Film Review: “Napoleon”

A few odd choices can’t keep Napoleon from conquering the screen

Sir Ridley Scott, the legendary director of Blade Runner, Alien, and Gladiator, is eighty-five. In an impressive stretch for his age (or any age) and profession, he has directed eight feature films in the last decade, with Gladiator 2 slated for next year. Who can blame Scott for working so prolifically — he loves making movies! It’s a treat to have a talented filmmaker churn out a steady flow of films, covering a wide range of genres. His latest, Napoleon, adds another historical epic to his filmography. Despite a few off-kilter artistic choices, Napoleon is an astounding visual achievement, a throwback Hollywood epic that only a few directors, like Scott, can still deliver.

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Film Feature: Best of the 2021 Sundance Film Festival

True story: my friend met her husband on a Sundance shuttle bus. They struck up a conversation, kept in touch after the Festival ended, and, 15 years and three kids later, the rest is history. Maybe lightning struck again for some lucky couple this year, but I’m guessing probably not. As much as Sundance staff strived to make the 2021 virtual Fest feel like those of past years, Zoom “waiting rooms” and video Q and A’s just couldn’t replicate the feeling of being bundled up at 7:30am in a waitlist line, passing the time and distracting yourself from the cold by idly asking your neighbor, “What have you seen so far that you’ve liked?” The cheery, disembodied “Hi from Boston!” chats that flashed on screen in this year’s pre-screening digital lobbies just couldn’t offer the same sort of in-person connection that can only be found by bonding over waitlist numbers 99 and 100 and mushy theater concession tuna wraps. That said, however, the quality of the films shown at this year’s Festival, which concluded last week, still measured up to Sundance’s best. Below we take a look at four documentaries and four features that are worth seeing.

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Film Review: Mission: Impossible—Fallout

Impossibly, the missions continue

Left to right: Henry Cavill as August Walker, Tom Cruise as Ethan Hunt and Rebecca Ferguson as Ilsa Faust in MISSION: IMPOSSIBLE – FALLOUT, from Paramount Pictures and Skydance.

The sixth installment of the Mission: Impossible franchise finds Ethan Hunt and team missioning for our greater good all over the world. After six films, the franchise has worn some pretty deep grooves on the floor of the house of action adventure. To offer some new perspective, this reviewer decided to bring in a fresh voice, that of his wife. 

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Film Review: Everest

Everest tragedy comes alive in stunningly shot, absorbing new film

A breathtaking but precarious route up Everest awaits its climbers.

Readers of a certain age may remember the spring of 1997, when the must-read, buzz generating new release was Jon Krakauer’s Into Thin Air, his account of the tragic Mt. Everest climbing expedition from the year prior. With Everest, Icelandic director Baltasar Kormákur has crafted a cinematographically stunning and emotionally powerful dramatization of the events of that climb. Basing the film not just on Krakauer’s book, but also on other published survivor accounts, screenwriters William Nicholson (Gladiator; Unbroken) and Simon Beaufoy (127 Hours) bring us another a heart-pounding, riveting story of both the best and worst of the human spirit.

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