictate our coverage just because they don’t like what we printed about them in the newspaper,” Washington Post editor Ben Bradlee (Tom Hanks) tells Post owner and publisher Kay Graham (Meryl Streep) in director Steven Spielberg’s fine new film The Post. A paean to journalism that is still exceedingly relevant today, Spielberg’s story of the Post’s battle to publish the confidential Pentagon Papers in the early 1970s succeeds on a number of levels, making it one of the best pictures of the year, and giving it a rightful place in the canon of great journalism movies.

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Film Review: Boulevard

by Carrie Kahn on July 17, 2015

Williams makes unimaginative picture worth seeing

Leo (Roberto Aguire) accepts a ride from Nolan (Robin Williams).

Boulevard is a tough movie to review, and an even tougher movie to watch, and not because it’s exceptionally good or exceptionally bad; it’s neither of those, but is a decent, if somewhat unoriginal, follow up by director Dito Montiel to his much lauded 2006 picture A Guide To Recognizing Your Saints. What makes the film hard to look at objectively is that it features Robin Williams in his last dramatic role, and it’s very difficult to see Williams’s performance here and not think about what he was going through when this film was made, only a year or so before his tragic suicide.

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Film Review: Nebraska

by Carrie Kahn on November 22, 2013

Just in time for the holidays: The joy and Payne of family

David (Will Forte, right) discusses his stubborn father (Bruce Dern, left) with his exasperated mother (June Squibb).

David (Will Forte, right) discusses his stubborn father (Bruce Dern, left) with his exasperated mother (June Squibb).

We are heading into the time of the year when studios typically release what they hope are their best films, the ones they want to be fresh in the minds of Academy members for Oscar Best Picture voting. Director Alexander Payne (Sideways, The Descendants) gets into this game with Nebraska, sure to be a contender in many categories come Oscar time. Beautifully shot in black and white and filled with nuanced and sensitive performances, the picture brilliantly melds Payne’s signature quirkiness with charm, emotional honesty, and wry humor. [read the whole post]


7-Man Sweater

by Ameen Belbahri

Bob Odenkirk: a cult legend credited with championing and evolving a subversive, acclaimed comedy sentiment. Birthday Boys: a hyped collection of vastly witty, silly sods. Together they formed a rousing precession of jubilant, sophisticated sketches, closing Sketchfest with a bang — bang, scream, yell, “He’s got a gun!”, “My baby!”. You know, comedy. [read the whole post]


This is a picture of Chris Hardwick. He's not related to me, but he will be in San Francisco for Sketchfest. I will be hitting him up for birthday money, anyways. Hopefully I can fool him.

To the uninitiated, San Francisco’s Sketchfest is probably the most overwhelming 2 1/2 weeks out of the entire year, in terms of live entertainment booking. Its closest cousin is probably Austin’s SXSW festival, where you have a wide array of up-and-coming talent mixed with veterans, all playing some very intimate spots.

As a person that considers himself to be an expert of sorts on taste, I am going to sift through this year’s line-up, and let you know what you should be going to at this year’s Sketchfest. I will guide you through which Emmy winners or CSI corpses (both of which are well represented by this event), in my humble opinion, is most worthy of your hard earned dollar.

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