Released today in the middle of what seems like unending gray Bay Area winter weather, Sometimes I Think About Dying is the perfect film to watch given our collective dreary mood.
True story: my friend met her husband on a Sundance shuttle bus. They struck up a conversation, kept in touch after the Festival ended, and, 15 years and three kids later, the rest is history. Maybe lightning struck again for some lucky couple this year, but I’m guessing probably not. As much as Sundance staff strived to make the 2021 virtual Fest feel like those of past years, Zoom “waiting rooms” and video Q and A’s just couldn’t replicate the feeling of being bundled up at 7:30am in a waitlist line, passing the time and distracting yourself from the cold by idly asking your neighbor, “What have you seen so far that you’ve liked?” The cheery, disembodied “Hi from Boston!” chats that flashed on screen in this year’s pre-screening digital lobbies just couldn’t offer the same sort of in-person connection that can only be found by bonding over waitlist numbers 99 and 100 and mushy theater concession tuna wraps. That said, however, the quality of the films shown at this year’s Festival, which concluded last week, still measured up to Sundance’s best. Below we take a look at four documentaries and four features that are worth seeing.
Bell is a winner in charmer of a tale about perseverance and acceptance
The saying goes that a journey begins with a single step, and there’s no one that’s truer for than Brittany, the heroine of the new dramedy Brittany Runs a Marathon. Jillian Bell, who plays Brittany, gives us a refreshingly complicated character who we alternately root for and are dismayed by, though we always empathize with her. With his first feature film, writer/director Paul Downs Colaizzo has made a well-crafted tale about conquering your fears, achieving your goals, and never giving up on your dreams that somehow doesn’t feel corny or contrived, but only honest, smart, and funny.
After almost two weeks of screenings that ran daily from 8:30 am to midnight, the Sundance Film Festival wrapped up last weekend with its awards presentation. All the winners can be found here, but below I present my personal highlights from my week exploring the Fest’s good, bad, and downright weird. Some of these may be widely released during the year, so I offer my advice on the films you should SEE or SKIP.
1.) Most Over the Top Rip Off of The Office that Feels Like it Was Written At 3:00 am After Smoking Way Too Many Joints: Corporate Animals (Category: Midnight)
Not only does director Patrick Brice (who also directed the much better Sundance offering The Overnight) use a corporate retreat setting for his horror satire, replete with a who’s who of standard office types (Demi Moore as the hard driving boss; Jessica Williams as the dispirited protégée; and Callum Worthy as the eager to please intern, to name a few), but he even casts Office alum Ed Helms as a guide who leads the team on a caving expedition that goes awry, to put it mildly. Trapped deep in a collapsed New Mexico cave (the scenery at least holds its own), the cast is forced to deliver too many stereotypical jokes, especially at the expense of Moore, whose cutthroat boss is little more than a caricature. The group’s descent into cannibalism is played for laughs, but the film isn’t half as edgy as it thinks it is, and the entire exercise feels like writer Sam Bain somehow managed to get his snickering Office fan-fiction greenlit. — SKIP Continue reading “Film Feature: Highs and Lows from the 2019 Sundance Film Festival”
The Sundance Film Festival ran from January 18th to 28th this year; over 120 films were shown in ten days. For the fourth year in a row, I was on the (often snowy) ground, knocking out almost 20 films in five days in order to bring you the Best of the Fest. I present here the ten best films I saw – five features, four documentaries, and one special screening. Keep your eyes out for these during the coming year, as they are well worth your time and money. And if you’d like to know all the films that took home awards this year, you can see the winners here.
TOP FIVE FEATURE FILMS
1.) Search (USA 2017, 101 min. Directed by Aneesh Chaganty. Category: Next)
The word innovative doesn’t even come close to doing filmmaker Aneesh Chaganty’s first feature film justice. Using a narrative that unfolds completely on a computer screen (via video chats, texts, emails, Internet searches, and news videos), Chaganty immerses us in the story of recently widowed dad David (John Cho, excellent as always) and his desperate search for his missing teenage daughter Margot (Michelle La). Debra Messing, cast against type, is terrific as the San Jose police detective heading the investigation. Filled with red herrings and twists and turns you’ll never see coming, Chaganty and co-writer Sev Ohanian’s South Bay-set mystery is as imaginative as their method of telling it. Both a celebration and a critique of our increasing reliance on technology, the brilliantly executed Search is my hands-down favorite film of the Festival. Sony Pictures acquired the picture for five million dollars in one of the Festival’s biggest buys, so a wide release will be forthcoming. The film also deservedly won both an audience award and the Alfred P. Sloan Feature Film Prize. Don’t miss this one. Continue reading “Film Feature: The Best of the 2018 Sundance Film Festival”
With this final spotlights post, we bring our coverage of the 2017 Sundance Film Festival to a close (you can read the previous posts here and here). We conclude by taking a look at six more feature films, once again using our world famous Sundance Viewing Priority Level (VPL) Guide to discern those films to seek out and those to avoid. Enjoy, and we’ll hope to see you in Park City next year!
Our coverage of the 2017 Sundance Film Festival continues with this look at five documentaries that premiered at the Fest a few weeks ago.
Many of these may receive distribution or television deals (if they haven’t already; see our notes below), so you can know what to watch for in the coming year with these handy capsule reviews, which use our patented Sundance Viewing Priority Level (VPL) Guide:
The 2017 Sundance Film Festival ended last Saturday evening after ten days of showcasing over 200 films from around the globe; you can see all the winners here.
For the third year in a row, Spinning Platters was on the (snow-covered) ground trying to take in as many movies as our limited time and budget would allow. And so we bring you the first of our posts spotlighting the 17 films we managed to squeeze in to just over five days.
Many of these may receive distribution deals (if they haven’t already), so you can know what to watch for in the coming year with these handy capsule reviews, which use our patented Sundance Viewing Priority Level (VPL) Guide:
With this third and final post, Spinning Platters completes its coverage of the 2016 Sundance Film Festival, which ended on Jan. 30th. All the winners can be found here (and our other two posts about this year’s Festival can be found here and here).
Spinning Platters continues its coverage of the 2016 Sundance Film Festival, which ended last Saturday, Jan. 30th with its evening awards presentation (all the winners can be found here).
We’re highlighting 18 of the nearly 200 films shown at the Fest, so you can know what to look for in the coming year – and what to avoid – as many of these titles are purchased and widely distributed.
As a reminder, we are using our patented Viewing Priority Level (VPL) Guide to advise you accordingly: