Day for Night: The reason the Bay Area is headed to Houston for the Holidays

San Francisco is one of the more prominent hubs for music festivals in the country, if not the world. Starting with Noise Pop in February and reaching peak saturation in the Summer, and early Fall, with Outside Lands, Phono del Sol, and Treasure Island Music Festival, just to name a few, seeing an influential or up-and-coming artist perform live is an easily attainable feat (and a mere Lyft ride away for most people). We’ve even coined the term “Fauxchella” in honor of the fact that most of Coachella’s top headliners flock our way, year after year, in between weekends performing in the Indio desert.

Despite this embarrassment of riches, in a few weeks, I’ll be hopping on a plane and joining a group of Bay Area natives heading to a city in Texas that isn’t Austin, known as the live music capital of the world, for an event not related to SXSW in any way.

Day for Night, set to take place Friday, December 16th, through Monday, the 19th, is offering an experience that transcends the boundaries of the traditional festival circuit. One of many examples: they’ve managed amazing feats by booking Aphex Twin, who hasn’t performed live in the US for over 8 years, and Björk, who doesn’t perform often, either, and left many an Iceland Airwaves attendee, including myself, crestfallen with her sudden cancellation last year. Add in DJ Windows 98 (Arcade Fire’s Win Butler), who’ll be spinning Ticketfly’s annual Holiday bash, the night before he’s set to appear in Houston (let’s hope he doesn’t crash, ha), and the it’s clear that Free Press Houston and New York-based creative agency Work-Order know how to curate a festival fitting for a city that is rapidly approaching the distinction of becoming the third largest in the US.

Add the likes of Squarepusher, Run the Jewels, ODESZA, Kaskade, Ariel Pink, The Jesus and Mary Chain, Liars, Washed Out, SOPHIE, and SURVIVE – the creators of the hypnotic Stranger Things theme music – and you have a stellar, unconventional, and sought after group of artists that are extremely selective about which bills they attach their name. There’s a reason for this and it transcends the musical aspect of this event. Read on to find out why you should purchase tickets and book your flight immediately.

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Show Review: Os Mutantes, Ariel Pink’s Haunted Graffiti, Teen Inc. and Diva at The Regency Ballroom, 11/30/2010

With these guys on stage, where were the San Francisco hippies?

At the Regency Ballroom on Tuesday night was one of the unsatisfyingly satisfying shows I’ve been to in a long time. There were some great music, some pretty decent music, some bad music, and a whole lot of empty room. This all combined to make for a fun night, but in the end a fairly poor showcase for the bands on the bill. I wish a better future for all of them, but this one was odd. Continue reading “Show Review: Os Mutantes, Ariel Pink’s Haunted Graffiti, Teen Inc. and Diva at The Regency Ballroom, 11/30/2010”

Show Review: The Flaming Lips with Ariel Pink and Thee Oh Sees at The Fox Oakland, 10/1/2010

Everything's exploding!
Everything's exploding!

By this point in time, the average music fan who knows about The Flaming Lips and their colossal live shows has probably heard absolutely everything. This is not simply referring to the vast amount of positive-sounding adjectives and awestruck expressions on the faces of fans, but, moreso, the absolute hugeness of their performances. It seems only appropriate to give them as great a berth as possible, in order to have some hope of maintaining the glorious, wonderful chaos that is a Flaming Lips concert; thus, it was bizarre but also incredibly exciting to the Bay Area when the band announced that they would be playing in Oakland’s majestic Fox Theater. Demand was so high that tonight’s show sold out within days; this prompted a second date to be added, with a new set of opening acts. Frontman Wayne Coyne, in his pre-show address, commented that the theater was gorgeous, and that for their next tour, they would attempt to play on the ceiling itself.

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