Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Picture This!, the amicable marriage of sight, sound and more sight just made it’s San Francisco debut hours ago at the Dark Room Theater. Concocted in Los Angeles by comedian Brandie Posey and animator Sam Varela, the show paired stand-up comedians with illustrators, each performing their due diligence to visualize this crazy thing called funny. Continue reading “SF Sketchfest Review: Picture This! on 2/8/2014”
One of the best things about SF Sketchfest is that it brings fantastic comedic talent we might not otherwise have a lot of opportunity to see right here to the Bay Area. For example, Megan Mullally. The woman is equal parts brilliantly funny and beautiful. I’ve been a fan of hers since Will & Grace, though admittedly haven’t followed her career as closely as perhaps I should have. That’s why I’d never heard of her musical act (a duo with funny girl Stephanie Hunt, who I know from How to Live with Your Parents…, Californication, and Friday Night Lights), Nancy and Beth.Anyway, thanks to Sketchfest’s awesome musical offerings, I was able to catch their set last Friday night at SF’s JCC with the utterly wonderful and hilarious opener The Lampshades, and one night was all it took to make a fan out of me! Continue reading “SF Sketchfest Review: Megan Mullally in Concert with her band Nancy and Beth on 1/31/2014”
The coincidently nautical showcase of BOAT and BriTANick (rhymes with Titanic) capsized before the show even started. Eureka Theater’s projector mutinied, died at a time most inopportune. It left behind a lobby drowned with humanity—a sold out show. Continue reading “SF Sketchfest Review: BriTANick on 1/29/2014”
Who will speak for sketch? When it’s all over, when the theaters are empty, when the stand-ups scatter, the celebrities fly away and the improvisers jam out, who will speak for the hardest discipline to sustain in San Francisco? It was important to find a line-up of pure, uncut, Mario-Savio-meets-Frank-Chu Bay Area Grease, and, with a gun to my head, I chose Don’t Watch This Show LIVE! and Femikaze at the Eureka Theater. Both are two sterling paragons of regional ethos, although diametrically opposite: social ills vs. social thrills; subverting media vs. subverting medium; pounding pop culture vs. pounding Pop’s culture. One hits the nail on the head; the other hits it in the balls. How many analogies must I make to convey that these groups are as different as night and day? Wait, damn it! Continue reading “SF Sketchfest Review: Don’t Watch This Show Live! and Femikaze on 1/27/2014”
Every year, Thrilling Adventure Hour is one of the events I most look forward to at SF Sketchfest. While this year was no exception, I did hit a most unfortunate snag that nearly ruined the event for me: Bay Area traffic. The early performance of the show started promptly at 7:00pm Saturday night at Marines’ Memorial Theatre, and usually it runs for about ninety minutes. Sadly, while I left with plenty of time to spare, an accident on I-80 backed up traffic from Berkeley all the way across the Bay Bridge, so by the time I parked, schlepped to the theatre, got my ticket and found my seat, I was a whopping forty-five minutes late. The first note I made: “I missed half!” Even worse, I was wrong. This year, for whatever reason, the show was shorter than normal. Continue reading “SF Sketchfest Reviews: Thrilling Adventure Hour with the Workjuice Players and very special guests on 1/25/2014”
Ahhhh, Sketchfest. Because it’s how I first was introduced to Spinning Platters (albeit in a roundabout sort of way), it’s always a bit nostalgic for me. More importantly, I’m always impressed at the amazing mass of talented, funny people that flock to San Francisco to help us laugh our way through what semblance of winter we’re graced with each year. 2014 is no exception, and as Sketchfest enters its teen years, we celebrate milestone anniversaries of several funny films. On opening night (last Thursday), our first chance: Napoleon Dynamite turned ten, and a celebratory screening at the Castro Theatre packed the house with quirky-comedy-lovers. (Though I suspect the promise of an appearance by Napoleon himself, Jon Heder, didn’t hurt.) Though originally cast members Jon Gries (Uncle Rico) and Efren Ramirez (Pedro) were promised to appear, circumstances beyond the control of the Sketchfest powers-that-be arose, leaving Mr. Heder to fly solo. Thankfully, though, he is more than capable of cracking up a crowded theatre… Continue reading “SF Sketchfest Review: “Napoleon Dynamite” 10th Anniversary with Jon Heder on 1/23/2014″
Once upon a time (circa 2004), Ryan Cabrera was a new face, introduced to many (most?) by way of his then-girlfriend, Ashlee Simpson via her MTV reality show, The Ashlee Simpson Show. Despite his Muppet hair and whiny voice, Cabrera’s major-label debut, Take it All Away, peaked at #6 on The Billboard 200 chart, fueled largely by hit single “On the Way Down.” Now, nearly a decade later, Ashlee Simpson is long gone, and it’s been six years since Cabrera last released an album. Nonetheless, he’s inexplicably touring with my beloved Keaton Simons (for whom I’d do most anything), and so I had no choice but to subject myself to an evening of his music last week at what turned out to be my farewell show to the soon-to-close Red Devil Lounge. Continue reading “Show Review: Ryan Cabrera with Keaton Simons and Mike Annuzzi at Red Devil Lounge, 11/20/2013”
If you ask me, Macy Gray’s career was ahead of its time. Fourteen years ago, On How Life Is came out, and all I’ve known about it in the time since is 1) that while I was beyond tired of hearing radio-saturated “I Try,” it was a great song, 2) Macy has an amazing, interesting, soulful voice, and 3) that the critics loved her. When I saw that she had a show scheduled in the Bay Area, at a favorite tiny venue (Yoshi’s Oakland, last Friday night), I decided it was high time I gave her my full attention. Continue reading “Show Review: Macy Gray at Yoshi’s Oakland, 10/25/2013”
Imagine a terrible day: you’re sick. You’ve been fighting with one of your best friends all day. You’re late to an important appointment because traffic is insane, and there’s absolutely nothing you can do about it. Said lateness makes you miss a fantastic opportunity, so you’re even more upset than you already were. Oh, and it’s chilly outside, with the wind picking up. Your saving grace: you’re seeing two awesome bands that night. Do Counting Crows and The Wallflowers have the superpowers necessary to turn your whole day around, and end it on a bright note? I showed up last Thursday evening at America’s Cup Pavilion to find out. Continue reading “Show Review: Counting Crows with the Wallflowers at America’s Cup Pavilion, 7/18/2013”
From June 20-30, Frameline: The San Francisco International LGBT Film Festival is showing an eclectic lineup of films steeped in social, political, and sexual themes, pushing the boundaries and bringing audiences closer to the incredible stories of numerous individuals and communities, both fictional and real. Tickets for screenings are available at http://ticketing.frameline.org/festival/. Here is a glance at two of this year’s festival entries:
C.O.G. (USA, 2013)
Based on the unassuming essay by David Sedaris and under the steady direction of Kyle Patrick Alvarez, C.O.G. is the piercingly honest tale of a young man’s escape from his privileged Ivy-league world into the apple orchards and Christian community of a small town outside Portland, OR. The sold out audience at the Castro Theatre laughed, cheered, sat silent, and gasped, and left with a welcome sense of renewal, as if the film’s flawed characters had challenged each of us to examine ourselves in a way we hadn’t considered for some time.
C.O.G. screened on Saturday, June 22nd. For more info on the film, visit the film’s festival page or C.O.G.’s official website at http://www.cog-movie.com/
Continue reading “Frameline Spotlights: C.O.G. / In the Name Of”