The last night of SF Sketchfest is so bittersweet. This year I attended 9 shows in three weeks and they were all great, but a girl with a day job can get quite tired. But I powered through, hurrying from one event to another to end my Sketchfest experience with an excellent stand up show thanks to Iron Comic. This is my third time watching this show, and this year was the most enticing with some of my favorite comedians competing: Eddie Pepitone, Todd Barry, Emily Heller, Rory Scovel and Chris Garcia. It was going to be quite a competition. Continue reading “Sketchfest Review: Iron Comic with Nato Green and Moshe Kasher at Cobb’s Comedy Club, 2/8/15”
Sometimes these reviews just flow out of my fingers like some kind of magic, and sometimes writing them is like pulling teeth, a sentence here, a sentence there, delete, delete, delete, and try again. For some reason, the most painful ones to write are almost always the best shows to watch. That couldn’t be more true than for this one. An Afternoon with Animaniacs was so good I have been staring at sentences I hate for days, unable to move forward. How do you put an experience like this in words? How do you explain the transcendent feeling I felt watching these amazing performers not only show off their talent, but to doing it with such joy? I’ve never seen anything like it. Voice actors really are a special breed, something much purer and glowing than the comedian or actor I normally watch at Sketchfest. Maybe what I really want to say is sorry if you weren’t at Marines Memorial Theater Sunday afternoon. Continue reading “Sketchfest Review: An Afternoon with Animaniacs at Marines Memorial Theater, 1/25/15”
Rhea Butcher, Pete Holmes, Emo Philips, Cameron Esposito and Charlie Sanders after the show. (Photo from Pete Holmes’ Instagram @peteholmes)
You Made it Weird is a podcast where comedian host Pete Holmes talks at great length with his guest about love, sex and god, mixing in a lot about life in general. It can often get spiritual and deep which makes it a little more interesting and introspective than other comedian led interview style podcasts. But the live format is a little different, focusing more on the weird bits of life side than the deep talks about sex, love and spirituality. Which isn’t necessarily a bad thing. With five guests to get through in two hours and a theater full of people it is hard to get to the intimate places the podcast can get to, but it does allow for a lot more amazing jokes. Continue reading “Sketchfest Review: You Made it Weird with Pete Holmes at Marines Memorial Theater, 1/23/2015”
In the world according to Stace (that’d be me, for those not paying attention), Maya Rudolph is a genius. A comedic genius, you might say, but I mean it in a more general way. I’m just sayin’, if this woman ran for president, she might get my vote. Beautiful, funny, and musically talented, she’s got it all. As if that isn’t enough, she’s in a long-term relationship with the music of Prince, and it’s getting pretty serious. Recently, she’s been sharing it with the world alongside her college buddy, singer-songwriter Gretchen Lieberum, and together they are Princess.
Lucky, lucky me: SF Sketchfest brought this act to my city and gave me a ticket to watch! (Don’t be jealous.) So last night, I planted my feet outside the doors at Mezzanine in the drizzle and waited an hour to be let in. At first, I thought I’d finally found the island of misfit toys, as no one remotely associated with the venue seemed to know much about what was going on, who the artist was, if tickets would be available (the show was sold out, but of course there were still those willing to try at the door), or how long the event would go. In the end, after an hour, I was the first one in the door. Cocktail in hand, I picked a spot against a pillar near the front and there I stood for the two hours until the ladies graced the stage. I have to be honest: these were torturous hours. Though I subject myself to them regularly, I’m not especially fond of huge crowds, and Mezzanine really packed ’em in last night. I can’t blame everyone else in the city for wanting to witness the glory of Princess, but it didn’t stop me from wishing I had a little more room to breathe. (Seriously: I even texted managing editor Dakin, who was up front, to ask if it would be any better if I went back near the door. He said probably not much, so I sucked it up and stayed put.)
This year, I seem to have been a little cursed when trying to get to a Sketchfest show at Marines Memorial Theatre. I had two events there this year, and both times, I couldn’t avoid being late. The first time, I missed most of the show due to insane traffic. This past weekend, I missed fifteen or twenty minutes because I had to make a choice: leave the day’s first event (The Benson Movie Interruption: “Twilight: New Moon,” something I looked forward to all year long) early, or take my chances with being late to event number two. I opted for the latter, rushing out in the rain to my car, across town, and to do my best to quickly find parking near the venue. Even so, I was late and there was nothing to be done about it except sit down, shut up, and enjoy the rest of the show. I’ve requested to review Celebrity Autobiography before: Rachel Dratch, Fred Willard, Florence Henderson, Pamela Adlon… Need I say more? Continue reading “SF Sketchfest Review: Celebrity Autobiography: The Music Edition on 2/8/2014”
Okay, truth: almost exactly a year ago, I saw Doug Benson and a bunch of other funny dudes trash talk their way through the first Twilight movie, and haven’t stopped snickering about it since. While Sketchfest is one of our favorite times of year at Spinning Platters, regardless of which specific shows pop up on the yearly schedules, I secretly hoped all year long that the success of last year’s Benson Movie Interruption might become a yearly thing that would carry me through all five terrible films in the the Twilight “saga.” So imagine the joy I felt when this year’s Sketchfest schedule was released, and there it was: The Benson Movie Interruption: Twilight: New Moon! I sent my request in immediately, along with a note to my managing editor that basically said it was the one event I had to cover, even if it meant skipping new events I really wanted to check out. Thankfully, not only did I get access to see Doug and other funnies again this year, but I didn’t have to sacrifice lots of other chances to giggle! And for those that don’t know: whether you love Twilight or hate it, as long as you have a sense of humor, this is something you should plan on attending in the years that follow (there are still three films left in Doug’s series). There is no better way to spend an afternoon, especially a rainy Saturday as was the case this year, than in a room full of people watching a truly awful movie, with many a funny man talking shit over it all. Trust me, it’s wonderful. And I already can’t wait to do it again next year…
Picture This!, the amicable marriage of sight, sound and more sight just made it’s San Francisco debut hours ago at the Dark Room Theater. Concocted in Los Angeles by comedian Brandie Posey and animator Sam Varela, the show paired stand-up comedians with illustrators, each performing their due diligence to visualize this crazy thing called funny. Continue reading “SF Sketchfest Review: Picture This! on 2/8/2014”
A lot of people have a hard time with the notion of “feminist comedy.” A lot of people assume that it’s nothing more than a lot of jokes about men, and, well, not very funny. This double header at The Eureka Theater proves that entire notion to be wrong. This show featured two of the finest feminist comedians working the circuit today, and this set presented the genre in a way that would open the mind of the most prejudiced comedy fan. Continue reading “SF Sketchfest Review: Sara Benincasa & Kate Berlant at The Eureka Theater, 2/1/14”
Real talk everyone: I was only at the Brava Theater to see You’re Whole. While I’m a fan of storytelling in general, and while I’d heard of State alum Kevin Allison’s well regarded podcast, I wasn’t quite sure what to expect. Even though the big draw for the night was Michael Ian Black and Michael Showalter’s pitch-perfect late-night informercial parody, I was delighted by the raw looks into the real lives of some talented comedians.
The coincidently nautical showcase of BOAT and BriTANick(rhymes with Titanic) capsized before the show even started. Eureka Theater’s projector mutinied, died at a time most inopportune. It left behind a lobby drowned with humanity—a sold out show. Continue reading “SF Sketchfest Review: BriTANick on 1/29/2014”
