Film Review: The Grand Budapest Hotel

Anderson’s old fashioned adventure tale captivates, delights

Ralph Fiennes as Gustave H. and Tony Revolori as the Lobby Boy Zero contemplate their options in The Grand Budapest Hotel.
Ralph Fiennes as Gustave H. and Tony Revolori as the Lobby Boy Zero contemplate their options in The Grand Budapest Hotel.

Wes Anderson is one of those polarizing filmmakers whose films are either loved or hated. His legions of fans delight in his highly stylized artistry, whimsical storytelling, and quirky characters, while his detractors deride his pictures as pretentious at worst and lightweight at best. Anderson’s newest offering, The Grand Budapest Hotel, however, should satisfy his fans and critics alike, as it melds his trademark fairy tale sensibility with an undercurrent of melancholy and solemnity that keep the picture from being too cloying or precious. Continue reading “Film Review: The Grand Budapest Hotel”

Film Review: Out of the Furnace

I see the world / Feel the chill . . .

Woody Harrelson proves lollipops aren't just for kids as he menaces Casey Affleck in Out of the Furance.
Woody Harrelson sucking on a lollipop in Out of the Furnace just might be the most frightening thing you’ll see on screen this year.

With both the holidays and the cold weather upon us, now is a great time to go to the movies, but director Scott Cooper’s Out of the Furnace may not be the film to see on a family outing. A bleak, gritty look at life in rural Pennsylvania and New Jersey, the picture blends elements of Winter’s Bone and The Fighter, with dashes of The Deer Hunter and Fight Club tossed in for good measure. Although the film boasts some terrific performances, it feels recycled at best, and derivative at worst.  Continue reading “Film Review: Out of the Furnace”

Midnight Music Movies at The New Parkway: Streets of Fire

Streets of Fire plays at The New Parkway in Oakland on Saturday, May 11th at 10:30
Streets of Fire plays at The New Parkway in Oakland on Saturday, May 11th at 10:30

Unlike other movies that have entered the canon of “cult films,’ Streets of Fire is actually considered a good movie by some people who judge that sort of thing. But it’s over-the-top nature of the characters, the terrific music, and the combination of Michael Pare and Diane Lane that make this movie absolutely worth seeing. But why should I try to convince you when I can just quote the opening voiceover from the trailer:

You are about to enter a world unlike any you’ve ever seen before. Where rock and roll is king, the only law is a loaded gun, where the beautiful, the brutal, and the brave all meet. In Streets of Fire. Continue reading “Midnight Music Movies at The New Parkway: Streets of Fire”