When one dips into the dark nebula of the world of post-punk, they are likely to find a world that seems to live between a variety of different spaces that make up the more solidly-defined genres of classical music. Songs can shift in intensity unexpectedly, from a thrashing fury that encourages stomping and raised fists, to a slow, steady groove that tempts even the toughest of those aforementioned rockers out onto the dance floor, and often times the two are well intertwined. It is one of the only genres that can be accurately applied to a band and not immediately subject them to a small pigeonhole of a classification, for enough acts have graced the scene throughout the decades that the label “post-punk” is sure to conjure up a plethora of images in one’s mind at first thought. Therefore, as a nod to how wide the span and definition has shifted over the last 30 years, two acts were chosen to kick off December at the Fillmore with an evening of shadowy, danceable mayhem: the Los Angeles duo known as She Wants Revenge, and Peter Murphy, best known as the frontman of Northampton goth rock godfathers Bauhaus.
