Chris Piper

Film Review: mother!

by Chris Piper on September 15, 2017

If a stranger knocks at your front door…

Jennifer Lawrence’s Mother struggles with hostess duties as Javier Bardem’s poet entertains.

Standing before an unpainted bedroom wall, a young and thoroughly domesticated woman ponders which shade of eggshell will look just so. She mixes up a tester, applies a strip, and steps back to regard her work. Elsewhere an older man inhabits his writing study, conjuring magic onto the page and thence to his readers. Later the two will enjoy her hearty meal, and settle into reading by the fire.

But something isn’t right. A sound, or maybe a feeling, forces the woman to cock her ear. She moves as quietly as possible, propelled by a feeling she can’t explain, to peek in on the man. He isn’t writing. He’s just sitting, waiting, watching. Something isn’t right.

Such is the ominous atmosphere of Darren Aronofsky’s latest film mother!, which only partly succeeds, through the use of the horror genre overlaid with biblical themes, at offering a portrait of female anxiety.

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Theron heats up a cold city

Lorraine Broughton (Charlize Theron) smokes, drinks, kicks, and kills with the best of them.

Take a world nearing collapse, a main character with oodles of bitchy beauty, add some cold-war cloak and dagger spycraft, throw in some “fluid sexuality,” lots of fight scenes, and just a pinch of back story. Good so far? Not so fast. Take away the script. Take away the music. Take away much of the acting. Not so great? Ok, so put one truly fantastic fight scene back in, and you’re served Atomic Blonde, the Charlize Theron vehicle opening wide today.

First time helmer David Leitch, a former stunt man with co-directing credits on John Wick has taken the graphic novel series The Coldest City and turned it into a mostly a muddled mish-mash that owes much of its existence to Luc Bresson’s La Femme Nikita and Leon: The Professional, as well founding father Doug Limon’s The Bourne Identity.
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Film Review: Dunkirk

by Chris Piper on July 21, 2017

Dunkirk: powerful and memorable

Soldiers await rescue.

In Christopher Nolan’s astonishing new film Dunkirk, we follow a major battle early in World War II through the struggles of a number of soldiers, sailors, and airmen as they attempt a massive retreat from France across the English channel in the face of constant German attacks. Though the events of that tragic summer week in 1940 are well known, what’s not known, and what is the basis of the film’s significant triumph, are the fates of the individuals who are just trying to survive long enough to get home.
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Film Review: Okja

by Chris Piper on June 28, 2017

Welcome to the animal funny farm

Okja (left) and Mija (An Seo Hyun) share a moment.

She has eyes the color of sunlit amber. She has a face that always reflects your best mood. Just being near her, feeling the warmth of her body as you wake up from an afternoon nap, sends waves of serenity through you. Sometimes, when you’re not sure where she is, and you call after her, the moments before her reply can seem like small eternities. [read the whole post]


Film Review: Cars 3

by Chris Piper on June 16, 2017

Horsepower and happy endings

Lightning McQueen (Owen Wilson), center, tries to run down past glory, with Storm Jackson (Armie Hammer), left, and Cruz Ramirez, right (Cristela Alonzo).

Oh how quickly the young become old, the strong become weak, and the fresh, young, star becomes the stale, old, has-been. In the age of computer-generated animated features, oh how long ten years can be.

Sadly, Cars 3 proves this old axiom, as it leans heavily on the achievements of the first two films, and mostly settles on telling a very basic story in a fairly predictable way. Cars “purists” (wherever they are) will no doubt be satisfied, but the rest of us will leave the theater nostalgic for the spectacular achievements of Pixar’s earlier efforts.

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Film Review: Churchill

by Chris Piper on June 2, 2017

It’s never too late to grow up

Winston Churchill wrestles with a difficult decision.

In Churchill, opening in Bay Area theaters today, we’re asked to see the old English bulldog in a new and unflattering light as he attempts to bend the tide of history to his will. The film suffers from too narrow a focus, and an approach to story that is as simplistic as the former British prime minister was complex.

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Film Review: Alien: Covenant

May 19, 2017

In space, simply scary beats too much talking Alien: Covenant, the eighth of the Alien series of films, feels like an old friend from whom you’ve long since grown apart, but with whom you’ll still grab a beer and listen to the same stories and jokes. The film checks all the series boxes, and delivers […]

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Film Review: My Entire High School Sinking into the Sea

April 21, 2017”>

The healing power of a natural disaster To a teenager, the world is a boundless sea of experiences and hopes and fears and people and possibilities. But when the confines of a public high school, with its endless days of tedium, unquestionable authority, and worst of all – other teenagers – impose arbitrary bounds, the […]

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