BottleRock Napa Valley 2025 Festival Journal, Day 3

(You’re reading Day 3. Be sure to check out Day 1 and Day 2!)

The third and final day of a festival is always bittersweet: you know you’ll miss the free-spirited, listen-to-music-all-day-instead-of-the-rest-of-your-life vibes, but on the other hand, you’re tired and your feet hurt. It’s your last chance to catch some great set or discover a new artist. Continue reading “BottleRock Napa Valley 2025 Festival Journal, Day 3”

BottleRock Napa Valley 2025 Festival Journal, Day 2

(You’re reading Day 2. Be sure to check out Day 1!)

Saturday started off warm and bright at BottleRock. I started my day at the Verizon stage for Kate Hudson‘s set. Continue reading “BottleRock Napa Valley 2025 Festival Journal, Day 2”

BottleRock Napa Valley 2025 Festival Journal, Day 1

Friday was a beautiful day in Napa, and a great day to kick off BottleRock 2025. 72 and sunny with a nice breeze is exactly what I want, and this weekend shows up for us every single year. My day started with Ultra Q on the JaM Cellars stage. Continue reading “BottleRock Napa Valley 2025 Festival Journal, Day 1”

Show Review: JoJo with Emmy Meli at The Warfield, 3/6/25

JoJo has spent the last 21 years as the “other” one. When she was a 13-year-old prodigy, she was marketed as the “new” Aaliyah. She spent years making movies and putting out records without achieving the notoriety of fellow prodigies of her era like Hilary Duff and Miley Cyrus. I can’t decide if this is bad or not. She has immense talent, but it’s also allowed her to create her own identity and continue pushing the boundaries of what you would define as R&B or Pop. Her sound has developed in a way that places her as a precursor to boundary pushers like SZA and The Weeknd, and the folks that kept their ears on her learned this. 

I feel like in 2025, with her new EP, NGL, and her book, Over The Influence, it’s time for JoJo to make her formal re-introduction. This live show cements that. Continue reading “Show Review: JoJo with Emmy Meli at The Warfield, 3/6/25”

BottleRock Napa Valley 2024 Festival Journal, Day 3

(You’re reading Day 3. Be sure to check out Day 1 and Day 2!)

The last day of BottleRock Napa Valley 2024 started out warm and clear. Despite arriving at the Napa Valley Expo a bit later than the two days preceding, I had a full day planned. First up was The Beaches at the JaM Cellars stage. I almost missed this set because the band name didn’t ring a bell. Fortunately, another photographer mentioned that they were an all-girl band, which caused me to take a minute to look them up. As soon as I did, I realized that this was a band I’d been hearing recently (“Blame Brett”), so I tagged along to check them out. They’re a fairly high-energy pop-rock band serving plenty of attitude, and their set was a good time. The ladies of the band were cracking me up as they first took the stage, talking about wine hangovers and being “so ready to crush some grapes later!” They were trying to function after one hour of sleep, guitarist Leandra Earl explained, due to having played Red Rocks the previous night. “Who’s ready to be hungover again tomorrow?” lead vocalist Jordan Miller asked as they began “Grow Up Tomorrow.” BRNV is pretty good at putting the right bands at the right times, and this was no exception. You can find their entire setlist here. Continue reading “BottleRock Napa Valley 2024 Festival Journal, Day 3”

BottleRock Napa Valley 2024 Festival Journal, Day 2

(You’re reading Day 2. Be sure to check out Day 1!)

Saturday in Napa dawned bright and sunny for another day of festival fun! My first stop was the Verizon stage, where I caught Holly Humberstone. The girl’s voice is absolutely angelic, and while I only know a few of her songs so far, I enjoyed her performance. She was a treat to start a lovely day, and I was happy to hear both “The Walls Are Way Too Thin” and “Falling Asleep at the Wheel.” You can find the entire setlist here (Verizon; BRNV photos) Continue reading “BottleRock Napa Valley 2024 Festival Journal, Day 2”

BottleRock Napa Valley 2024 Festival Journal, Day 1

Even if I weren’t eagerly awaiting this year’s BottleRock Napa Valley, as I do every year, I would have known it was coming: Napa weather has been absolutely perfect lately. Highs in the mid-70s, clouds are few and far between, and there’s often a lovely breeze if you get a little hot in direct sunlight. Seriously, it’s been wonderful. It’s perfect festival weather! Continue reading “BottleRock Napa Valley 2024 Festival Journal, Day 1”

Show Review: Switchfoot with Ben Goldsmith at Ace of Spades, 11/10/23

What’s better than a three-day weekend thanks to those who have fought to keep America safe? Getting to see a band you love on the Friday night of said three-day weekend, giving me a full weekend after a fun night out, of course! That was my good fortune this Veterans Day weekend as I drove to Sacramento to catch Switchfoot at Ace of Spades. For one reason or another, I have had to miss several Switchfoot tours, and then the next thing I knew, it’s been over a decade since I’ve caught them live. Suffice it to say I couldn’t wait to get to the venue to catch them again, finally! Continue reading “Show Review: Switchfoot with Ben Goldsmith at Ace of Spades, 11/10/23”

Show Review: John Mayer with JP Saxe at Chase Center, 11/7/23

Does everyone else have artists they will see over and over forever, or is it just me? Sometimes, this is because I want to see what’s new in the artist’s/band’s set (as is the case with someone like Pink, who will change much of her songlist, set, costumes, etc, every time she hits the road). On the other hand, sometimes this is just because I’m such a fan of the artist’s voice, lyrics, and music that I’ll see them every single time I have an opportunity, regardless of whether or not things have much changed since the last time. Such was the case this week with John Mayer’s Solo tour, which arrived at Chase Center on Tuesday. Continue reading “Show Review: John Mayer with JP Saxe at Chase Center, 11/7/23”

Show Review: Maneskin at Oakland Arena, 10/13/2023

Ever since the first time I heard Måneskin’s “I Wanna Be Your Slave” (and their excellent cover of The Four Seasons’ “Beggin’”), I was hooked. There’s something about the sounds of Damiano David’s voice that just captivates me, and the entire band just has a tight, catchy, fantastic sound that I can’t seem to get enough of. I didn’t get to catch them when they played the Masonic last November, so believe me when I say that I was not going to miss the Italian band’s first US arena tour. The Rush! World Tour came to Oakland Arena this past weekend (on Friday the 13th, no less), and I couldn’t have been more excited to hear them live. Continue reading “Show Review: Maneskin at Oakland Arena, 10/13/2023”