Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
To go with this week in the Bay Area we also have metal, self-described “country-fed punkabilly,” and the Melvins. Also! Bilingual punk rock with horns as well as bilingual Rickenbacker-wielding one-woman guitar rock. And Conan. Conan!
Let’s preview. Faugh A Ballagh! Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts: 2016-03-17 — 2016-03-23”
That Mortified has been selling out shows for the past decade shouldn’t surprise me. What should is that this year was my first time getting to find out why. It was Sketchfest 2016’s final weekend (Saturday, 1/23, to be exact), and while I had booked myself back-to-back shows for the evening, I wasn’t concerned since both were taking place in the same venue (Swedish American Hall). The only minor caveat was that I got so excited about this fact (and that I have been to the former venue next door so many times I know the area well), that I forgot to take what a bitch it is to find parking in the neighborhood. Making matters worse, I stood in a line of people wanting to buy tickets for at least five minutes before I realized I could bypass them all and go find a spot in what was now standing-room-only. And yet, it was absolutely worth it! (The only thing I’d do differently is give myself an exorbitant amount of time for parking next time…) Continue reading “SF Sketchfest Review: Mortified (The Extra Dirty Version), 1/23/16 at Swedish American Hall”
Sketchfest is always fun. It’s even better, though, when I get to see Greg Behrendt, and most of all when it’s for Bring the Rock, as was the case for the final weekend of Sketchfest 2016 at Swedish American Hall. It’s even sweeter than usual, though, because it marks my fifth anniversary with Spinning Platters: I first met editor-in-chief Gordon Elgart at a similar event in 2011. It was called Maximum Volume, but the premise was the same, and any chance I have to be there when an event like this takes place, I’m not gonna miss it. Continue reading “SF Sketchfest Review: Bring the Rock with Greg Behrendt and guests Dana Gould, Andy Kindler, Kate Micucci and Janet Varney, 1/23/16 at Swedish American Hall”
Hound Tall is one of my favorite podcasts, even if it can be hit or miss, I listen excitedly to every episode. The idea is an expert is there to discuss a topic and Moshe Kasher interviews them while three comedian guests do everything they can to get attention and create laughs. At its best it is an entertaining show where you learn a little and get a lot of laughs. At its worst it is a bunch of comedians completely derailing an otherwise intelligent conversation with dick jokes. When I found out the topic for this episode was the rise of electronic music and Rave culture I was pretty worried. Seemed like there might be a lot of opportunity for dick jokes there. Continue reading “SF Sketchfest Review: Hound Tall with Moshe Kasher at Stage Werx, 1/23/16”
Okay, it’s taken me almost a week and I still haven’t been able to decide: do I want to call Sally Field “radiant,” or is “luminous” the right word? I swear, that’s a big part of the reason it’s taken me five days to publish my review. (It also doesn’t help that I’ve been as lazy as my crazed-grad-school lifestyle will allow…) And here I am, I still haven’t decided. Suffice it to say, Ms. Field is all that and more. Anyway, so when SF Sketchfest announced this year’s schedule, I immediately zeroed in on this chance to attend the tribute to Sally Field and screening of her quirky new comedy, Hello, My Name is Doris last Friday night at the amazing Alamo Drafthouse. (Bonus: the Q&A after the film also featured the film’s director/co-writer, Michael Showalter!) Continue reading “SF Sketchfest Review: Tribute to Sally Field, ‘Hello, My Name is Doris’ Screening and Q&A with Sally Field and Michael Showalter, 1/22/16 at Alamo Drafthouse”
Reviewing Podcasts is weird, especially when it’s one you’ve been listening to off and on for six years and have never seen live. There’s just a certain amount of fandom that keeps you from doing an impartial review, so I’m mostly going to tell you want happened. Obviously I loved it. The host of The Dork Forest, Jackie Kashian, is my favorite person in comedy and her enthusiasm to hear and learn about other people’s dorkdoms is often catching. In person it is even stronger and funnier because there is so much more going on with the expressions and gestures of the guests. It’s that special something that always makes it worth it to pay to see a free podcast live. Continue reading “SF Sketchfest Review: The Dork Forest at the Punchline, 1/23/16”
I decided to attend Porch Light Storytelling Series on a whim, as often happens with me and Sketchfest. If I see more than one comedian I really like, in this case Moshe Kasher and Jackie Kashian, I’m pretty happy to try it out. I was also curious about Beth Lisick who wrote a couple of her short story collections I’ve read. The format also seemed like it would be generally likeable – two hosts and six people telling true life stories, what’s not to like about that? Continue reading “SF Sketchfest Review: Porchlight, a Storytelling Series at Swedish American Hall, 1/22/16”
Now we are two thirds of the way through SF Sketchfest and so far, I’m going to say this is the year of the stand up showcase. At least, that’s what won my weekend last week, and now Fresh Out won this weekend by a landslide. It was funny, diverse, and even had some serious moments. Usually it’s a good panel that leaves me with all the feels as I head home, but this time it was the comedians performing at Fresh Out. Continue reading “SF Sketchfest Review: Fresh Out with Emily Heller and Adam Conover at The Eureka Theater, 1/16/16”
As completely expected Spotlight on “Drunk History” was a big drunken funny mess. Well, maybe it was a little drunker and a little messier than I expected, but that’s how the narrators often are on the show, so it all worked out. The simple explanation of the show is there was a panel with show creator Derek Waters and a moderator (Henri Mazza from Alamo Drafthouse) showing clips from the show then discussing them with the drunken narrator of that story. To make it more complicated, or more non-sensical, all these people had quite a bit to drink before they came on stage. Continue reading “SF Sketchfest Review: Spotlight on “Drunk History” at Castro Theater, 1/9/16″
This year would have been my fifth consecutive year watching The Thrilling Adventure Hour at SF Sketchfest. Sadly, it seems I must finally admit that I’m a terrible podcast fan. I adore this show, but I’m a little behind. Ok, a lot behind: what I mean is, I never listen to podcasts. Like, ever. So that’s how far behind I am. It’s always been enough for me to keep up with this show whenever I could catch it live (which, as it happened, was once annually here in the city at Sketchfest). So okay, I didn’t know that there were ashes from which something new could be reborn, but mercifully, I needn’t waste too many tears: Workjuice Theatre definitely scratches the itch withdrawals from TAH might have given me. (Am I making any sense? Translation: I didn’t know that one of my favorite shows had ended, but a similar show with even same bits and characters has taken its place, so yay! Anyway, the show may have a new name, but I was just as happy as always to find myself back in my usual seat at Brava Theater Center last Saturday night to watch Craig, Hal, Marc, Mark, Paget, Paul and the gang! Continue reading “SF Sketchfest Review: Workjuice Theatre with Paget Brewster, Craig Cackowski, Mark Gagliardi, Marc Evan Jackson, Hal Lublin, Busy Philipps, Paul F. Tompkins and more, 1/9/2016 at Brava Theater Center”