Brendan O’Loughlin recently launched the inaugural episode of his podcast titled, City in Exile. It’s a document of the ever-evolving cultural capital of California, San Francisco, and more specifically, it’s O’Loughlin’s love letter to the city he grew up with. San Francisco is also my favorite city in the country and watching it evolve, and seemingly devolve, from the place I used to escape to in my youth has been both mystifying and depressing, but those of us who pay close attention recognize that all things change and we find ways to recapture those ephemeral bits that made us fall in love with the city as it continues to change.
I don’t know what it is about Dermot Kennedy. I first discovered his music when I heard “Power Over Me” on a music channel on my TV. It was literally love at first listen. Kennedy’s voice is unlike any other I’ve ever heard: haunting, soulful, and incredibly powerful. Add to that his ability to write lyrically and musically beautiful works of art, and I’m a fan for life. For now, Kennedy is still relatively unknown in the US, but those who know his music flock to his shows, resulting in regularly sold-out shows. Such was the case at last night’s show with SYML at the Masonic.
Since 2007, when their song “Through the Fire and Flames” appeared on Guitar Hero III, DragonForce has appealed to the video game masses, and it showed at August Hall tonight. They had two giant video game consoles on stage that were playing a loop of late 80’s / early 90’s era video games. They also have their own channel on Twitch.tv, a live streaming video website primarily focused on video gaming, and guitarist Herman Li was wearing a backpack with a mini video camera attached to it, to live stream the entire show.
Rolanda D. Bell as Blue in Down Here Below. (Photo courtesy of Jose Manuel Moctezuma, 2019.)
As the socioeconomic gap continues to grow in the Bay Area, the percentage of people struggling to survive rises. Food, shelter, safety… those on the margins become a statistic: A pity, a charity case, a series of photographs, a nuisance — their humanity stripped. We’re often told there’s one way to live, and that one way provides us with the material possessions needed to bring stability into our lives. Our identities are closely tied to societal milestones and to our relationships: mother, father, sister, brother, wife, husband. Look under any social media bio and you’ll often see these monikers proudly displayed along with one’s location and chosen profession. So what happens when just the struggle to sleep or eat becomes a privilege, let alone the factors that bring stability to someone’s life? And, at the core of it all, what truly differentiates those who have, and those who have not? If we don’t meet certain milestones, are we no longer deemed acceptable to have basic human rights? Furthermore, what happens to the child whose mother can not afford daycare? Or the artist who cannot make art because they can no longer afford the space? How many of our rights will be stripped until the majority of us live on the margins?Continue reading “Theater Review: From Ubuntu Theater Project, a Powerful Message About Humanity in Lisa Ramirez’s Down Here Below“
Lloyd’s hair is shorter than this now. Either way, meeeooowwww.
The first time I heard Dennis Lloyd’s single, “Nevermind,” I was intrigued. I started hearing the song a lot on satellite radio, and on the music channel I turn my TV to when I’m in the kitchen. A month or so ago, Lloyd’s name came up on my radar: he was coming through the Bay on tour. I requested to cover the show and quickly forgot about it. I didn’t find out that I had a ticket until the day before the show. The next day, I realized I only knew that one song, so I spent several hours listening to Spotify’s This is Dennis Lloyd playlist. Unfortunately, I wasn’t into it. I’m a girl of my word, though, so I headed to Great American Music Hall on Thursday in hopes that Lloyd live would change my mind.
(l-r) Michael L. Grayson II, Craig Eychner, Terrance Smith, Justin Hernandez, Miia Ashley, Micah Watterson, Khary Moore, and Emily Keyishian. Photo by Marian Bliss, 2019.
Honky is a play that explores race relations in modern day America. What could be a timely piece, however, falls victim to one-dimensional characters who appear to be caricatures of the very topic that the author is trying to advocate. Because of this, the play, although highly entertaining, does not quite send the proper message about what it means to be a person of color in America. It is very much from the perspective of playwright Greg Kalleres, and, unfortunately, there are a lot of playwrights out there who are discussing the topic of race with much more clarity. That being said, director Katja Rivera does an incredible job bringing the play to life. Rivera has an incredible eye for detail; there’s intention behind every move. Under a less skilled director, the material could’ve been a mess, but Rivera’s vision brings the clarity that the play’s words often lack.Continue reading “Theater Review: Role Players Ensemble Presents Award-Winning Off Broadway Hit Honky“
Charlie (James Carpenter) and Nancy (Ellen McLaughlin) face the unknown in Edward Albee’s Pulitzer Prize (1975) winning play. Photo courtesy of Kevin Berne, 2019.
In Call of the Wild by Jack London, there’s a line that repeats several times, said to be a universal law, the law of life, that is, “Eat or Be Eaten.” In the subsequent passages, London sets up a horrific narrative that is often true: what separates “man” from other species that are deemed eatable, and, of these species, many will eat man; then is man truly of any value? Because of this need for survival, there’s so much fear that permeates our condition. What’s actually real, and what isn’t? In Edward Albee’s Seascape, two couples face these demons head on. One is of the human form and the other alien, but ultimately, we wonder, whose world is it?Continue reading “Theater Review: An Ode to Love and the Human Condition: A.C.T. Presents Edward Albee’s Seascape“
Every year, I make a point to catch Greg Behrendt at least once while he’s in town for Sketchfest. This year, I thought the show Iron Comicsounded like fun. The premise is based on Iron Chef: five stand-up comics have about 8 minutes wherein each puts together a two-minute “set” based on topics chosen on the fly from audience suggestions, and after three rounds, judges narrow down the five to a final two who go head-to-head. Finally, a winner is chosen by audience applause. This all took place this past Saturday night at Cobb’s Comedy Club, and I think it’s safe to say a good time was had by all.Continue reading “Sketchfest Review: Iron Comic with Moshe Kasher & Nato Green at Cobb’s Comedy Club, 1/26/19”
Ahhh, Sketchfest. Where else can you show up 5-10 minutes before show time, dressed down in jeans, a t-shirt, and your favorite sneakers, and still host a live version of your hilarious podcast? This past weekend, that’s exactly what Chuck Bryant did, hosting an episode of Movie Crush with special guest Busy Philipps at the Gateway Theatre on Saturday afternoon. Philipps was, Bryant explained, his #1, 2, and 3 pick of his “dream top 3” guests he submitted to Sketchfest founder Janet Varney when he was invited back to do another episode this year. Like Bryant, I wanted to hear all about Philipps’ movie “crush,” so I showed up early and waited with bated breath.Continue reading “Sketchfest Review: Movie Crush with Chuck Bryant and Busy Philipps at Gateway Theatre, 1/19/19”
I admit it: watching The Bachelor/ette, Bachelor in Paradise, and even Bachelor Winter Games is a serious guilty pleasure of mine. It’s like a trainwreck you can’t look away from. Yes, they get a bunch of desperate, beautiful people together and feed them a bunch of alcohol and film all the fun that ensues. But also, it makes me feel like I have my shit together, because when a relationship I’m in doesn’t work out, I don’t cry into the camera wondering what I could have done differently to make him like me.
I’ve also been a fan of Ardin Myrin’s since she was on MADtv with a girl I once waited tables with in LA, Crista Flanagan. (Although, my bad – I just found out I’ve been saying her name wrong all these years: it’s muh-REEN, not MEER-in. Sorry, Ardin!) I also try to catch Paget Brewster at least once every time she comes to SF for Sketchfest. So when I spotted the listing for a live podcast (Will You Accept This Rose?) featuring both ladies, plus Rob Benedict, Bryan Safi, and several former Bachelor cast members? I knew I couldn’t miss it. And that’s how I found myself at Swedish American Hall on a Saturday afternoon last weekend, in a room full of self-professed “Bachelor Nation” fans chanting “drink, drink, drink!” every time the word “sloth” was mentioned by the cast.Continue reading “Sketchfest Review: Will You Accept This Rose Live at Swedish American Hall, 1/12/19”
