Sketchfest Review: An Evening with Cloris Leachman at the Castro Theatre, 2/5/11

Cloris Leachman greets her adoring fans while hostess Peaches Christ braces herself.

“80. Fuckin’ 80.”

These were the first words that the legendary Cloris Leachman, who will actually be turning 85 in two months, said into her microphone at Idol Worship: An Evening with Cloris Leachman on Saturday, the main attraction of the 10th annual SF Sketchfest’s closing night, co-presented with Midnight Mass and hosted by “the very, very nervous” Peaches Christ. And Peaches had every right to be nervous: Ms. Leachman was as delightfully batty and unpredictable as the audience could have dared to hope.

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Sketchfest Review: True Stories 25th Anniversary w/David Byrne Q&A

Giant standing David, regular sized seated David

The closing night of the 10th San Francisco Sketchfest kicked off with a screening of the David Byrne directed True Stories, now celebrating its 25th year of existence. Because the founders of Sketchfest met at a screening of the Talking Heads concert film Stop Making Sense, also at the Castro Theater in 1998, this event was special to the Sketchfest crew. Along for the ride was author Paul Myers, who took on the moderator duties, and the director himself. Much like the movie itself, the Q&A afterward was a minor failure, with interesting bits. Continue reading “Sketchfest Review: True Stories 25th Anniversary w/David Byrne Q&A”

Sketchfest Review: The SF Sketchfest Comedy Writing Award – James L. Brooks in conversation with Danny DeVito at the Castro Theatre, 2/1/2011

James L. Brooks snaps a photo of Danny DeVito doing an impression of him knocking on Debra Winger's locked door during the turbulent filming of "Terms of Endearment."

While past recipients of the SF Sketchfest Comedy Writing Award have included Robert Smigel and John Hodgman, the Sketchfest crew that introduced this years’s winner freely admitted to outdoing themselves this time: the legendary James L. Brooks, a towering institution in the worlds of film and television writing, the man who won three Oscars – Picture (as a producer), Director, and Adapted Screenplay – for his very first directorial effort, the immortal weepie Terms of Endearment.

And not only did they snag Brooks, but they also got the inimitable Danny DeVito, who has known Brooks since their Taxi days, to serve as a moderator for what was intended to be a discussion of Brooks’ life and career. I say “intended” because the evening was ultimately less about Brooks’ personal career reflections than DeVito’s broad comic interpretation of their years working together. But since he had everyone (including Brooks) red-faced and panting from laughter, everyone still walked away satisfied. Well, everyone except poor Debra Winger.

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Sketchfest Review: Viva Variety! at Eureka Theater, 1/29/11

At The Eureka Theater last Saturday night, there was a definite air of nostalgia. I often consider Viva Variety! to be the forgotten middle child. It wasn’t nearly as popular as it’s predecessor, The State, nor did it have the longevity of Reno 911. It was a fun program, the fictitious variety show from Europe featuring Thomas Lennon as Mr Meredith Laupin, Kerri Kenney (Silver) as The Former Mrs. Agatha Laupin, and Michael Ian Black as Johnny Blue Jeans, their announcer. But, it never comes up. When you search for the program on YouTube, you will find all of about 4 clips. Where you can find almost anything ever on the internet, the 13 episodes of this show are merely a fading memory.

I don’t think anybody ever expected this reunion. It may be because of the success Sketchfest had with The State in 2009 and Reno 911 in 2010, but the masses snatched up tickets to this show faster than any other gig this year, including Murphy Brown and Saturday Night Live reunions that were far more popular in it’s day, and have lasted in syndication.

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Sketchfest Review: Music Night at Cobb’s Comedy Club, 1/29/11

The real stars of Music Night: Garfunkel & Oates

I chose Music Night as my finale to a wonderful Sketchfest mostly because of my long-term fangirl love for Chris Hardwick (I even watched Shipmates back in the day, Shipmates!).  So, just like the night before for the Nerdist Podcast, I got to Cobb’s early hoping to be right up front.  I was rewarded with a front row seat for one of the best and funniest nights I’ve ever seen.  With so much talent on stage: Mike Phirman, Eli Braden, Zach Selwyn, Garfunkel & Oates, David Koechner doing 10-20 minute sets each and Chris Hardwick MC-ing, it was bound to be non-stop entertainment. Continue reading “Sketchfest Review: Music Night at Cobb’s Comedy Club, 1/29/11”

Sketchfest Review: Will Durst and Killing My Lobster at the Eureka Theatre, 1/27/2011

Let's just pretend Will Durst is Homer Simpson so I can use this picture.

The Eureka Theatre was much better than Eureeka’s Castle last night, thanks to Will Durst, who you might recognize from some radio PSAs he has done over the years, or more accurately, you may know him as a political standup comic. Continue reading “Sketchfest Review: Will Durst and Killing My Lobster at the Eureka Theatre, 1/27/2011”

Sketchfest Review: The Thrilling Adventure Hour at Marine’s Memorial Theater, 1/22/11

The Thrilling Adventure Hour is a monthly live performance podcast done at Largo in Los Angeles written by Ben Acker and Ben Blacker.  For SF Sketchfest we were treated to two performances featuring many great actors of varying degrees of famous-ness.  The 10:30 show featuring Neil Patrick Harris sold out, as everything he has done at Sketchfest has, so my ticket was for the early NPH-less show.  But the show didn’t need Neil Patrick Harris to be great.  It was an hour of fun witty writing and excellent acting, so good in fact I came home and subscribed to the podcast. Continue reading “Sketchfest Review: The Thrilling Adventure Hour at Marine’s Memorial Theater, 1/22/11”

Sketchfest Review: Iron Comic hosted by Nato Green at The Punch Line, 1/20/11

Per Brendan Lynch, this is a white person's problem.

To be honest, when I arrived at the Punch Line on Thursday night I still had no idea what to expect.  All I knew was that one of my favorite comedians, Matt Braunger, was performing and that he would be funny.  Since it is a SF Sketchfest show, I knew I wouldn’t be watching a standard stand-up performance.  What I got was an evening full of pleasant surprises, where women dominated, the guy with all the sex jokes bombed, and I laughed so hard I cried. Continue reading “Sketchfest Review: Iron Comic hosted by Nato Green at The Punch Line, 1/20/11”

Sketchfest Review: Maximum Volume! with Greg Behrendt and Matt Nathanson at Cobb’s, 1/21/2011

Not top billed, but definitely the star of the show.

At Cobb’s on Friday night was a show called Maximum Volume!, a definite misnomer. For while the volume was never turned up — the electric guitar and amplifier sat on the stage like a tease — the one thing turned to the maximum was the length of the show. This was definitely the longest comedy show I’ve ever been to, and in comedy, like a lot of things, longer isn’t necessarily better. Lots of people, myself included, surely came expecting something similar to last year’s Bring the Rock! show, and got something completely different. So how did it all go? Continue reading “Sketchfest Review: Maximum Volume! with Greg Behrendt and Matt Nathanson at Cobb’s, 1/21/2011”

“It’s Garry Shandling’s Show” 25th Anniversary Tribute at the Castro Theatre in San Francisco, 20 January 2011

This is the caption to the photo for the review of the tribute to It's Garry Shandling's Show

It’s the Garry Shandling’s Show 25th Anniversary Tribute review. This is the part where the review talks about what happened at the Castro Theatre in San Francisco. And here’s the part where I start typing. Continue reading ““It’s Garry Shandling’s Show” 25th Anniversary Tribute at the Castro Theatre in San Francisco, 20 January 2011″