Sketchfest Review: Bring The Rock with Greg Behrendt & Electrik Snöfläke at Swedish American Hall,

Bring The Rock is the thing I look forward to the most at every Sketchfest. It’s the perfect synthesis of the three things I enjoy the most: rock n roll, stand-up comedy, and autobiographical storytelling. I love this show so much that I have, in fact, written my story for the off-chance that I ever actually get invited to do this show. (Greg, I am a fan. I am trained in public speaking, and although I’m not a great singer or guitarist, I am passionate about both.) Last year, Bring The Rock didn’t end up happening at Sketchfest, and I was very, very sad. I was very happy to see it return this year. Continue reading “Sketchfest Review: Bring The Rock with Greg Behrendt & Electrik Snöfläke at Swedish American Hall,”

Sketchfest Review: Wheels Off with Rhett Miller at Swedish American Hall, 1/20/19

(All Photos © 2019 by Jakub Mosur)

There are a bunch of shows that seem to happen every year or almost every year at SF Sketchfest. Many of these things are nightclub acts that happen regularly in other markets, or are live podcast recordings. Almost all of them exist somewhere outside of Sketchfest. One of the few shows that don’t fit this mold is “Wheels Off with Rhett Miller.” Rhett Miller is the lead singer of The Old 97’s, and generally does about 200 shows a year if you combine his full band gigs and solo shows. However, with all of that criss-crossing the country, SF is the only place where we get this very unique show.

(Editor’s Note: At the time of publication we didn’t know that Miller was going to start doing Wheels Off as a podcast. Now you can enjoy this from the comfort of your own headphones)

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Show Review: Madison Beer, Aleem at Swedish American Hall, 4/24/18

All photos and text by Natalia Perez.

I didn’t fully know what to expect walking into Tuesday night’s concert experience, and I certainly didn’t expect for me – a generally-optimistic-but-sometimes-snarky-and-a-bit-jaded-30-year-old – to walk away from being immersed in a crowd of mostly teens with a better connection to myself and a little more hope for the future than I had when I walked in.

Continue reading “Show Review: Madison Beer, Aleem at Swedish American Hall, 4/24/18”

Noise Pop Review: The Album Leaf, Vákoum, Indy Nyles at Swedish American Hall, 2/23/18

All Photos by Natalia Perez

I’ll start by telling you that I have The Album Leaf’s emblem tattooed on the inside of my right wrist.  Let’s just say, my love for their music runs deep, and my respect for them as musicians is significant. I’ve been able to see them perform live several times over the years, each time special and important to me – and Friday night’s show was everything I wanted. From the opening acts until the last note of “Lights” at the end of the evening, it was intimate, emotionally powerful, and beautifully passionate.

Beginning the evening was Indy Nyles, with a compact-but-complex set up on a table in front of the stage. It was an interesting dynamic to be on the same level as the performer, with no barrier to audience members seeing every cord connected, each individual button and key selected.  I was impressed with his ability to capture the audience’s attention, forming a quiet energy while building and layering the arcs of his music.

Continue reading “Noise Pop Review: The Album Leaf, Vákoum, Indy Nyles at Swedish American Hall, 2/23/18”

SF Sketchfest Review: Rock Solid with Pat Francis, Kyle Dodson, and special guest “Weird Al” Yankovic at Swedish American Hall, 1/21/2017

Special guest: the delightful “Weird Al” Yankovic

Show 2 of my 3 at this year’s SF Sketchfest was last weekend at Swedish American Hall on a chilly grey Saturday afternoon. What better way to spend such a day than laughing with Pat Francis taping a live Rock Solid podcast with Kyle Dodson and special guest “Weird Al” Yankovic? I couldn’t think of anything I’d rather do, either. Continue reading “SF Sketchfest Review: Rock Solid with Pat Francis, Kyle Dodson, and special guest “Weird Al” Yankovic at Swedish American Hall, 1/21/2017″

SF Sketchfest Review: Mortified (The Extra Dirty Version), 1/23/16 at Swedish American Hall

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Makes me wish I’d kept journals & the like.

That Mortified has been selling out shows for the past decade shouldn’t surprise me. What should is that this year was my first time getting to find out why. It was Sketchfest 2016’s final weekend (Saturday, 1/23, to be exact), and while I had booked myself back-to-back shows for the evening, I wasn’t concerned since both were taking place in the same venue (Swedish American Hall). The only minor caveat was that I got so excited about this fact (and that I have been to the former venue next door so many times I know the area well), that I forgot to take what a bitch it is to find parking in the neighborhood. Making matters worse, I stood in a line of people wanting to buy tickets for at least five minutes before I realized I could bypass them all and go find a spot in what was now standing-room-only. And yet, it was absolutely worth it! (The only thing I’d do differently is give myself an exorbitant amount of time for parking next time…) Continue reading “SF Sketchfest Review: Mortified (The Extra Dirty Version), 1/23/16 at Swedish American Hall”

SF Sketchfest Review: Bring the Rock with Greg Behrendt and guests Dana Gould, Andy Kindler, Kate Micucci and Janet Varney, 1/23/16 at Swedish American Hall

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Bring the Rock ALWAYS brings the fun(ny). (Photo thanks to Tommy Lau.)

Sketchfest is always fun. It’s even better, though, when I get to see Greg Behrendt, and most of all when it’s for Bring the Rock, as was the case for the final weekend of Sketchfest 2016 at Swedish American Hall. It’s even sweeter than usual, though, because it marks my fifth anniversary with Spinning Platters: I first met editor-in-chief Gordon Elgart at a similar event in 2011. It was called Maximum Volume, but the premise was the same, and any chance I have to be there when an event like this takes place, I’m not gonna miss it. Continue reading “SF Sketchfest Review: Bring the Rock with Greg Behrendt and guests Dana Gould, Andy Kindler, Kate Micucci and Janet Varney, 1/23/16 at Swedish American Hall”

Noise Pop 2015 Has Arrived, and It’s Brought the Best Music Venue in the City With It

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What’s the best music venue in San Francisco? Ask this question in a crowd of concert junkies, and everyone will have a different answer. Then mention Swedish American Hall to them, and you’ll probably hear something like “Oh that place was so great!” And it was, it is, and will continue to be, as the fine folks at Noise Pop have taken over events curation there, and will be bringing their taste to what was always the most tasteful place for music in the entire city. This is like a euphoria of tastefulness. And last night’s kickoff event with Ben Gibbard and Zach Rogue was just the beginning. Continue reading “Noise Pop 2015 Has Arrived, and It’s Brought the Best Music Venue in the City With It”

Show Review: Jonathan Richman with Olof Arnalds at Swedish American Hall, 7/21/10

He puts his heart into it for you

Jonathan Richman explained the reason for the existence of his ongoing residency at Swedish American Hall this week. He was in Reykjavik playing a show, and the opener was some girl playing guitar and singing, and he was thinking “whatever” but then he started really listening and fell in love with the music, as did his drummer and constant on-stage partner, Tommy Larkins. So when they found out Olof Arnalds was looking to play some shows in San Francisco, they set up these gigs.  Thanks to everyone involved for getting them together because it’s always a total treat to see Mr. Richman in action. Continue reading “Show Review: Jonathan Richman with Olof Arnalds at Swedish American Hall, 7/21/10”

Noise Pop Show Review: Mirah and Thao with Horse Feathers at Swedish American Hall, 2/27/10

Photo by Kata Rokkar

“We are aiming for sincere energy, not professionalism or fluid transitions.” Those were the words of Thao Nguyen, of Thao and the Get Down Stay Down, halfway through her immensely crowd-pleasing collaborative performance with Mirah last night at Swedish American as part of Noise Pop 2010. And while Ms. Nguyen may have felt the need to defend herself with this disclaimer, there didn’t appear to be a single fan in attendance who wasn’t in complete ecstasy for the duration of the evening.

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