Show Review: Nightwish with Kamelot at The Warfield, 10/3/2012

Floor Jansen, new vocalist of Nightwish
Floor Jansen, new vocalist of Nightwish

One of the most difficult challenges that can face a band is the task of replacing their lead singer, since they are often one of the most important elements of the band’s sound, as well as one of the most recognizable faces in the group. When said band performs a genre of music as complex as symphonic heavy metal, that task becomes even more Herculean, especially when said vocalist possesses an incredible range, classical training, and a truly operatic quality to their voice — and such was the case in 2005, when Finnish band Nightwish were searching for someone to fill the shoes of signature siren Tarja Turunen. Two years later, soubrette soprano Anette Olzon took up the reigns, and remained with the quartet for half a decade. Halfway through their fall 2012 tour, however, a sudden hospitalization was the straw that broke the proverbial camel’s back for Olzon’s position with Nightwish, and former After Forever vocalist Floor Jansen was summoned with barely a moment’s notice to spare. What the band may have planned after their Imaginaerum tour is still unknown, but Jansen has risen magnificently to the challenge before her, and if the band’s performance at the Warfield was any indication, she may remain with the group for a long time yet.

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Show Review: Blood Red Shoes with STARSKATE and Happy Fangs at Rickshaw Stop, 10/1/2012

Perhaps due to the myriad of musical selections these days, there’s chance you haven’t heard of them, but young English rock duo, Blood Red Shoes, are on a mission to change that.  Leaving their familiar Europe, they arrive almost two years to the day they first played the States, bringing their simplistic but powerful set to entice those who don’t know and incite those that do.  In an area chock full of both local and visiting fresh talent, how would these Brighton, UK natives fare?

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Show Review: Wilco with Cibo Matto at The Greek Theater – UC Berkeley, 9/21/12

Guitar god Nels Cline, as photographed by Emily Anderson.

When The Whole Love was released late last year, I believe that anyone that heard it knew that it was a record that was screaming for a tour. Of course, when it came out, instead of doing a big road show, they opted to play midsize theaters, locking out only the folks with the fastest internet connections or the pockets deep enough to purchase from a scalper. It took almost a year for these guys to finally book a full fledged tour, playing these songs the way they should be played- outdoors, in front of thousands of people. I guess they needed to really get to know these songs before playing them on the big stages. The wait paid off.

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Show Review: Stevie Jackson, The Softies, Kim Baxter, Allen Clapp and Kurt Heasley at Rickshaw Stop, 9/22/2012

The Softies (All photos by Marie Carney)

Chickfactor turned 20 this year, and several shows in California and London have been set up to commemorate 10 years each as a printed magazine and a webzine. This is the Chickfactor that Belle and Sebastian wrote the song about, so it is only fair that member Stevie Jackson headlined a show at the Rickshaw Stop in San Francisco. Continue reading “Show Review: Stevie Jackson, The Softies, Kim Baxter, Allen Clapp and Kurt Heasley at Rickshaw Stop, 9/22/2012”

Show Review: Desaparecidos with The Velvet Teen at Bottom of the Hill, 8/28/12

Desaparecidos

Waiting in line for the doors to open at Bottom of the Hill last night I knew it would be a nostalgic evening.  Ten years ago I came to the same place, early and excited, to find a printed paper sign saying that Desaparacidos would not be performing, that instead Conor Oberst would be performing a solo acoustic show.  That show was great, though it was hindered by the fact that Conor Oberst had played the same show as Bright Eyes earlier that year at Great American Music Hall and that anyone going to see Desaparecidos at Bottom of the Hill should have been expecting a night of feverish music and aggression not intense sadness and introspection. As I walked inside I just hoped my dreams of ten years ago would not be destroyed. Continue reading “Show Review: Desaparecidos with The Velvet Teen at Bottom of the Hill, 8/28/12”

Show Review: Jay Brannan at Great American Music Hall 8/4/12

Jay Brannan’s stories are so good, he even makes himself laugh

Leaving the Great American Music Hall Saturday night, sure we talked about the great show and how opener Chris Pureka was a perfect fit, but mostly we talked about how Jay Brannan should be a superstar.  His personality beams charm at you from the stage and his voice is clear tenor perfection that emotes every single word, so much so that it can almost break your heart. So why isn’t he super famous?  Continue reading “Show Review: Jay Brannan at Great American Music Hall 8/4/12”

Show Review: The Dirty Projectors, Wye Oak at The Fox Theater, 7/28/12

All Photos by Dakin Hardwick

No Two Doves. They didn’t play Two Doves! Two years ago my compadre (from here on out known as The Editor) tried to convince me to see Dirty Projectors at the Fillmore. I bailed on him for Vampire Weekend, Beach House, and The Very Best at the Greek (I don’t think that was a complete fail, one band with harmonies and African beats for another. And fun fact! According to Wikipedia, Ezra once played sax for Dirty Projectors!). The point of this rambling intro being that my only knowledge of Dirty Projectors was their song Two Doves, a lovely but slow emotional song. Not something I’d want to spend all night listening to. In other words, I was an idiot.

So this time, after some more research, I accepted El Editoro’s invitation to see the band at The Fox Theater in Oakland. After all they serve some tasty nachos at the Fox.

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Show Review: Cody ChesnuTT at Yoshi’s – SF, 7/12/12

I find it hard to believe that 2002 was 10 years ago. This was the last time that we heard from Cody ChesnuTT. He released a brilliant record called The Headphone Masterpiece. It was a two CD set, recorded at home, and was one of the most refreshing R&B records of it’s time. He managed to balance out the fine line between neo soul and indie rock in a truly inventive way. Both The Roots and Miranda July sang his praises, but it didn’t seem to be enough, and nearly as soon as he burst onto the scene, he was gone. I genuinely thought that this was going to be his sole artistic contribution to the world. Then, as I often do, I found myself scrolling through the listings of local venues, and found ChesnuTT playing a show. Of course, that meant that I was going to the show.

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Show Review: Howard Jones at The Mezzanine, 7/12/2012

Nostalgia about the ’80s is a weird thing. For some reason, the “kids” of today will talk endlessly about going to see Modern English at Cafe Du Nord, hoping they’ll play both “I Melt With You” and “I Melt With You ’88.” They’ll go see endless cover bands of their new wave heroes.  But the modern story of this decade always seems to forget one of the singular songwriting talents, someone with several hits up his sleeves, someone whose “one person and a synthesizer” sound was once revolutionary and is now common. That someone is Howard Jones.
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Show Review: Marina & The Diamonds with MS MR at The Fillmore, 7/11/12

All photos by the legendary Paige Parsons

Marina & The Diamonds were supposed to play The Fillmore a year and a half ago. She canceled the show in order to record her new record. I had purchased tickets, and I will admit to being a little bummed about this at the time. But, alas, I let it go. The wait seemed to be a good thing for her, because when she finally rebooked, the show sold out rather quickly. I guess it’s the whole story of “If you love something, set it free, and if it comes back, it’s yours forever.” Because this crowd defintely seemed more in love with Marina than they would have a year and a half ago.

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