Show Review: Brandt Brauer Frick with Psychic Friend and James & Evander at Rickshaw Stop, 11/11/2011

An age old argument in music is this: is this band better live or on record? Electronic music seems to be the ultimate fertile ground for this argument because essentially the live show is the record plus lights, isn’t it? Well, not if it’s done right.

Brandt Brauer Frick perform in two different varieties. There’s the Brandt Brauer Frick Ensemble, an 11-piece combo that plays the material as written on composition paper. Then there’s the core trio, which leave the paper at home, and take chances on stage.  Is this electronic music done right? Continue reading “Show Review: Brandt Brauer Frick with Psychic Friend and James & Evander at Rickshaw Stop, 11/11/2011”

Show Review: Shpongle Live Halloween Ball at the Fox Oakland, 10/29/2011

We can take this huge universe and put it inside a very tiny head
Simon Posford and his band of psychedelic freaks and phantasms

October 29th, 2011. Possibly one of the biggest party nights of the year, thanks to the world-recognized holiday celebrating the bizarre, the underworldly, and the otherwordly, just around its corner. We’re speaking, of course, of Halloween, and in addition to being a fantastic occasion for costumes, candy, and chaotic parties, it’s also one of the best opportunities for live shows, allowing artists to come out in a blaze of style and passion with something unique and special for the night when spirits walk and demons dance. The Fox Theater in Oakland is no stranger to guests of many colors, persuasions, and strangeness, and with stiff competition to draw in concertgoers tonight — with deadmau5 taking residence at the Bill Graham Civic Auditorium in San Francisco, Primus rocking the streets of Berkeley at the Greek Theater, and the Damned keeping the San Francisco punks packed to the gills in Slim’s — it seemed only fitting for them to play host to one of the most anticipated acts of the entire year: Shpongle Live, the full-band-plus-dancers-and-more ensemble to masterfully color the otherworldly psybient music of UK psytrance masters Simon Posford and Raja Ram.

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Show Review: Jonny Lang with the Michael Williams Band at the Uptown Theatre Napa, 10/28/2011

Jonny Lang. Genius at work.

Up until last week, it would have shocked me to learn how few people in my life have heard of the young blues guitar genius Jonny Lang. Because I’ve witnessed Jonny’s musical evolution (from 15-year-old phenom to critical darling to gospel musician) since the late 90s, it seems absurd to me that there would be anyone that’s not yet heard of this man. Alas, it’s true: we Jonny Lang fans seem to be much more of a minority than I knew. Happily, this weekend found me among nearly a thousand like-minded individuals at Friday night’s performance at downtown Napa’s tiny Uptown Theatre. Continue reading “Show Review: Jonny Lang with the Michael Williams Band at the Uptown Theatre Napa, 10/28/2011”

Show Review: Portishead with Thought Forms at The Greek Theatre, 10/21/11

The ecstatic crowd, bathed in light.

Portishead.  14 years since their last Bay Area appearance, the legendary experimental trio have returned.  The majority thought this day would never come, but after long anticipation, it finally did.  Would these sojourned pioneers be able to successfully transfer their art live? Continue reading “Show Review: Portishead with Thought Forms at The Greek Theatre, 10/21/11”

Festival Diary: The 2011 Treasure Island Music Festival, Day 1

The glamtastic Saturday headliners

The details of the Treasure Island Music Festival are well known to Bay Area music regulars. I’ll go over them briefly.

The setting is beautiful, on an island in the middle of San Francisco Bay. There are only two stages that alternate acts, so there’s never any clashes. There are two days: Saturday leans toward dance music, and Sunday is for indie rock. It’s small so you can easily get close to the stage whenever you want, without having to park yourself in the front row all day long. Those are the basics — everything else changes year to year. In fact, the organizers — Noise Pop and Another Planet — intend to never repeat a band. So here’s a quick look at this year’s collection of talent.

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Show Review: The Shpongletron Experience Tour featuring Shpongle, Random Rab and an-ten-nae at The Fillmore, 6/17/2011

The Shpongletron in full sway
The Shpongletron in full sway

As an electronic musician, you have an unbelievable amount of competition, especially in 2011. With beats, synths and other manipulatibles being so easy to create these days with readily-available software, nearly anyone with a decently-powered computer and speedy fingers can enter the genre; with enough samples, knowledge of audio processing, and exposure, it’s easy to go from being locked in one’s basement to shaking the walls of clubs worldwide. The question is, however, why should all of the hundreds of thousands — perhaps of millions — of electronica fans come to see YOU, and not someone else? For Simon Posford, the cerebrum major behind the London-based psytrance project known as Shpongle, it has usually involved a brilliant mix of jagged synths and sweeping world instruments; this time around, however, he brought the Shpongletron, a stage and light show guaranteed to cement his place as one of the best electronic acts to see today.

Continue reading “Show Review: The Shpongletron Experience Tour featuring Shpongle, Random Rab and an-ten-nae at The Fillmore, 6/17/2011”

Show Review: Club BFD with Surfer Blood, Innerpartysystem, The Vaccines and Geographer at Mezzanine, 6/4/2011

Surfer Blood are head and shoulders above the competition

This is the first time I can remember Club BFD being better than original BFD. First off, there’s the lineup which has more melody in four bands than there’d be in 11 hours on Sunday. Then there’s the Mezzanine, which welcomes its visitors with a high-res screen featuring sharp animations about tonight’s show and future events. At “real BFD,” there’s a static monitor. And in a club that holds somewhere in the 1000-person range, there’s a multi-camera shoot being projected on walls throughout the venue; at big BFD, there were no screens inside the amphitheater at all. I’m not even going to discuss the drink price competition. So the Mezzanine is all class, we know that. But how were the bands? Continue reading “Show Review: Club BFD with Surfer Blood, Innerpartysystem, The Vaccines and Geographer at Mezzanine, 6/4/2011”

Show Review: Architecture in Helsinki with Hooray For Earth at Great American Music Hall, 6/2/2011

Architecture in Helsinki is an unfortunately named band. Whenever I tell people about them, the response I hear has something to do with traveling in Europe. I have to explain that, no, they’re a fun, synth heavy band from Australia. Or more recently, since I’m going to Finland this summer, they’ll think I’m mentioning the architecture in Helsinki, for real. I can’t imagine what they go through. Apart from answering questions about their band name (which they’ve had for years — get over it already), they also come to San Francisco to play shows, including this week at Great American Music Hall.

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Show Review: Echo & the Bunnymen with Kelley Stoltz at The Warfield, 5/19/2011

The pictures on my wall // Are about to swing and fall
The pictures on my wall // Are about to swing and fall

Roughly a year and a half ago, British post-punk dreamers Echo & the Bunnymen came to American shores for just a few stops to host a darkly gorgeous, orchestra-accompanied performance of their classic album Ocean Rain. No doubt inspired by the success of their tour and the continuing trend of artists who perform full-album sets at their shows, the Liverpool-based quintet was back in town with a similar formula, although taken to a much greater length. This time around, frontman Ian McCulloch and the rest of the crew were performing TWO of their older records — their debut Crocodiles and sophomore effort Heaven Up Here — with a 3-song encore after each. Lest the smallish crowd and the lower capacity of the venue place doubts in the mind of those who passed by the Warfield Theater on Thursday night, the excitement and enthusiasm from the fans was even more fervent than for the band’s Ocean Rain performance, and the group themselves performed with even greater intensity than before.

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Show Review: Railroad Revival Tour (Mumford & Sons) at Oakland Middle Shoreline Park, 4/21/2011

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Not technically the headliners, but you could've fooled me

The Railroad Revival Tour is a concept tour package where one of the main conceits is that all the bands have equal billing and play equal set lengths. That’s a nice thing to say, but the tickets sold lightning quick due to the recent boom of success of Mumford & Sons. While they weren’t officially the headliner, the singing along told another story. But by the end of the show, they convinced me that this was, indeed, a true group package. Seeing all three bands was a bit of a challenge, but worth it. Continue reading “Show Review: Railroad Revival Tour (Mumford & Sons) at Oakland Middle Shoreline Park, 4/21/2011”