In Defense Of: No Jack White, The White Stripes Weren’t “Like A Solo Project”

I’ve been a fan of Jack White for a while now… While working at Wherehouse Music in the early ‘00s, I made sure we were the first chain store to stock The White Stripes in the Bay Area, and I’ve been following White’s career closely ever since. And, yes, he’s a little idiosyncratic. He can be a bit of a jerk. Heck, he took his kids out of a school because his arch rival, Dan Auerbach of The Black Keys, also sent his kids there! But, despite these quirks, I’ve always had a bit of respect for him. He always elevated female musicians, especially female side players. Most importantly, he would always defend his original drummer, Meg White.

Well, he always did, until now. Continue reading “In Defense Of: No Jack White, The White Stripes Weren’t “Like A Solo Project””

Noise Pop Film Review: Ticket to Write: The Golden Age of Rock Music Journalism

Engaging new doc brings us back to rock criticism’s glory days

Last Sunday night, thanks to co-presenters Noise Pop and KQED, a crowd of music aficionados at the Swedish American Hall was treated to a viewing of writer/director Raul Sandelin’s documentary Ticket to Write: The Golden Age of Rock Music Journalism, followed by an engaging Q&A with rock critics Robert Duncan (Creem) and Joel Selvin (San Francisco Chronicle). Sandelin’s film had been making the festival rounds, but has just become available on Amazon Prime, which should please ardent rock history fans everywhere.
Continue reading “Noise Pop Film Review: Ticket to Write: The Golden Age of Rock Music Journalism