Tag: Role Players Ensemble

Theater Review: Last Weekend to Catch Irma Vep at the Danville Village Theatre

Lady Enid (Dana Lewenthal) passes out from fear as the Vampire (Alicia von Kugelgen) lurks over her planning their next move (photo courtesy of Marian Bliss, 2019).

The Mysteries of Irma Vep is a classic gothic tale filled with ghosts, vampires, werewolves, and suspicious family members. The show centers around Lord Edgar Hillcrest and his new wife, Lady Enid Hillcrest, who has arrived at the estate and struggles to fit in. The ominous presence of Edgar’s late wife Irma Vep hovers over them, in more ways than one. Late night shenanigans lead to the exposure of supernatural elements, and lead both characters on a journey to discover who, what, when, and how.
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Theater Review: Role Players Ensemble Presents Award-Winning Off Broadway Hit Honky

(l-r) Michael L. Grayson II, Craig Eychner, Terrance Smith, Justin Hernandez, Miia Ashley, Micah Watterson, Khary Moore, and Emily Keyishian. Photo by Marian Bliss, 2019.

Honky is a play that explores race relations in modern day America. What could be a timely piece, however, falls victim to one-dimensional characters who appear to be caricatures of the very topic that the author is trying to advocate. Because of this, the play, although highly entertaining, does not quite send the proper message about what it means to be a person of color in America. It is very much from the perspective of playwright Greg Kalleres, and, unfortunately, there are a lot of playwrights out there who are discussing the topic of race with much more clarity. That being said, director Katja Rivera does an incredible job bringing the play to life. Rivera has an incredible eye for detail; there’s intention behind every move. Under a less skilled director, the material could’ve been a mess, but Rivera’s vision brings the clarity that the play’s words often lack. Continue reading “Theater Review: Role Players Ensemble Presents Award-Winning Off Broadway Hit Honky“

Theater Review: Danville Village Theatre Presents Jon Robin Baitz’s Other Desert Cities

From l. to r.: Silda (Sally Hogarty), Trip (Micah Watterson), Brooke (Emily Keyishian), Lyman (Christian Phillips), and Polly (Christine Macomber). Photo by Marian Bliss, 2018.

Writer Brooke Wyeth (Emily Keyishian) has come home after a long hiatus to reveal her new novel to her family. Settled in Palm Springs, with conservative values, the Wyeths harbor a plethora of family secrets. It’s all water under the bridge as they go through the motions of their daily lives, secluded in an affluent neighborhood where they appear indestructible. Brooke’s novel threatens to shatter this peaceful image. And so the drama unfolds, as each member fights to keep their secrets under wraps. Continue reading “Theater Review: Danville Village Theatre Presents Jon Robin Baitz’s Other Desert Cities“

Theater Review: Danville Village Theatre Knocks Out Arthur Miller’s All My Sons

Christian Phillips (Joe), Nick Mandracchia (Frank), and Susan Trishel Monson (Sue) harbor family secrets old and new. Photo courtesy of John Carter, 2018.

It’s the play that put Arthur Miller on the map; though not one of his more famous plays, such as The Crucible or Death of a Salesman, it’s in a similar vein nevertheless. Miller explores the human condition — a very male-centric one, but along with it, he questions the patriarchy and the capitalist structures that cloak the American dream. All My Sons knocks you out, delivering punch after punch of pure family drama. Continue reading “Theater Review: Danville Village Theatre Knocks Out Arthur Miller’s All My Sons“

Theater Review: Aphra Behn’s The Rover at Danville Village Theatre

Not much has changed since 1677 — Role Players Ensemble brings Aphra Behn’s The Rover to the Danville Village Theatre

Edited by Jessica Vaden

David J. Bohnet plays Don Pedro, Florinda’s overbearing brother. Nicolette Ellis is Florinda and Terrance Smith as Belville. Photos by Marian Bliss, 2018, courtesy of RPE.

Perhaps now more than ever we are questioning the social constructs that have been put into place for us, especially for those of us on the margins, or in places where our identities intersect. In an attempt at dismantling oppression, we look at its history… starting from gender bending to gender breaking, and finally, to what we assume will become the complete elimination of gender roles. Continue reading “Theater Review: Aphra Behn’s The Rover at Danville Village Theatre”