SF Sketchfest Review: Maya Rudolph and Gretchen Lieberum are Princess: An Evening of the Music of Prince on 2/9/2014

Whoever had this made is rad.
Whoever had this made is rad.

In the world according to Stace (that’d be me, for those not paying attention), Maya Rudolph is a genius. A comedic genius, you might say, but I mean it in a more general way. I’m just sayin’, if this woman ran for president, she might get my vote. Beautiful, funny, and musically talented, she’s got it all. As if that isn’t enough, she’s in a long-term relationship with the music of Prince, and it’s getting pretty serious. Recently, she’s been sharing it with the world alongside her college buddy, singer-songwriter Gretchen Lieberum, and together they are Princess.

Lucky, lucky me: SF Sketchfest brought this act to my city and gave me a ticket to watch! (Don’t be jealous.) So last night, I planted my feet outside the doors at Mezzanine in the drizzle and waited an hour to be let in. At first, I thought I’d finally found the island of misfit toys, as no one remotely associated with the venue seemed to know much about what was going on, who the artist was, if tickets would be available (the show was sold out, but of course there were still those willing to try at the door), or how long the event would go. In the end, after an hour, I was the first one in the door. Cocktail in hand, I picked a spot against a pillar near the front and there I stood for the two hours until the ladies graced the stage. I have to be honest: these were torturous hours. Though I subject myself to them regularly, I’m not especially fond of huge crowds, and Mezzanine really packed ’em in last night. I can’t blame everyone else in the city for wanting to witness the glory of Princess, but it didn’t stop me from wishing I had a little more room to breathe. (Seriously: I even texted managing editor Dakin, who was up front, to ask if it would be any better if I went back near the door. He said probably not much, so I sucked it up and stayed put.)

At last, though, the show was about to begin. Continue reading “SF Sketchfest Review: Maya Rudolph and Gretchen Lieberum are Princess: An Evening of the Music of Prince on 2/9/2014”

SF Sketchfest Review: Celebrity Autobiography: The Music Edition on 2/8/2014

The Music Edition.
The Music Edition.

This year, I seem to have been a little cursed when trying to get to a Sketchfest show at Marines Memorial Theatre. I had two events there this year, and both times, I couldn’t avoid being late. The first time, I missed most of the show due to insane traffic. This past weekend, I missed fifteen or twenty minutes because I had to make a choice: leave the day’s first event (The Benson Movie Interruption: “Twilight: New Moon,” something I looked forward to all year long) early, or take my chances with being late to event number two. I opted for the latter, rushing out in the rain to my car, across town, and to do my best to quickly find parking near the venue. Even so, I was late and there was nothing to be done about it except sit down, shut up, and enjoy the rest of the show. I’ve requested to review Celebrity Autobiography before: Rachel Dratch, Fred Willard, Florence Henderson, Pamela Adlon… Need I say more? Continue reading “SF Sketchfest Review: Celebrity Autobiography: The Music Edition on 2/8/2014”

SF Sketchfest Review: The Benson Movie Interruption: “Twilight: New Moon” on 2/8/2014

Doug Benson.  My favorite shit-talker.
Doug Benson. My favorite shit-talker, hands down.

Okay, truth: almost exactly a year ago, I saw Doug Benson and a bunch of other funny dudes trash talk their way through the first Twilight movie, and haven’t stopped snickering about it since. While Sketchfest is one of our favorite times of year at Spinning Platters, regardless of which specific shows pop up on the yearly schedules, I secretly hoped all year long that the success of last year’s Benson Movie Interruption might become a yearly thing that would carry me through all five terrible films in the the Twilight “saga.” So imagine the joy I felt when this year’s Sketchfest schedule was released, and there it was: The Benson Movie Interruption: Twilight: New Moon! I sent my request in immediately, along with a note to my managing editor that basically said it was the one event I had to cover, even if it meant skipping new events I really wanted to check out. Thankfully, not only did I get access to see Doug and other funnies again this year, but I didn’t have to sacrifice lots of other chances to giggle! And for those that don’t know: whether you love Twilight or hate it, as long as you have a sense of humor, this is something you should plan on attending in the years that follow (there are still three films left in Doug’s series). There is no better way to spend an afternoon, especially a rainy Saturday as was the case this year, than in a room full of people watching a truly awful movie, with many a funny man talking shit over it all. Trust me, it’s wonderful. And I already can’t wait to do it again next year…

After scoring a parking spot on the street directly across from the Castro Theatre, waiting in an insanely long (but mercifully quick-moving) line for the ladies’ room, and finally settling into a comfy seat in the back, next to a sweet lady named Val and her hubby, I was ready for the fun to begin. Continue reading “SF Sketchfest Review: The Benson Movie Interruption: “Twilight: New Moon” on 2/8/2014″

SF Sketchfest Review: Picture This! on 2/8/2014

Mike Lawrence by Sam Varela
Mike Lawrence by Sam Varela

Picture This!, the amicable marriage of sight, sound and more sight just made it’s San Francisco debut hours ago at the Dark Room Theater. Concocted in Los Angeles by comedian Brandie Posey and animator Sam Varela, the show paired stand-up comedians with illustrators, each performing their due diligence to visualize this crazy thing called funny. Continue reading “SF Sketchfest Review: Picture This! on 2/8/2014”

SF Sketchfest Review: Sara Benincasa & Kate Berlant at The Eureka Theater, 2/1/14

1619478_10150359117139995_528108926_n

A lot of people have a hard time with the notion of “feminist comedy.” A lot of people assume that it’s nothing more than a lot of jokes about men, and, well, not very funny. This double header at The Eureka Theater proves that entire notion to be wrong. This show featured two of the finest feminist comedians working the circuit today, and this set presented the genre in a way that would open the mind of the most prejudiced comedy fan. Continue reading “SF Sketchfest Review: Sara Benincasa & Kate Berlant at The Eureka Theater, 2/1/14”

SF Sketchfest Review: RISK! with Kevin Allison/You’re Whole on 1/31/2014

True Tales Boldy Told

 

Real talk everyone: I was only at the Brava Theater to see You’re Whole. While I’m a fan of storytelling in general, and while I’d heard of State alum Kevin Allison’s well regarded podcast, I wasn’t quite sure what to expect. Even though the big draw for the night was Michael Ian Black and Michael Showalter’s pitch-perfect late-night informercial parody, I was delighted by the raw looks into the real lives of some talented comedians.

Continue reading “SF Sketchfest Review: RISK! with Kevin Allison/You’re Whole on 1/31/2014”

SF Sketchfest Review: BriTANick on 1/29/2014

BRITANICK

The coincidently nautical showcase of BOAT and BriTANick (rhymes with Titanic) capsized before the show even started. Eureka Theater’s projector mutinied, died at a time most inopportune. It left behind a lobby drowned with humanity—a sold out show. Continue reading “SF Sketchfest Review: BriTANick on 1/29/2014”

SF Sketchfest Review: Don’t Watch This Show Live! and Femikaze on 1/27/2014

dwts-live

Who will speak for sketch? When it’s all over, when the theaters are empty, when the stand-ups scatter, the celebrities fly away and the improvisers jam out, who will speak for the hardest discipline to sustain in San Francisco? It was important to find a line-up of pure, uncut, Mario-Savio-meets-Frank-Chu Bay Area Grease, and, with a gun to my head, I chose Don’t Watch This Show LIVE! and Femikaze at the Eureka Theater. Both are two sterling paragons of regional ethos, although diametrically opposite: social ills vs. social thrills; subverting media vs. subverting medium; pounding pop culture vs. pounding Pop’s culture. One hits the nail on the head; the other hits it in the balls. How many analogies must I make to convey that these groups are as different as night and day? Wait, damn it! Continue reading “SF Sketchfest Review: Don’t Watch This Show Live! and Femikaze on 1/27/2014”

SF Sketchfest Review: Iron Comic with Nato Green and Moshe Kasher on 1/24/2014

Iron-Comic-289x300

This was my second time watching Iron Comic with Nato Green at Sketchfest, and I was surprised at how different this time was. Some of it made it better (more well-known comedians) and some was worse (lukewarm audience). Overall though this is a fun show that I seem to leave thinking, “I need to go to this more often” then not doing that. But maybe I’ll go again this year. The concept is pretty simple. The audience suggests topics for the comics to write three minutes worth of stand-up material on. They get about 10 minutes to work out the material while someone else does some of their more scripted work with the audience. At the end the top two have a face off and one comic is crowned the Iron Comic, which really just means they get bragging rights and a big round of applause. Continue reading “SF Sketchfest Review: Iron Comic with Nato Green and Moshe Kasher on 1/24/2014”

SF Sketchfest Review: Smug Shift on 1/24/2014

Photo by Mindy Tucker
Photo by Mindy Tucker

Another year, another Sketchfest, another installment of Smug Shift. It seems just yesterday I was ream-deep into my first SF Sketchfest, jotting notes with a juvenile sincerity dormant since the beginning of middle school (where it all went wrong). Over the overworked, overwrought ordeal, only one show reached personal perfection: Smug Shift, a concoction of former Bay Area-based boons Moshe Kasher and Brent Weinbach. Last night at the Verdi Club, the show stretched its wings and lifted its head skyward with rekindled opulence: a weird, phallic phoenix. Continue reading “SF Sketchfest Review: Smug Shift on 1/24/2014”