Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
You might not be able to tell by the weather, at least in Napa today, but it’s almost summer! Memorial Day Weekend marks the unofficial start of summer and the arrival of BottleRock Napa Valley’s 10th festival! The day started out pretty chilly, which had me worried that the weekend might be colder than I’d hoped for a festival weekend, but thankfully it eventually warmed up to a nice breezy, sunny day.
Continue reading “BottleRock Napa Valley 2023 Festival Journal, Day 1”
Can you feel it? Summer’s almost here, finally! Besides the fact that the rain has finally stopped and the temps are heating up, you always know it’s just about summer when it’s time to take a look at the upcoming BottleRock Napa Valley festival!
As usual, the folks organizing this magical event in my sweet hometown have done a brilliant job providing us with not just fantastic headliners but quite a few awesome smaller bands. It starts in less than 10 days, and as usual, I can’t wait!
This year, the Red Hot Chili Peppers return to headline along with The Smashing Pumpkins, Lizzo, Duran Duran, Post Malone, and Lil Nas X!
Beyond that impressive lineup of headliners, there are countless other interesting acts I hope to see, including Bastille, Phantogram, Kennyhoopla, Jean Dawson, Beach Weather, Paris Jackson, local band High Noon, Leon Bridges, Carly Rae Jepsen, Tove Lo, Dayglow, Danielle Ponder, Wu-Tang Clan, The National, Caamp, Sheryl Crow, Los Lobos, The Wrecks, and The Alive. And that’s without listing any of the extensive food, wine, or cocktails available to tempt and delight tastebuds, too!
Here’s my 2023 BottleRock preview playlist for your listening enjoyment, and I look forward to seeing you there soon! Don’t have tickets? Try here, and come on out to Napa for some sunshine at the best fest in the west!
Loosely inspired by alt rocker Chris Sievey’s stage creation Frank Sidebottom, Irish director Lenny Abrahamson’s new film is co-written by Peter Straughan and Jon Ronson, whose memoir details his experiences with Sidebottom. But no knowledge of the film’s backstory is necessary to be utterly delighted by this quirky and very funny film, which chronicles Jon’s (Domhnall Gleeson) induction into, and relationship with, an avant-garde band led by the mysterious Frank (Michael Fassbender). The catch is that Frank wears a large papier-mâché mask not only when on stage, but during all parts of his life (even while showering). What is amazing is that although the mask has just one expression – a crudely drawn, unsmiling, wide-eyed stare, its features seem to change simply by virtue of Fassbender’s tone of voice and body language; his performance is truly remarkable. Why Frank chooses to cover himself this way is one of the film’s central questions; themes of identity, artistic integrity, and creativity are explored with nuanced humor and depth. Does creativity have to stem from inner darkness, the film asks, or can normalcy and happiness drive the creative process just as forcefully? If artistic creations become widely popular, is their worth somehow lessened? With hauntingly beautiful cinematography (many scenes were filmed around Austin) and a weird and wonderful soundtrack, Frank delves into these issues with style, charm, and black humor. Plusses: Unique, intelligent story; brilliant performances by Fassbender and relative newcomer Gleeson. Minuses: Maggie Gyllenhall is slightly grating as fellow band-mate Clara; her range here seems to hover only between fiercely angry and completely insane. Final Analysis: A smart, compelling picture about the inner lives of artists that, frankly (yes, pun intended) may well be one of the best films of the year.
Frank opens today at the Landmark Embarcadero theater in San Francisco and the Landmark Shattuck theater in Berkeley.
Not So Silent Night really lived up to its name this year. It was loud and booming in the half empty HP Pavillion in San Jose. Unfortunately this made for some pretty bad sound, especially from the back of the room. Why it was so empty I have no idea as the line up of Broken Bells, The Black Keys, Phoenix and My Chemical Romance seemed like they could draw a crowd (yes I’m leaving Smashing Pumpkins out on purpose). Or was this a case of just too many disparate bands? Continue reading “Show Review: Live 105 Not So Silent Night with Smashing Pumpkins, My Chemical Romance, Phoenix, The Black Keys and Broken Bells at HP Pavillion 12/10/10”
I know that it’s pretty rainy out here in the Bay Area, and also very cold, so going to shows is a tough thing to do, but I think that these options are worth braving the elements!
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 12/09/10-12/15/10”
