SF Sketchfest Review: Billy Eichner and Friends at Cobb’s, 2/2/2013

billy_eichner

Confrontation comic Billy Eichner, the screamingest queen to ever brandish a microphone in a bewildered stranger’s face, curated a comedy showcase called Billy Eichner and Friends at Cobb’s on Saturday night as part of SF Sketchfest 2013.  Eichner has been a rising star on the New York comedy scene for several years, building his uniquely abrasive brand through popular YouTube clips that gradually led to getting his own show, the Funny or Die production Billy on the Street, currently airing its second season on Fuse. The vast majority of the show’s content features Eichner and a cameraman running up to strangers on the streets of New York and screaming at them; sometimes it’s pop culture opinion/trivia, and occasionally it’s something absurdly basic that somehow proves challenging given the intense nature of the situation (he once famously stymied Rachel Dratch by asking her to name 20 white people; a clip he showed on Saturday showed a young woman failing to meet Eichner’s command to “name any woman”). He has become a talk show staple, and is turning into a regular on Bravo’s Watch What Happens Live, on which his gay-leaning cultural obsessions seem to find the most receptive audience. So given all this, what kind of performance did Eichner have in mind for Sketchfest?

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Sketchfest Review: 7-Man Sweater (2/5/2012)

7-Man Sweater
by Ameen Belbahri

Bob Odenkirk: a cult legend credited with championing and evolving a subversive, acclaimed comedy sentiment. Birthday Boys: a hyped collection of vastly witty, silly sods. Together they formed a rousing precession of jubilant, sophisticated sketches, closing Sketchfest with a bang — bang, scream, yell, “He’s got a gun!”, “My baby!”. You know, comedy. Continue reading “Sketchfest Review: 7-Man Sweater (2/5/2012)”

Sketchfest Review: Will Franken/Drennon Davis (2/4/2012)

by Jakub Mosur/Leslie Winchester

San Francisco has a cloudy yet storied history of nurturing eclectic, eccentric geniuses. The tradition spans from Irwin Corey to Ron Lynch to Brent Weinbach and every sideways side-splitter in between. Many are unsung, underexposed and uncompromised: the inspiration for peers with wider appeal and fans with sharp hearts and heads. Festivals, artistic hodepodge, are optimal for such comedians, an extended focus for latest convolutions and tinkerings in front of fertile or familiar audiences. Will Franken and Drennon Davis, two locally brewed humorists of the aforementioned ilk, evoked the spirit of a sentient armchair: alarmingly absurd, wonderfully witty, warm and comfortable. Continue reading “Sketchfest Review: Will Franken/Drennon Davis (2/4/2012)”

Sketchfest Review: Killing My Lobster (2/1/2012)

Killing My Lobster

In the fast-paced, cutthroat, Wild West of Bay Area sketch, few are in league with enterprising comedy tycoon, Killing My Lobster. Barons and Baronesses of the Neo Internetdustrial Revolution, the troupe has made appealing regional satire a booming forte. Powered by live action and recorded skits, and coupled to A.J. Schroder Esq. and the duchess, Jill Bourque, the KML Express set across the Eureka prairie. Continue reading “Sketchfest Review: Killing My Lobster (2/1/2012)”

Sketchfest Review: Mahan/Leon/Vermeire @ Eureka (1/25/2012)

Colin Mahan

SF Sketchfest has a brilliant ability to capture the Bay Area’s attention and imagination. Benefactors of this allotted spotlight are local artists, made bolder and louder by proper production value. In the case of Scott Vermeire, Harmon Leon and Colin Mahan, the added bells and whistles enhanced their rustic independence, demystifying each artist’s vision. Continue reading “Sketchfest Review: Mahan/Leon/Vermeire @ Eureka (1/25/2012)”

Sketchfest Review: The Groundlings “The Black Version” (1/22/2012)

The Black Version by Tommy Lau
by Tommy Lau

Fact: The Eureka Theater hosts some of the best comedy in the in the world. Fact: The Groundlings are a legendary Los Angeles improv company with alumni including Will Ferrell, Kristen Wigg and more. Fact: “The Black Version” is not a racially specific interpretation of Beverly Winwood Presents: The Actor’s Showcase. Fact: San Francisco’s black population was 6.1% in 2010. Fact: The black population of The Black Version’s cast was 100%. Fact: Comedy is proven to be simultaneously colorful and colorblind. Continue reading “Sketchfest Review: The Groundlings “The Black Version” (1/22/2012)”

Sketchfest Review: Beverly Winwood’s “The Actors Showcase” 1/22/2012

Jen Coolidge by Jakub Mosur
"Mrs. Fern Magnin" by Jakub Mosur

Dripping late from a brisk sprint through San Francisco’s saturated cloudiness, I stepped into an alternate reality. Everything looked copasetic: the expansive and brimming Eureka Theater with Phil LaMarr and Jordan Black beginning a scene. Not quite, the truth: the expansive and brimming Eureka Theater with Lewis J. Poole and Danger beginning a scene.

Polle and Danger are two African American actors separated by age but bonded by prior convictions and thespian rehabilitation. They were bad, objectively horrible, nightmarishly stiff and unflinchingly unaware. It was brilliant. Continue reading “Sketchfest Review: Beverly Winwood’s “The Actors Showcase” 1/22/2012″

Sketchfest Review: Walking the Room Live Podcast at The Punchline, 2/2/2012

Greg Behrendt & Dave Anthony - cuddlaz fo' life!

Before this weekend, I considered myself fairly familiar with the comedy of Greg Behrendt. I knew about his history with Sex and the City, his book that turned into a movie (He’s Just Not That into You), the two books he then co-wrote with his wife, and I’ve seen his standup act multiple times. More importantly, I already subscribe to the Walking the Room podcast. I felt pretty confident that I knew what to expect from Greg (and in this case, Dave Anthony as well). As for the night’s live podcast guest stars, Dave Holmes and Patton Oswalt, I knew both of them from previous work (MTV and United States of Tara, respectively), so I settled into an early weekend with a great seat from the bar at the Punchline and as the show began with Dave and Greg in miscellaneous clown costume pieces, I was in on the joke. For those who were not, though… I can only imagine what the night might have been like for some unsuspecting soul who just happened to be in town on business or something and thought he’d catch a show at a nearby comedy club. I’m sure nothing could have prepared such a person for the foul-mouthed hilarity that took place. Continue reading “Sketchfest Review: Walking the Room Live Podcast at The Punchline, 2/2/2012”

Sketchfest Review: Smug Shift 1/21/2012

The Smug Shift

After a certain hour, the nocturnal muse of midnight, the world gets weird. Sure, reality is eternally enveloped in curiosity and every “hour” on Earth is both day and night. Still, regardless of circumstance, there is a pivotal time drenched in ethereal giddiness that inspires irrational adventures. This is evidently the best time to start a comedy show. Continue reading “Sketchfest Review: Smug Shift 1/21/2012”

Sketchfest Review: Stella at Mezzanine, 1/21/12

Spinning Platters’ writers Christopher Rogers and Dakin Hardwick both got to enjoy a performance by Stella: Michael Ian Black, David Wain, and Michael Showalter‘s nightclub show.

Instead of boring you with a typical “review” of the show, Spinning Platters is opening the fourth wall, and allowing you into the personal lives of these two legendary journalists. This is a transcript of a private chat between the two, discussing the show on Google Chat.

After the jump, you will learn how a writer thinks.

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