Would you judge me if I admit that I look forward to The Doug Benson Movie Interruption every year, because the only thing better than trash-talking your way through terrible movies is hearing some fantastically funny comedians do it for you? I admit, I always want a microphone, and maybe someday they’ll give me one, but until then, I amuse myself by typing the occasional wit into my notes so I can feel as if I’m participating silently. This was the case last Saturday afternoon as I witnessed what turned out to (accidentally) be the last of my coverage of Doug Benson‘s Sketchfest coverage of the terrifically terrible Twilight Saga at the Castro Theatre. Continue reading “Sketchfest Review: Benson Movie Interruption: Twilight — Breaking Dawn Pt. 1, 2/8/15”
Thrilling Adventure Hour lives up to its name, yet again.
One of the best things about SF Sketchfest every year is getting to watch all the fantastic talent of The Thrilling Adventure Hour. For any unfamiliar with this show, it’s a live, staged version of an old time radio show, and it’s never failed to entertain me for all the years I’ve been there to witness it. Thankfully, this year proved to be far less hectic than last year’s performance, for me at least. Last weekend (Saturday, to be exact), thanks to an earlier show, I was already in the city and had no trouble getting to Brava Theater Center with plenty of time before the lights dimmed. Continue reading “Sketchfest Review: The Thrilling Adventure Hour, 2/8/15”
Tony Lucca will always have a special place in my heart…and my career. I say that because it was just about this time four years ago that I wrote my first review for Spinning Platters. I had met editor Gordon Elgart not long prior and discussed writing for him, but it was completely spur of the moment when I invited him to join me to see Mr. Lucca at the Cafe du Nord and cover the show. He asked, instead, that I do it myself. I admit, having never written anything of the sort, I was intimidated. But I did it, and I suppose the rest is the proverbial history? Anyway, I digress. Suffice all this to say that I was happy to catch him last Thursday evening at Yoshi’s Oakland. Even better, he had recently added my beloved Keaton Simons to his band, and offered me a little pre-show time for a chat. Continue reading “An Evening with Tony Lucca at Yoshi’s Oakland, 01/29/2015”
StarTalk Live: Eugene Mirman, H. Jon Benjamin, Bill Nye, Dr. Yvonne Pendleton, and Prof. Scott Hubbard (Photo by Jakub Mosur)
Bill Nye, still affectionately titled “The Science Guy” as per his original sketch comedy persona, is one of the most striking examples of a forward-thinking force in modern media. Through a combination of his legacy television influence, his continuing meld of icebreaking comedy and scientific education, and a remarkably popular social media presence, he continues to make knowledge and the desire to learn a positive, enjoyable, and overall uplifting experience. As a piece of glue that can hold the worlds of science and humor together, he’s perfected his craft, and it’s a true treat to watch him work, as well as to pose inquiries to him that get his mind in gear and firing back with equally insightful and thought-provoking questions as a response. Taking a leaf out of the book of colleague scientist Neil DeGrasse Tyson, Bill has returned to Sketchfest for the second year with a live ensemble for StarTalk Radio — along with StarTalk cohost Eugene Mirman — and, to balance out the vast knowledge base of aeronautics/astronautics professor Scott Hubbard and renowned NASA Ames astrophysicist Dr. Yvonne Pendleton, the pair enlisted H. Jon Benjamin for a side-splitting fusillade of comedic jabs and snarky remarks. The full ensemble made for a delightfully entertaining night at the Nourse Theater, and left the crowd sore from laughing and glowing with renewed faith in the world of science.
If admitting that I’ve loved a boyband (one in particular, and pretty much only them) for my entire life makes me uncool, then so be it. I’m uncool. Having said that, I never really got into pop in the way many do. New Kids on the Block aside, there was only really ever one other similar group whose music I got into, and that’s irrelevant. Anyway, whether because I decided so at a very young age, or simply because it’s true, I still find Jordan Knight to be one of the most beautiful men on the planet. And okay, if he wants to make a record and then tour with some other musician, well… I’d probably go see him with just about anyone. (Willie Nelson? Barbra Streisand? Rick Astley? I’m game.) If his choice is another cute boy from a similar boyband background, specifically Nick Carter of the Backstreet Boys, well, alright. Look, he could tour with Miss Piggy and I’d go see him. And so I did, about a month ago (11/18), when the Nick & Knight tour stopped at SF’s Regency Ballroom. Continue reading “Show Review: Nick Carter & Jordan Knight at Regency Ballroom, 11/18/2014”
Okay, I’ll be the first to admit my folly: I was tardy to the Gavin DeGraw party. I mean really tardy. It’s not that I’d never heard of him or didn’t enjoy his music. It’s just that, for some reason, while my friends were all obsessing over him back in 2004 when he first came on the scene, I resisted several opportunities to join them. It wasn’t until I got a chance to fall for his charming personality in 2012 on Dancing with the Stars that I finally saw the error of my ways and drank the Kool-Aid. Since then, though, I’ve been making up for lost time. Now a genuine, bona fide giant Gavin fan in my own right, I recently had my first chance to finally catch him live this past April in Napa, promoting his newest album, Make a Move. You might think that having just seen him two months ago would make me less likely to rush myself to see him again at my alma mater UC Berkeley’s Greek Theatre last Friday night when he co-headlined with the phenomenal local boy Matt Nathanson, but well… you’d be wrong. Dead wrong. Continue reading “Show Review: Matt Nathanson & Gavin DeGraw with Mary Lambert at Berkeley’s Greek Theatre, 6/20/2014”
Back in March of 2014, the massive art-metal juggernaut known as Tool rumbled through the Bay Area, gracing its residents with a set of shows once again at the Bill Graham Civic Auditorium. Those who were wise enough to arrive early for the show might have had a chance to watch the real surprise of the night: the recently-reformed Los Angeles trio of Failure, bringing their expert musicianship and crushing brand of alt-space-rock back into the fold for a set of short but powerful sets. Continuing the connection, Failure made a reappearance for Tool singer Maynard James Keenan’s 50th birthday celebration, with all three members offering both their own songs and contributions to the sprawling evening of music that took place each night. With a healthy amount of new exposure under their belt, Failure is coming back on the road for their own headlining tour, this time with zero accompaniment — an Evening With, two sets, and a furious chunk of tunes across their three records to throw into the mix. If their show at the Great American Music Hall was any indication, this is one reunion that isn’t fading any time soon: Failure are back and as sonically potent as ever before.
On Saturday night, the San Francisco Symphony continued their fantastic film series with City Lights (1931), Charlie Chaplin’s timeless romantic comedy. Conducted by Richard Kaufman, the orchestra performed the entire film score in perfect sync with the film playing overhead. The music, written by Chaplin, is a wonderful mix of joyous and romantic motifs that fit well with the variety of urban locales on screen. The score can at times recall Gershwin’s “Rhapsody in Blue,” written just eight years before City Lights was first released. The audience at Davies Symphony Hall ate the whole evening up, cheering as often for the orchestra as they did for The Tramp himself.
I can’t even say how much I needed a good show like this one.
Over the past three decades, I’ve called many a band my favorites, but of course over time, preferences change and so have I. For me, the ones that “stick” are those that tend to have qualities I can’t find elsewhere: a voice so unique I recognize it even a new song, a melody I can’t get out of my head, or lyrics that make me feel like I’ve been spied on… No matter what, though, the favorite bands I come back to again and again always share one quality in particular: they sound even better live than they do on their albums. Seriously: imagine that seeing concerts regularly is what you do, and after the zillionth time of getting amped up to see a band you’ve been into, you discover they’re less than stellar live. Trust me, it sucks, and it definitely always sours my love for not-so-amazing-live bands. (At least a little.) So after a year and a half spent devouring every single Imagine Dragons song I can get my ears on (and a little preview at a festival last summer), I was beyond ready to see if these Dragons had what it takes to launch a long-term love affair with me. I don’t subject myself to standing-room-only general admission floor tickets for just any act (I may be getting too old for all of that), but there I was on Thursday night, about six rows back from the stage at SAP Center, waiting for the lights to go down. Continue reading “Show Review: Imagine Dragons with The Naked and Famous and X Ambassadors at SAP Center, 2/13/2014”
