Tag: The Linda Linda’s

OUTSIDE LANDS NIGHT SHOW ON SALE FRIDAY AT 10AM!

As we slowly approach Outside Lands 2022, bigger and better things keep happening. FIRST- THEY ADDED THE LINDA LINDAS TO SATURDAY! This is really good, since the day Green Day are playing was pretty light on punk, so adding the best punk band to come out in a decade was a smart move. If you aren’t hip to them yet, it’s time to change that. They also added the great Rina Sawayama, Symba, and salem ilese, BUT THAT’S NOT ALL! The night shows were announced today, too! Highlights include a packed Thursday Night at The Independent with Pussy Riot, ILOVEMAKONNEN, REI AMI, and salem ilese, a rare acoustic set from Phoebe Bridgers, as well as sets from Spinning Platters’ faves Best Coast and MICHELLE. Tickets are on sale here at 10 am on Friday, July 15th to EVERYBODY! No presale. No special code that gives Outside Lands pass holders a leg up. Everyone has got an equal shot at this onsale. 

OUTSIDE LANDS 2021 NIGHT SHOWS LINEUP:

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Single of the Week: “Growing Up” by The Linda Lindas

The last year or so have been a whirlwind for The Linda Lindas, the LA band of high schoolers that have been together since they were middle schoolers. They landed on our radar back in 2019, when they managed to open for one of the epic Bikini Kill reunion shows. The band has literally grown up in that time and their songwriting and playing chops keep getting better. Last year’s Racist Sexist Boy was the anthem of the Summer. The single of the week for this week, “Growing Up,” is a power-pop confection that is just the key to dancing your way through the doldrums of post-Christmas winter. 

“Growing Up,” the song, can be enjoyed at your local DSP. The Linda Lindas debut album also called Growing Up, is out April 8th. You can reserve your copy here!

Show Review: Bikini Kill, The Linda Lindas at The Hollywood Palladium, 4/26/19

All Photos by Steve Rose unless otherwise noted.

When I was 16, I was heavily invested in the world of punk rock. But it was the commercial version of it that was found on the local alternative radio station Live 105, 120 Minutes on MTV, and PBS documentaries of a bygone era.

Then I got a job at a telemarketing company, and a coworker began introducing me to the lovely world of riot grrrl. I was given tapes of music by Team Dresch, Sleater-Kinney, and Bikini Kill. The pure ferocity of it all spoke to me. It opened so many sonic doors for me, and helped me realize that I preferred listening to female voices—and found that women writers were easier for me to relate to than men.
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